KENNETH PICKERING is a founder/director of the Institute for the Arts in Therapy and Education in London and was Professor of Theatre and Visiting Scholar in Communications Arts at Gonzaga University, Washington State, USA. Kenneth is also the author of Studying Modern Drama and Theatre Studies.

Praise for the first edition: '...Pickering's Key Concepts [in Drama and Performance] is a fine achievement, not least if it helps theatre theorists think more practically about texts and performance and allows practitioners to engage more openly with the insights of theory.' - The Year's Work in Critical and Cultural Studies

• AcknowlegementsIntroductionTextual ConceptsPerformance ConceptsProduction ConceptsStaging ConceptsCritical ConceptsBibliographyIndex of Key ConceptsGeneral Index.

KENNETH PICKERING is a founder/director of the Institute for the Arts in Therapy and Education in London and was Professor of Theatre and Visiting Scholar in Communications Arts at Gonzaga University, Washington State, USA. Kenneth is also the author of Studying Modern Drama and Theatre Studies.

Praise for the first edition: '...Pickering's Key Concepts [in Drama and Performance] is a fine achievement, not least if it helps theatre theorists think more practically about texts and performance and allows practitioners to engage more openly with the insights of theory.' - The Year's Work in Critical and Cultural Studies

• AcknowlegementsIntroductionTextual ConceptsPerformance ConceptsProduction ConceptsStaging ConceptsCritical ConceptsBibliographyIndex of Key ConceptsGeneral Index.

KENNETH PICKERING is a founder/director of the Institute for the Arts in Therapy and Education in London and was Professor of Theatre and Visiting Scholar in Communications Arts at Gonzaga University, Washington State, USA. Kenneth is also the author of Studying Modern Drama and Theatre Studies.

Praise for the first edition: '...Pickering's Key Concepts [in Drama and Performance] is a fine achievement, not least if it helps theatre theorists think more practically about texts and performance and allows practitioners to engage more openly with the insights of theory.' - The Year's Work in Critical and Cultural Studies

• AcknowlegementsIntroductionTextual ConceptsPerformance ConceptsProduction ConceptsStaging ConceptsCritical ConceptsBibliographyIndex of Key ConceptsGeneral Index.