Genius to Improve an Invention

Piero Boitani is professor of comparative literature at the University of Rome, "La Sapienza." He is the founding president of the European Society for English Studies and a fellow of the British Academy. In 2002, he was awarded the Feltrinelli Prize for Literary Criticism—Italy's most prestigious literary award. Boitani is the author of numerous books, including The Shadow of Ulysses and The Bible and Its Rewritings.

"The Genius to Improve an Invention is supported with a thorough theoretical awareness and a flexible intelligence enabling Boitani to move comfortably within a vast array of texts and thus take the reader on a fascinating literary journey. Through his pressing and detailed arguments, the author suggests original approaches to some of the great works of European literature—each of them is considered as a solution to a specific problem and, at the same time, as a probative argument in favor of applied rationality. Reading these essays calls to mind what Henry James once said: 'All the pieces of the game [are] on the table together and each unconfusedly and contributively placed, as triumphantly scientific.'" —Mario Lavagetto, University of Bologna"Boitani's slim book more than lives up to its unique production history in the extraordinary range of its subjects and insights. It is the kind of book that great men of letters once wrote.... [The Genius to Improve an Invention], once opened, it is a book almost impossible to put down." —Medium Aevum"The Genius to Improve an Invention is both substantial and graceful–a fascinating journey through some of the greatest works of Western literature, with a guide who is at once learned and entertaining, impassioned and moving." —Jill Mann, University of Notre Dame"The book's linguistic vicissitudes are intriguingly appropriate to its topic, which is the (mostly) translingual commerce between literary texts in which the difference evident in imitation can be understood as an inspired improvement." —American Journal of Philology, Fall 2003"This book deserves the attention of all who are interested in the processes of literary continuity and change." —Frank Kermode, King's College, Cambridge University