Music in World War II

Pamela M. Potter is Professor of German and Music at the University of Wisconsin-Madison. She is author of Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich and Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Performing Arts and editor (with Celia Applegate) of Music and German National Identity. Christina L. Baade is Professor and Chair in the Department of Communication Studies and Multimedia at McMaster University. She is author of the award-winning Victory through Harmony: The BBC and Popular Music in World War II and editor (with James Deaville) of Music and the Broadcast Experience: Performance, Production, and Audiences. Roberta Montemorra Marvin is Professor of Musicology and Chair of the Department of Music and Dance at the University of Massachusetts Amherst. She is author of many books, including The Politics of Verdi's Cantica, and is editor of the critical edition of that work for the Works of Giuseppe Verdi series.

"Music in World War II aims to significantly expand the musicological literature on music in the Second World War. In so doing, the authors and editors have brought together a collection that offers deeply informed, interdisciplinary, and original views on a myriad of musical practices in Europe, Great Britain, and the United States during the period."—Gayle Magee, Over Here, Over There: Transatlantic Conversations on the Music of World War I"The newly published Indiana University Press book, Music in World War II: Coping with Wartime in Europe and the United States, has enlarged my understanding of how music became a tool of war for allies and adversaries alike, as opponents became allies and allies became opponents in a shifting landscape of diplomacy. Music as propaganda wasn't on my radar as a child. . . . The editors designed a book to show a broad base of music's power to shape citizens and soldiers in wartime. They chose essayists whose imperative brings us into the moments of real people in a world of divisiveness. In my childhood household I was instructed, "We are fighting for ideals, for 'liberty and justice for all.' When the war is over and we are winners we have work to do to make America a safe place for everyone. Always make something better for everyone." A powerful charge for a little kid."—Rita Kohn, Nuvo"Music in World War II is a book that is really worth reading not only because it is a true page-turner and the stories are unique and fascinating, but also because it truly adds to our knowledge of World War II events from a perspective that is even wider than just music."—Alexandros Charkiolakis - The Friends of Music Society, Music Reference Services Quarterly

• DedicationPreface / Roberta Montemorra MarvinIntroduction: Music and Global War in the Short Twentieth Century / Pamela M. PotterPart I: On the Airwaves and the Screen1. Sandy Calling: Forging an Intimate Wartime Public at the BBC Theater Organ / Christina L. Baade2. "Alien" Classical Musicians and the BBC, 1939 – 1945 / Tony Stoller3. Musical "Diplomacy" in American and Soviet World War II Films of the 1940s / Peter KupferPart II: Opera, Theater Stage, and Concerts4. The Metropolitan Opera House and the "War of Ideologies": The Politics of Opera Publicity in Wartime / Christopher Lynch5. Broadway Goes to War / Tim Carter6. Throwing Some Light on the Dunkelkonzerte: Towards a New Image of Concert Life in Vienna, 1939-1944 / Nicholas Attfield7. Before the End of Time: General Huntziger's Centre Musical et Théâtral / Christopher Brent MurrayPart III: National Imaginaries8. Swing in the Protectorate: Czech Popular Music under the Nazi Occupation, 1938-1945 / Brian S. Locke9. A Musical Reedeucation: Music-making in America's German POW Camps and the Intellectual Diversion Program / Kelsey Kramer McGinnis10. Bunkers, Cellars, and Acoustic Memory: Sonic Experiences of War and Surrender in Nazi Germany / Abby AndertonAfterword: Trans/national Soundscapes in World War II / Annegret FauserSelected Works