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    Lost Sounds

    Blacks and the Birth of the Recording Industry, 1890-1919

    AvTim Brooks

    Häftad, Engelska, 2005

    402 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry.Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.

    Produktinformation

    • Utgivningsdatum:2005-07-08
    • Mått:180 x 255 x 45 mm
    • Vikt:1 240 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:656
    • Förlag:University of Illinois Press
    • ISBN:9780252073076

    Utforska kategorier

    • Musikböcker inom Kultur
    • Referensverk och tvärvetenskap inom Samhälle och politik
    • Media och underhållning inom Ekonomi och Ledarskap

    Mer om författaren

    Tim Brooks is Executive Vice President of Research at Lifetime Television. He is the author of Little Wonder Records: A History and Discography and other books, as well as past president of the Association for Recorded Sound Collections. Dick Spottswood is a freelance author, broadcaster, and record producer. He is the author of the seven-volume reference work, Ethnic Music on Records.

    Recensioner i media

    Winner of an ASCAP Deems Taylor Award, 2005.  Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005.  Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— ASCAPWinner of an ASCAP Deems Taylor Award, 2005.  Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005.  Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— ARSCWinner of an ASCAP Deems Taylor Award, 2005.  Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005.  Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— Society for American MusicWinner of an ASCAP Deems Taylor Award, 2005.  Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005.  Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.— ARSC

    Innehållsförteckning

    • CoverTitle PageCopyright PageContentsPrefaceAcknowledgmentsIntroduction: Lost, Stolen, or Strayed?PART ONE: George W. Johnson, the First Black Recording Artist1. The Early Years2. Talking Machines!3. The Trial of George W. JohnsonPART TWO: Black Recording Artists, 1890-994. The Unique Quartette5. Louis "Bebe" Vasnier: Recording in Nineteenth-Century New Orleans6. The Standard Quartette and South before the War7. The Kentucky Jubilee Singers8. Bert Williams and George Walker9. Cousins and DeMoss10. Thomas CraigPART THREE: Black Recording Artists, 1900-190911. The Dinwiddie Quartet12. Carroll Clark13. Charley Case: Passing for White?14. The Fisk Jubilee Singers and the Popularization of Negro Spiriituals15. Polk Miller and His Old South QuartettePART FOUR: Black Recording Artists, 1920-1516. Jack Johnson17. Daisy Tapley18. Apollo Jubilee Quartette19. Edward Sterling Wright and the Poery of Paul Laurence Dunbar20. James Reese Europe21. Will Marion Cook and the Afro-American Folk Song Singers22. Dan Kildare and Joan Sawyer's Persian Garden Orchestra23. The Tuskegee Institute Singers24. The Right QuintettePART FIVE: Black Recording Artists, 1916-1925. Wilbur C. Sweatman: Disrespecting Wilbur26. Opal D. Cooper27. Noble Sissle and Eubie Blake28. Ford T. Dabney: Syncopation over Broadway29. W. C. Handy30. Roland Hayes31. The Four Harmony Kings32. Broome Special Phonograph Records33. Edward H. Boatner34. Harry T. Burleigh35. Florence Cole-Talbert36. R. Nathaniel Dett37. Clarence Cameron WhitePART SIX: Other Early Recordings38. Miscellaneous RecordingsAppendix: Caribbean and South American RecordingsNotesSelect CD DiscographyBibliographyIndex