GEORGE HOULE, Professor of Music at Stanford University, is author of Meter and Music: 1600–1800. He has produced a modern edition of Le Ballet des Fâcheux: Beauchamp's Music for Molière's Comedy and of Doulce memoire, the latter containing twenty-four versions of the chanson.

• IntroductionStructure of the Missa cuiusvis toniEmotional Connotations of the ModesPerformance of the Missa cuiusvis toniIn the Phrygian ModeIn the Mixolydian ModeIn the Lydian ModeIn the Dorian ModeThe Missa cuiusvis toni in the Phyrgian ModeKyrieGloriaCredoSanctusAgnus deiThe Missa cuiusvis toni in the Mixolydian ModeKyrieGloriaCredoSanctusAgnus deiThe Missa cuiusvis toni in the Lydian ModeKyrieGloriaCredoSanctusAgnus deiThe Missa cuiusvis toni in the Dorian ModeKyrieGloriaCredoSanctusAgnus dei

GEORGE HOULE, Professor of Music at Stanford University, is author of Meter and Music: 1600–1800. He has produced a modern edition of Le Ballet des Fâcheux: Beauchamp's Music for Molière's Comedy and of Doulce memoire, the latter containing twenty-four versions of the chanson.

• IntroductionStructure of the Missa cuiusvis toniEmotional Connotations of the ModesPerformance of the Missa cuiusvis toniIn the Phrygian ModeIn the Mixolydian ModeIn the Lydian ModeIn the Dorian ModeThe Missa cuiusvis toni in the Phyrgian ModeKyrieGloriaCredoSanctusAgnus deiThe Missa cuiusvis toni in the Mixolydian ModeKyrieGloriaCredoSanctusAgnus deiThe Missa cuiusvis toni in the Lydian ModeKyrieGloriaCredoSanctusAgnus deiThe Missa cuiusvis toni in the Dorian ModeKyrieGloriaCredoSanctusAgnus dei