James E. Dobson is a lecturer in the Department of English and Creative Writing at Dartmouth College. He is the author of Modernity and Autobiography in Nineteenth-Century America: Literary Representations of Communication and Transportation Technologies.

"In this artfully crafted, elegantly written monograph, Dobson deploys his acumen as a literary theorist to show how everything touching computational methods from computational logic to algorithmically derived tools is subject in one way or another to the modes of humanistic critique that computational scientists claim to have rendered obsolete. Whereas computational digital humanities claims to be a mode inquiry that would utterly displace humanistic disciplines, the critical digital humanities Dobson explains and practices shows how humanistic critical theory and computational science might be considered complementary rather than antagonistic modes of inquiry."--Donald E. Pease, author of The New American Exceptionalism"Critical Digital Humanities brings hermeneutic philosophy, literary theory (high and low, surface and deep) to bear on research in the field of digital humanities, from machine learning to sentiment analysis. This book goes beyond mere critique, effectively and thoroughly interrogating the extent to which algorithmic tools extend humanists' interpretive goals. It should be required reading not only for those interested in limits of computational methodologies but also for digital humanities scholars and students who are analyzing digital texts and building digital tools for future research."—Laura Mandell, author of Breaking the Book: Print Humanities in the Digital Age"Dobson provides a thought-provoking overview of critical views on digital humanities. He points repeatedly and with vigor at crucial aspects to consider when doing digital humanities in the tradition of literary criticism." --Journal of Literary Theory

• CoverTitleCopyrightContentsPrefaceAcknowledgments1. Protocols, Methods, and Workflows: Digital Ways of Reading2. Can an Algorithm Be Disturbed? Machine Learning, Intrinsic Criticism, and the Digital Humanities3. Digital Historicism and the Historicity of Digital Texts4. The Cultural Significance of k-NNConclusionNotesWorks CitedIndex

James E. Dobson is a lecturer in the Department of English and Creative Writing at Dartmouth College. He is the author of Modernity and Autobiography in Nineteenth-Century America: Literary Representations of Communication and Transportation Technologies.

"In this artfully crafted, elegantly written monograph, Dobson deploys his acumen as a literary theorist to show how everything touching computational methods from computational logic to algorithmically derived tools is subject in one way or another to the modes of humanistic critique that computational scientists claim to have rendered obsolete. Whereas computational digital humanities claims to be a mode inquiry that would utterly displace humanistic disciplines, the critical digital humanities Dobson explains and practices shows how humanistic critical theory and computational science might be considered complementary rather than antagonistic modes of inquiry."--Donald E. Pease, author of The New American Exceptionalism"Critical Digital Humanities brings hermeneutic philosophy, literary theory (high and low, surface and deep) to bear on research in the field of digital humanities, from machine learning to sentiment analysis. This book goes beyond mere critique, effectively and thoroughly interrogating the extent to which algorithmic tools extend humanists' interpretive goals. It should be required reading not only for those interested in limits of computational methodologies but also for digital humanities scholars and students who are analyzing digital texts and building digital tools for future research."—Laura Mandell, author of Breaking the Book: Print Humanities in the Digital Age"Dobson provides a thought-provoking overview of critical views on digital humanities. He points repeatedly and with vigor at crucial aspects to consider when doing digital humanities in the tradition of literary criticism." --Journal of Literary Theory

• CoverTitleCopyrightContentsPrefaceAcknowledgments1. Protocols, Methods, and Workflows: Digital Ways of Reading2. Can an Algorithm Be Disturbed? Machine Learning, Intrinsic Criticism, and the Digital Humanities3. Digital Historicism and the Historicity of Digital Texts4. The Cultural Significance of k-NNConclusionNotesWorks CitedIndex