JAMES FRIEZE is Senior Lecturer in Drama at Liverpool John Moores University, UK. He devises and directs new works for the stage and site-specific adaptations of novels, magazines, and virtual worlds. He has contributed to various journals, and is currentlywriting books on Ping Chong, and (with Anita Gonzalez) on diasporic performance in Liverpool and New York.

'Naming Theatre offers readers a comprehensive understanding of how names populate theatre and how they structure knowledge about a play. This book is an important contribution to the field...[and] prompts theatre scholars to expand the discourse related to their work (something which is frequently ignored) by establishing ways of questioning it.' - Stella Keramida, Platform "Naming' is James Frieze's key term in a critique of identity and identification, which he sees as both a theme and a technique in contemporary theatre and performance... The book's strength and its substance is the exegesis of text and performance, through an ingenious variety of examples of naming as a process which embeds the subject in language, or alternatives strategies which manipulate naming to satirize or escape from such an inscription. It is the level of detail and the application of a mutating but consistent insight that is impressive here, and the book will be as useful as a collection of performance analyis as for its overall thesis.' - Gareth White, NTQ

• Preface Introduction: Improper Naming Authorship: A Trick of the I  Assimilation: Sounding Through the Surface  Demonstration: Illustrative Irony Diagnosis: Putting Medical History Under the Knife Programming: The Designated Blueprint Disclosure: Transcript and Testimony  Monstrosity: Branding the Phatic Graphting: Plotting the Body as Puzzle Supplement: Naming Critical Acts Bibliography Index

JAMES FRIEZE is Senior Lecturer in Drama at Liverpool John Moores University, UK. He devises and directs new works for the stage and site-specific adaptations of novels, magazines, and virtual worlds. He has contributed to various journals, and is currentlywriting books on Ping Chong, and (with Anita Gonzalez) on diasporic performance in Liverpool and New York.

'Naming Theatre offers readers a comprehensive understanding of how names populate theatre and how they structure knowledge about a play. This book is an important contribution to the field...[and] prompts theatre scholars to expand the discourse related to their work (something which is frequently ignored) by establishing ways of questioning it.' - Stella Keramida, Platform "Naming' is James Frieze's key term in a critique of identity and identification, which he sees as both a theme and a technique in contemporary theatre and performance... The book's strength and its substance is the exegesis of text and performance, through an ingenious variety of examples of naming as a process which embeds the subject in language, or alternatives strategies which manipulate naming to satirize or escape from such an inscription. It is the level of detail and the application of a mutating but consistent insight that is impressive here, and the book will be as useful as a collection of performance analyis as for its overall thesis.' - Gareth White, NTQ

• Preface Introduction: Improper Naming Authorship: A Trick of the I  Assimilation: Sounding Through the Surface  Demonstration: Illustrative Irony Diagnosis: Putting Medical History Under the Knife Programming: The Designated Blueprint Disclosure: Transcript and Testimony  Monstrosity: Branding the Phatic Graphting: Plotting the Body as Puzzle Supplement: Naming Critical Acts Bibliography Index