Tess Chakkalakal is an assistant professor of Africana studies and English at Bowdoin College.

Selected as one of two winners of the Robert K. Martin Prize for Best Book, sponsored by the Canadian Association for American Studies (CAAS), 2012."Chakkalakal's book provides a new perspective on the central figures within the black family and the ways in which that aspect of family helps create meaning within the community and identify in the individual. . . . it is an informative and thoughtful text"--The Western Journal of Black Studies "A must read. Highly recommended."--Choice"Exploring the paradox represented by slave marriage in nineteenth-century American fiction, Novel Bondage deftly revises our reading of canonical works, offering a clearer understanding of these texts as direct participants in critiquing marriage as a legal institution."--Kenneth W. Warren, author of What Was African American Literature?"Tess Chakkalakal advances important scholarship on African American marriage during and immediately following the slave era. Her readings of canonical authors are provocative and controversial, but grounded well enough to enliven conversations about these writers and their times."--Frances Smith Foster, author of 'Til Death or Distance Do Us Part: Love and Marriage in African America "Fresh, surprising, cleanly written, and wonderfully effective."--Legacy "A sophisticated and nuanced analysis of the (largely) fictionalized slave marriages that will hold some value for historians who wish to gain greater insight into the institution. Novel Bondage rewards the close readers, prompting us to think about what marriage represented or symbolized in the 19th century, and how it has evolved as an institution."--The Journal of African American History

• Introduction: The Slave-Marriage Plot; Between Fiction and Experience: William Wells Brown's Clotel; Dred and the Freedom of Marriage: Harriet Beecher Stowe's Fiction of Law; Free, Black, and Married: Frank J. Webb's The Garies and their Friends; "A Legally Unmarried Race": Frances Harper's Marital Mission; Wedded to Race: Charles Chesnutt's Stories of the Color Line; Conclusion: Reading Hannah Crafts in the 21st Century Selected; Bibliography

Tess Chakkalakal is an assistant professor of Africana studies and English at Bowdoin College.

Selected as one of two winners of the Robert K. Martin Prize for Best Book, sponsored by the Canadian Association for American Studies (CAAS), 2012."Chakkalakal's book provides a new perspective on the central figures within the black family and the ways in which that aspect of family helps create meaning within the community and identify in the individual. . . . it is an informative and thoughtful text"--The Western Journal of Black Studies "A must read. Highly recommended."--Choice"Exploring the paradox represented by slave marriage in nineteenth-century American fiction, Novel Bondage deftly revises our reading of canonical works, offering a clearer understanding of these texts as direct participants in critiquing marriage as a legal institution."--Kenneth W. Warren, author of What Was African American Literature?"Tess Chakkalakal advances important scholarship on African American marriage during and immediately following the slave era. Her readings of canonical authors are provocative and controversial, but grounded well enough to enliven conversations about these writers and their times."--Frances Smith Foster, author of 'Til Death or Distance Do Us Part: Love and Marriage in African America "Fresh, surprising, cleanly written, and wonderfully effective."--Legacy "A sophisticated and nuanced analysis of the (largely) fictionalized slave marriages that will hold some value for historians who wish to gain greater insight into the institution. Novel Bondage rewards the close readers, prompting us to think about what marriage represented or symbolized in the 19th century, and how it has evolved as an institution."--The Journal of African American History

• Introduction: The Slave-Marriage Plot; Between Fiction and Experience: William Wells Brown's Clotel; Dred and the Freedom of Marriage: Harriet Beecher Stowe's Fiction of Law; Free, Black, and Married: Frank J. Webb's The Garies and their Friends; "A Legally Unmarried Race": Frances Harper's Marital Mission; Wedded to Race: Charles Chesnutt's Stories of the Color Line; Conclusion: Reading Hannah Crafts in the 21st Century Selected; Bibliography