Hunter Vaughan is assistant professor of English and cinema studies at Oakland University. His scholarly interests include the moving image, philosophy, and the environment.

Vaughan's brilliant book places him on the cutting edge of contemporary studies that blend film and philosophy. Reconstructing and clarifying how film-philosophy renders fresh insight into the revolutionary potential of the moving film image, Vaughan opens a new dimension to thought and action. -- Sam B. Girgus, Vanderbilt University Where Film Meets Philosophy begs us to think about what we are seeing on the screen and why. Hunter Vaughan compels us to look afresh at Resnais and Godard for the sake of leading film theory in new directions. This book is a rewarding study that brings postwar philosophy into a shared legacy of cinema. -- Tom Conley, Harvard University

• List of Illustrations Acknowledgments Introduction: Where Film Meets Philosophy 1. Phenomenology and the Viewing Subject 2. Film Connotation and the Signified Subject 3. Sound, Image, and the Order of Meaning 4. Alain Resnais and the Code of Subjectivity 5. Jean-Luc Godard and the Code of Objectivity Conclusion: Where Film and Philosophy May Lead Notes Bibliography Index

Hunter Vaughan is assistant professor of English and cinema studies at Oakland University. His scholarly interests include the moving image, philosophy, and the environment.

Vaughan's brilliant book places him on the cutting edge of contemporary studies that blend film and philosophy. Reconstructing and clarifying how film-philosophy renders fresh insight into the revolutionary potential of the moving film image, Vaughan opens a new dimension to thought and action. -- Sam B. Girgus, Vanderbilt University Where Film Meets Philosophy begs us to think about what we are seeing on the screen and why. Hunter Vaughan compels us to look afresh at Resnais and Godard for the sake of leading film theory in new directions. This book is a rewarding study that brings postwar philosophy into a shared legacy of cinema. -- Tom Conley, Harvard University

• List of Illustrations Acknowledgments Introduction: Where Film Meets Philosophy 1. Phenomenology and the Viewing Subject 2. Film Connotation and the Signified Subject 3. Sound, Image, and the Order of Meaning 4. Alain Resnais and the Code of Subjectivity 5. Jean-Luc Godard and the Code of Objectivity Conclusion: Where Film and Philosophy May Lead Notes Bibliography Index

Hunter Vaughan is assistant professor of English and cinema studies at Oakland University. His scholarly interests include the moving image, philosophy, and the environment.

Vaughan's brilliant book places him on the cutting edge of contemporary studies that blend film and philosophy. Reconstructing and clarifying how film-philosophy renders fresh insight into the revolutionary potential of the moving film image, Vaughan opens a new dimension to thought and action. -- Sam B. Girgus, Vanderbilt University Where Film Meets Philosophy begs us to think about what we are seeing on the screen and why. Hunter Vaughan compels us to look afresh at Resnais and Godard for the sake of leading film theory in new directions. This book is a rewarding study that brings postwar philosophy into a shared legacy of cinema. -- Tom Conley, Harvard University

• List of Illustrations Acknowledgments Introduction: Where Film Meets Philosophy 1. Phenomenology and the Viewing Subject 2. Film Connotation and the Signified Subject 3. Sound, Image, and the Order of Meaning 4. Alain Resnais and the Code of Subjectivity 5. Jean-Luc Godard and the Code of Objectivity Conclusion: Where Film and Philosophy May Lead Notes Bibliography Index