Travis Warren Cooper is Research Associate in the Department of Anthropology at Indiana University Bloomington.

Shedding light on the profound phenomenon of digital evangelicalism, this book sparkles with illuminating insights on the contemporary tensions and paradoxes of religious authority, as well as the vital role of new media for religious organizing in a datafied world. The Digital Evangelicals assembles a range of multimodal data across platforms to help us think more deeply about the communicative constitution of religious authority, authenticity and community.- Pauline Hope Cheong, co-editor of Digital Religion, Social Media and Culture: Perspectives, Practices and Futures The Digital Evangelicals is an ambitious, impressive, unprecedented work. Part cultural history, part critical textual analysis, part ethnography, it is more than the sum of these parts. Cooper's book demands a fundamental reconsideration of what it means to analyze evangelicalism as a hybrid online-offline cultural form.- James Bielo, author of Emerging Evangelicals: Faith, Modernity, and the Desire for Authenticity The Digital Evangelicals is an impressive text. In addition to detailing how today's emerging evangelicals engage new media, Cooper also provides a framework for rethinking what, exactly, this thing called 'evangelicalism' even is. Through richly detailed ethnographies of Twitter debates, Instagram rituals, and Zoom church services, the book charts how communities constitute evangelicalism through media—and how social media might play a role in evangelicalism's undoing. The book is impressive both for its breadth of its analysis and the depth of its theoretical critique.- Christopher Cantwell, co-editor of Introduction to Digital Humanities: Research Methods in the Study of Religion The Digital Evangelicals is much-needed intervention in a field chock full of books telling you what so-called evangelicals "really are" or "really should be." Cooper's attention to the discourses that define the boundaries of evangelical identity and community offer an important corrective to the search for the best definition of evangelicalism. Drawing on a unique archive of digital sources, The Digital Evangelicals shows how claims about "authentic" evangelicalism are really battles over authority and power.- Michael J. Altman, Associate Professor of Religious Studies, University of Alabama If one were to define Evangelicals, one might do so in terms of their shared beliefs or religious practices. Cooper (anthropology, Indiana Univ., Bloomington) instead considers this group in terms of its media presence and how Evangelicals are present and influential in the current digital environment. He argues that historically and presently, Evangelical Christians have been at the forefront of technology: Luther using the printing press, Charles Fuller presenting worship services over the radio, and Billy Graham evangelizing through television. In the digital age, Evangelicals continue in this pattern and, in fact, help shape the broader digital culture. Cooper addresses the challenges Evangelicals face in maintaining authenticity while also using online tools to disseminate their message. The internet and social media have been a mixed blessing, offering new and innovative opportunities and avenues for conflict and corruption. Cooper's particular interest is in the progressive wing of Evangelicalism and how these Christians push back against the restrictive and antifeminist elements of their religious tradition. Using ethnographic research of a particular church in the Midwest, Cooper offers a skillful, nuanced analysis of digital Evangelicalism. (Reprinted with permission from Choice Reviews. All rights reserved. Copyright by the American Library Association.)- J. Jaeger (Choice) Existing works on digital religion . . . cannot possibly account for the sheer ubiquity of contemporary networked technologies. Nor can this scholarship appreciate recent transformations in how communities take shape, how information is circulated, and how religious authority is established. Cooper wades enthusiastically into this substantial gap, unsettling prevalent assumptions about white evangelicals and technological mediation and laying useful groundwork for future studies of religion and digital media.- Travis Warren Cooper (Journal of the American Academy of Religion)

• AcknowledgmentsIntroductionPart I: Media and Message1. Media Sincerity and Promiscuity: Origins2. Evangelical Media Ecologies from Print to the Internet3. Evangelical Theories of the DigitalPart II: Authenticity Construction across New Media: Case Studies4. #FareWellRobBell: Heresy Discourse and the Horizontalization of Authority5. Feminist Publics and the Progressive Evangelical Blogosphere6. Instagram, Authenticity, AffectPart III: Local Technologies in a Global World7. Emerging Midwestern Evangelicals and Digital Media8. Media Ambivalence in Emerging EvangelicalismConclusion: Zoom Church, Cancel Culture, and the Exportation of Evangelical MediaAppendixGlossaryBibliographyIndex

Travis Warren Cooper is Research Associate in the Department of Anthropology at Indiana University Bloomington.

Shedding light on the profound phenomenon of digital evangelicalism, this book sparkles with illuminating insights on the contemporary tensions and paradoxes of religious authority, as well as the vital role of new media for religious organizing in a datafied world. The Digital Evangelicals assembles a range of multimodal data across platforms to help us think more deeply about the communicative constitution of religious authority, authenticity and community.- Pauline Hope Cheong, co-editor of Digital Religion, Social Media and Culture: Perspectives, Practices and Futures The Digital Evangelicals is an ambitious, impressive, unprecedented work. Part cultural history, part critical textual analysis, part ethnography, it is more than the sum of these parts. Cooper's book demands a fundamental reconsideration of what it means to analyze evangelicalism as a hybrid online-offline cultural form.- James Bielo, author of Emerging Evangelicals: Faith, Modernity, and the Desire for Authenticity The Digital Evangelicals is an impressive text. In addition to detailing how today's emerging evangelicals engage new media, Cooper also provides a framework for rethinking what, exactly, this thing called 'evangelicalism' even is. Through richly detailed ethnographies of Twitter debates, Instagram rituals, and Zoom church services, the book charts how communities constitute evangelicalism through media—and how social media might play a role in evangelicalism's undoing. The book is impressive both for its breadth of its analysis and the depth of its theoretical critique.- Christopher Cantwell, co-editor of Introduction to Digital Humanities: Research Methods in the Study of Religion The Digital Evangelicals is much-needed intervention in a field chock full of books telling you what so-called evangelicals "really are" or "really should be." Cooper's attention to the discourses that define the boundaries of evangelical identity and community offer an important corrective to the search for the best definition of evangelicalism. Drawing on a unique archive of digital sources, The Digital Evangelicals shows how claims about "authentic" evangelicalism are really battles over authority and power.- Michael J. Altman, Associate Professor of Religious Studies, University of Alabama If one were to define Evangelicals, one might do so in terms of their shared beliefs or religious practices. Cooper (anthropology, Indiana Univ., Bloomington) instead considers this group in terms of its media presence and how Evangelicals are present and influential in the current digital environment. He argues that historically and presently, Evangelical Christians have been at the forefront of technology: Luther using the printing press, Charles Fuller presenting worship services over the radio, and Billy Graham evangelizing through television. In the digital age, Evangelicals continue in this pattern and, in fact, help shape the broader digital culture. Cooper addresses the challenges Evangelicals face in maintaining authenticity while also using online tools to disseminate their message. The internet and social media have been a mixed blessing, offering new and innovative opportunities and avenues for conflict and corruption. Cooper's particular interest is in the progressive wing of Evangelicalism and how these Christians push back against the restrictive and antifeminist elements of their religious tradition. Using ethnographic research of a particular church in the Midwest, Cooper offers a skillful, nuanced analysis of digital Evangelicalism. (Reprinted with permission from Choice Reviews. All rights reserved. Copyright by the American Library Association.)- J. Jaeger (Choice) Existing works on digital religion . . . cannot possibly account for the sheer ubiquity of contemporary networked technologies. Nor can this scholarship appreciate recent transformations in how communities take shape, how information is circulated, and how religious authority is established. Cooper wades enthusiastically into this substantial gap, unsettling prevalent assumptions about white evangelicals and technological mediation and laying useful groundwork for future studies of religion and digital media.- Travis Warren Cooper (Journal of the American Academy of Religion)

• AcknowledgmentsIntroductionPart I: Media and Message1. Media Sincerity and Promiscuity: Origins2. Evangelical Media Ecologies from Print to the Internet3. Evangelical Theories of the DigitalPart II: Authenticity Construction across New Media: Case Studies4. #FareWellRobBell: Heresy Discourse and the Horizontalization of Authority5. Feminist Publics and the Progressive Evangelical Blogosphere6. Instagram, Authenticity, AffectPart III: Local Technologies in a Global World7. Emerging Midwestern Evangelicals and Digital Media8. Media Ambivalence in Emerging EvangelicalismConclusion: Zoom Church, Cancel Culture, and the Exportation of Evangelical MediaAppendixGlossaryBibliographyIndex