Forms of Poetic Attention

AvLucy Alford

Häftad, Engelska, 2021

391 kr

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Beskrivning

A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry.Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of a wide variety of poets such as T. S. Eliot, Wallace Stevens, Frank O’Hara, Anne Carson, Theresa Hak Kyung Cha, Harryette Mullen, Al-Khansā’, Rainer Maria Rilke, Arthur Rimbaud, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making—its objects, its coordinates, its variables—while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry’s primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page.

Produktinformation

Utgivningsdatum:2021-05-04
Mått:152 x 229 x 26 mm
Vikt:598 g
Format:Häftad
Språk:Engelska
Antal sidor:384
Förlag:Columbia University Press
ISBN:9780231187558

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Mer om författaren

Lucy Alford is assistant professor of literature at Wake Forest University. Her poems have appeared in Harpur Palate, Literary Matters, the Warwick Review, Streetlight, and Atelier.

Recensioner i media

Today, as our attention is nearly suffocated by the forces of commodification, Lucy Alford awakens us to the subtle powers and true breathing room that poems extend to us. Her focus ranges from Sappho to pre-Islamic poetry through the Renaissance to French and German modernism and the living poets of North America as she attends to the emergent forms of individual works and the manifold experiences of their reception. Close or far, immediate or withdrawn, vivid or abstract, with or without present subjects and objects, poets and their readers begin in perception and arrive at an ethics of care and even love.

Innehållsförteckning

AcknowledgmentsIntroduction: What Is Poetic Attention?Part I. Attending to Objects1. Modes of Transitive Attention2. Contemplation: Attention’s Reach3. Desire: Attention’s Hunger4. Recollection: Attending to the Departed Object5. Imagination: Attention’s PoiesisPart II. Objectless Awareness6. Modes of Intransitive Attention7. Vigilance: States of Suspension8. Resignation: Relinquishing the Object9. Idleness: Doldrums and Gardens of Time10. Boredom: End-Stopped AttentionCoda: Toward a Practice of Poetic AttentionNotesBibliographyPermission CreditsIndex

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