Melodrama Unbound

Across History, Media, and National Cultures

AvChristine Gledhill,Linda Williams

Häftad, Engelska, 2018

Del i serien Film and Culture Series

357 kr

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Beskrivning

For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

Produktinformation

Utgivningsdatum:2018-05-08
Mått:178 x 254 x 28 mm
Vikt:792 g
Format:Häftad
Språk:Engelska
Serie:Film and Culture Series
Antal sidor:440
Förlag:Columbia University Press
ISBN:9780231180672

Utforska kategorier

Film inom Kultur

Mer om författaren

Christine Gledhill is a visiting professor in cinema studies at the University of Sunderland. She is the author of Reframing British Cinema, 1918–1928: Between Restraint and Passion (2003); editor of Home Is Where the Heart Is (1987); and coeditor of Doing Women’s Film History: Reframing Cinemas Past and Future (2015).Linda Williams is professor emerita in film & media and rhetoric at the University of California, Berkeley. Her books include Hard Core: Power, Pleasure and the “Frenzy of the Visible” (1989/1999); Playing the Race Card: Melodramas of Black and White from Uncle Tom to O.J. Simpson (2001); and On The Wire (2014).

Recensioner i media

Two of the most brilliant and lucid writers on film melodrama have put together this wonderful anthology that both consolidates and clarifies thinking about the topic and opens out the field, placing film melodrama more precisely and securely in relation to its theatrical and literary antecedents and extending consideration from well beyond the confines of Europe and North America. A hand-picked roster of contributors confirm the unbounded scope of the collection and demonstrate the importance and range of melodrama and above all the complexity, ideological urgency, and intoxicating pleasures of its emotions.

Innehållsförteckning

Prologue: The Reach of Melodrama, by Christine GledhillAcknowledgmentsIntroduction, by Christine Gledhill and Linda WilliamsPart I: Melodrama’s Crossmedia, Transnational Histories1. Unbinding Melodrama, by Matthew Buckley2. The Passion of Christ and the Melodramatic Imagination, by Richard Allen3. Boucicault in Bombay: Global Theater Circuits and Domestic Melodrama in the Parsi Theater, by Kathryn Hansen4. Global Melodrama and Transmediality in Turn-of-the-Century Japan, by Hannah Airriess5. Transnational Melodrama, Wenyi, and the Orphan Imagination, by Zhen Zhang6. Performing/Acting Melodrama, by Helen Day-Mayer and David Mayer7. Melodrama and the Making of Hollywood, by Hilary A. Hallett8. Modernizing Melodrama: The Petrified Forest on American Stage and Screen (1935–1936), by Martin Shingler9. One Suffers but One Learns: Melodrama and the Rules of Lack of Limits, by Carlos Monsiváis (trans. Kathleen M. Vernon)10. World and Time: Serial Television Melodrama in America, by Linda Williams11. Melodrama’s “Authenticity” in Carl Th. Dreyer’s La Passion de Jeanne d’Arc, by Amanda DoxtaterPart II: Cultural and Aesthetic Debates12. “Tales of Sound and Fury . . .” or, The Elephant of Melodrama, by Linda Williams13. Repositioning Excess: Romantic Melodrama’s Journey from Hollywood to China, by Panpan Yang14. Melodrama and the Aesthetics of Emotion, by E. Deidre Pribram15. Expressionist Aurality: The Stylized Aesthetic of Bhava in Indian Melodrama, by Ira Bhaskar16. The Sorrow and the Piety: Melodrama Rethought in Postwar Italian Cinema, by Louis Bayman17. Costumes as Melodrama: Super Fly, Male Costume, and the Larger-Than-Life, by Drake Stutesman18. Melodrama and Apocalypse: Politics and the Melodramatic Mode in Contagion, by Despina Kakoudaki19. Even More Tears: The Historical Time Theory of Melodrama, by Jane M. GainesBibliographyContributor BiographiesIndex