John Miles Foley is William H. Byler Chair in the Humanities, Curators' Professor of Classical Studies and English, and the director of the Center for Studies in Oral Tradition at the University of Missouri at Columbia. He is the author or editor of twenty books, including How to Read an Oral Poem.

"This workadds a decisive and stunning new dimension to John Miles Foley's already distinguished contributions to the study of oral traditions--ancient, medieval, and modern. His demonstration that they share significant features with the composition and communication of cultural production deploying digital technology and the internet will provoke a major upheaval in the study of long-term media history."--Thomas Pettitt, coeditor of The Ballad As Narrative: Studies in the Ballad Tradition of England, Scotland, Germany, and Denmark"Oral Tradition and the Internet is a stunningly ambitious and highly provocative multi-platform project in which John Miles Foley invites the reader to join him on a fascinating and compelling exploration of the interconnected architectonics of the human mind and the Internet. Wide-ranging, challenging, and intellectually rich, it will have an enormous and revolutionary impact on the field of oral studies and on many interconnected fields of humanistic study. Because it is as accessible as it is erudite, it will appeal alike to the specialist and non-specialist reader."--Mark C. Amodio, author of Writing the Oral Tradition: Oral Poetics and Literate Culture in Medieval England"With its intellectual arc from antiquity to the future just beyond our horizon, the book is a fitting monument to an imaginative, generous, and immensely productive scholar."--MLR

• CoverTitle PageCopyright PageTable of NodesPrefaceFor Book-readers OnlyHome PageGetting StartedDisclaimerBook versus WebsiteResponseLinkmapsNodes in Alphabetical OrderA Foot in Each WorldAccuracyAgora As Verbal MarketplaceAgoraphobiaArena of Oral TraditionArena of TextArena of the WebAudience CritiqueBellerophon and His TabletCitizenship in Multiple AgorasCloud and TraditionContingencyCulture As NetworkCulture ShockDistributed AuthorshipDon't Trust Everything You Read in BookseAgoraeCompanionsePathwayseWordsExcavating an EpicFreezing WikipediaGetting Published or Getting SequesteredHomo Sapiens' Calendar YearHow to Build a BookIdeology of the TextIllusion of ObjectIllusion of StasisImpossibility of tPathwaysIn the Public DomainIndigestible WordsJust the FactsLeapfrogging the TextMisnavigationMorphing BookMuseum of Verbal ArtNot So Willy-nillyoAgoraOnline with OToPathwaysOwning versus SharingoWordsPolytaxisProverbsReading BackwardsReal-time versus AsynchronousReality Remains in PlayRecur Not RepeatRemixResponsible Agora-businessResynchronizing the EventSinging on the PageSpectrum of TextsStories Are LinkmapstAgoraTexts and IntertextualityThree AgorastWordsVariation within LimitsWhy Not TextualizeWikiFurther ReadingNotesIndex

John Miles Foley is William H. Byler Chair in the Humanities, Curators' Professor of Classical Studies and English, and the director of the Center for Studies in Oral Tradition at the University of Missouri at Columbia. He is the author or editor of twenty books, including How to Read an Oral Poem.

"This workadds a decisive and stunning new dimension to John Miles Foley's already distinguished contributions to the study of oral traditions--ancient, medieval, and modern. His demonstration that they share significant features with the composition and communication of cultural production deploying digital technology and the internet will provoke a major upheaval in the study of long-term media history."--Thomas Pettitt, coeditor of The Ballad As Narrative: Studies in the Ballad Tradition of England, Scotland, Germany, and Denmark"Oral Tradition and the Internet is a stunningly ambitious and highly provocative multi-platform project in which John Miles Foley invites the reader to join him on a fascinating and compelling exploration of the interconnected architectonics of the human mind and the Internet. Wide-ranging, challenging, and intellectually rich, it will have an enormous and revolutionary impact on the field of oral studies and on many interconnected fields of humanistic study. Because it is as accessible as it is erudite, it will appeal alike to the specialist and non-specialist reader."--Mark C. Amodio, author of Writing the Oral Tradition: Oral Poetics and Literate Culture in Medieval England"With its intellectual arc from antiquity to the future just beyond our horizon, the book is a fitting monument to an imaginative, generous, and immensely productive scholar."--MLR

• CoverTitle PageCopyright PageTable of NodesPrefaceFor Book-readers OnlyHome PageGetting StartedDisclaimerBook versus WebsiteResponseLinkmapsNodes in Alphabetical OrderA Foot in Each WorldAccuracyAgora As Verbal MarketplaceAgoraphobiaArena of Oral TraditionArena of TextArena of the WebAudience CritiqueBellerophon and His TabletCitizenship in Multiple AgorasCloud and TraditionContingencyCulture As NetworkCulture ShockDistributed AuthorshipDon't Trust Everything You Read in BookseAgoraeCompanionsePathwayseWordsExcavating an EpicFreezing WikipediaGetting Published or Getting SequesteredHomo Sapiens' Calendar YearHow to Build a BookIdeology of the TextIllusion of ObjectIllusion of StasisImpossibility of tPathwaysIn the Public DomainIndigestible WordsJust the FactsLeapfrogging the TextMisnavigationMorphing BookMuseum of Verbal ArtNot So Willy-nillyoAgoraOnline with OToPathwaysOwning versus SharingoWordsPolytaxisProverbsReading BackwardsReal-time versus AsynchronousReality Remains in PlayRecur Not RepeatRemixResponsible Agora-businessResynchronizing the EventSinging on the PageSpectrum of TextsStories Are LinkmapstAgoraTexts and IntertextualityThree AgorastWordsVariation within LimitsWhy Not TextualizeWikiFurther ReadingNotesIndex

John Miles Foley is William H. Byler Chair in the Humanities, Curators' Professor of Classical Studies and English, and the director of the Center for Studies in Oral Tradition at the University of Missouri at Columbia. He is the author or editor of twenty books, including How to Read an Oral Poem.

"This workadds a decisive and stunning new dimension to John Miles Foley's already distinguished contributions to the study of oral traditions--ancient, medieval, and modern. His demonstration that they share significant features with the composition and communication of cultural production deploying digital technology and the internet will provoke a major upheaval in the study of long-term media history."--Thomas Pettitt, coeditor of The Ballad As Narrative: Studies in the Ballad Tradition of England, Scotland, Germany, and Denmark"Oral Tradition and the Internet is a stunningly ambitious and highly provocative multi-platform project in which John Miles Foley invites the reader to join him on a fascinating and compelling exploration of the interconnected architectonics of the human mind and the Internet. Wide-ranging, challenging, and intellectually rich, it will have an enormous and revolutionary impact on the field of oral studies and on many interconnected fields of humanistic study. Because it is as accessible as it is erudite, it will appeal alike to the specialist and non-specialist reader."--Mark C. Amodio, author of Writing the Oral Tradition: Oral Poetics and Literate Culture in Medieval England"With its intellectual arc from antiquity to the future just beyond our horizon, the book is a fitting monument to an imaginative, generous, and immensely productive scholar."--MLR

• CoverTitle PageCopyright PageTable of NodesPrefaceFor Book-readers OnlyHome PageGetting StartedDisclaimerBook versus WebsiteResponseLinkmapsNodes in Alphabetical OrderA Foot in Each WorldAccuracyAgora As Verbal MarketplaceAgoraphobiaArena of Oral TraditionArena of TextArena of the WebAudience CritiqueBellerophon and His TabletCitizenship in Multiple AgorasCloud and TraditionContingencyCulture As NetworkCulture ShockDistributed AuthorshipDon't Trust Everything You Read in BookseAgoraeCompanionsePathwayseWordsExcavating an EpicFreezing WikipediaGetting Published or Getting SequesteredHomo Sapiens' Calendar YearHow to Build a BookIdeology of the TextIllusion of ObjectIllusion of StasisImpossibility of tPathwaysIn the Public DomainIndigestible WordsJust the FactsLeapfrogging the TextMisnavigationMorphing BookMuseum of Verbal ArtNot So Willy-nillyoAgoraOnline with OToPathwaysOwning versus SharingoWordsPolytaxisProverbsReading BackwardsReal-time versus AsynchronousReality Remains in PlayRecur Not RepeatRemixResponsible Agora-businessResynchronizing the EventSinging on the PageSpectrum of TextsStories Are LinkmapstAgoraTexts and IntertextualityThree AgorastWordsVariation within LimitsWhy Not TextualizeWikiFurther ReadingNotesIndex