Apocalyptic Patterns in Twentieth-Century Fiction

David Leigh, S.J., is professor of English at Seattle University. He is the author of numerous articles as well as Circuitous Journeys: Modern Spiritual Autobiography.

". . . Leigh succeeds in providing his readers with a general survey of twentieth-century novels that retrieve the thematic and formal elements of premodern apocalyptic literature. The primary accomplishment of this book lies in its demonstration of how extensively and deeply apocalyptic elements are woven into the fabric of twentieth-century fiction. . . . [T]he reading methodology of this book is worthy of the attention of scholars and students interested in the interrelation and interaction of religion and literature." —Journal of Religion"David Leigh has written Apocalyptic Patterns in Twentieth-Century Fiction on something of the sweeping scale of apocalyptic literature itself. Concentrating on the century just ended, it explores 21 novels and two autobiographies, examines American, African American, British, and postcolonial literature, includes modernist and postmodernist texts, and embraces genres that range from personal narrative to speculative fiction. Leigh's readings place literature and theology in a dialogue that he himself is now in an excellent position to develop." —Theological Studies"Leigh aims in this very learned monograph to discern how selected modern novels have 'used the Apocalyptic tradition as found in the book of Revelation and other classic works,' and issues raised by these novels that 'call for theological and philosophical reflection.' . . . This authoritative literary criticism is recommended to academic libraries supporting graduate programs in literature." —Catholic Library World"Conducting readings of twenty major 20th century novels and two autobiographies in the English language, Leigh proposes to examine two fundamental questions: the innovative ways in which modern texts have used the apocalyptic tradition as found in the biblical Book of Revelation and other classic works dealing with the end of the world and the ways these literary apocalypses raise issues that call for philosophical and theological reflection." —Reference & Research Book News"David Leigh has made a major contribution to our understanding of the apocalyptic tradition in 20th century fiction. Along the way, Leigh introduces us to a remarkable array of fiction—from science fiction to literature of death, to specific African American works like Frederick Douglass's Narrative, Ralph Ellison's The Invisible Man, and to examples from Post-Colonial fiction like Salman Rushdie's Midnight's Children and Shusaku Endo's Deep River. Leigh's work is required reading for students interested in connections between religion and literature." —John L. Mahoney, Rattigan Professor of English, Boston College"David Leigh brings his impressive background in philosophy, theology, and literary theory to bear on twenty writers of the twentieth century who, through apocalyptic imagery and motifs, explore ultimate reality and end time. While painstakingly aware of the many differences among these writers, he convincingly argues that these texts use a variety of genres to embody in concrete and imaginative ways human experiences of ultimacy." —Philip Rule, S.J., Holy Cross College"In his new book, David J. Leigh uses an interdisciplinary lens to scrutinize the place of eschatology and apocalypse in literature. He mines a wonderfully diverse array of case studies—from science fiction, to fantasy, to postmodernism, to postcolonial genres—to find rich theological readings bearing on twentieth-century concerns." —Mark Bosco, S.J., Loyola University Chicago"David J. Leigh's lucid and informative book conducts a lively travelogue among novels, modern and postmodern, as well as a dialogue between literature, literary theory, and contemporary theology, and philosophy. His shrewd and humane account reminds us how fundamental and pervasive in cultural representation is the perception and creation of an 'end'—as activating goal, as pleasurable climax, and as a meaning-laden, values-confirming 'ultimate'." —Judith Wilt, Newton College Alumnae Chair in Western Culture, Department of English, Boston College