Andrew Escobedo is professor of English at Ohio State University and co-editor of Spenser Studies.

"An excellent study, Volition's Face is the most sophisticated account to date of the trope known as prosopopoeia, personification, as it developed from Classical times through the Christian Middle Ages to the Renaissance." —Religion and Literature"Volition's Face is a highly exhilarating, informative, and entertaining study. Escobedo often reminds the academic reader that the most obvious explanations belie a complex theoretical framework." —Parergon"In chapter after chapter, Escobedo sees and delineates the connections between ancient and early modern ideas of personification and will, and it is difficult to do justice to the nuances of Escobedo's argument in a brief review. Regardless, it is clear that specialists in medieval and Renaissance studies will find rewarding insights and significant contributions to the field in these pages." —Sixteenth Century Journal"Volition's Face is remarkably subtle, nuanced, and comprehensive. Engaging works by Christopher Marlowe, Edmund Spenser, and John Milton, the book aims to capture premodern intuitions about the human will. Escobedo's deft treatment of the tensions inherent in such a will—both cause and effect, both active and passive, both within and without—shows an intellectual control of a very high order. The historical sweep of Volition's Face and its compelling arguments will make it an influential contribution to early modern literary studies." —David J. Baker, Peter G. Phialas Distinguished Professor of English and Comparative Literature, University of North Carolina at Chapel Hill"In Volition's Face, Andrew Escobedo tracks the uses of allegorical personification from its prehistory in the Greek daemonic to its high points in Spenser and Milton. The originality of the argument is sure to draw attention, for Escobedo engages with the landmark studies of Fletcher, Teskey, and others, respectfully but convincingly redrawing the boundaries of the topic. He does so on the basis of a sustained and rigorous engagement with modern philosophical approaches to agency and volition, which lets him return to early modern literary texts in order to show how distinct conceptions of these categories are encoded within the literary practice of personification. It's a very strong book." —David Miller, Carolina Distinguished Professor, University of South Carolina"This exhilarating and brilliant book will be a most welcome and timely addition to the ReFormations series, to which it will add distinction. . . . It is also a book that can be relished sentence by sentence, as Escobedo is a writer of intellectual verve and boldness, making hard-won claims look obvious once made." —Sarah Beckwith, Katherine Everett Gilbert Professor of English, Duke University"A valuable contribution to the scholarship tackling some of the most important and difficult problems in European literary history." —Modern Philology

• List of IllustrationsPrefaceIntroduction1. Personification, Energy, and Allegory2. The Prosopopoetic Will: Ours, though Not We3. Conscience in the Tudor Interludes4. Despair in Marlowe and Spenser5. Love and Spenser's Cupid6. Sin and Milton's AngelEpilogue: Premodern Personification and Posthumanism?NotesBibliographyIndex

Andrew Escobedo is professor of English at Ohio State University and co-editor of Spenser Studies.

"An excellent study, Volition's Face is the most sophisticated account to date of the trope known as prosopopoeia, personification, as it developed from Classical times through the Christian Middle Ages to the Renaissance." —Religion and Literature"Volition's Face is a highly exhilarating, informative, and entertaining study. Escobedo often reminds the academic reader that the most obvious explanations belie a complex theoretical framework." —Parergon"In chapter after chapter, Escobedo sees and delineates the connections between ancient and early modern ideas of personification and will, and it is difficult to do justice to the nuances of Escobedo's argument in a brief review. Regardless, it is clear that specialists in medieval and Renaissance studies will find rewarding insights and significant contributions to the field in these pages." —Sixteenth Century Journal"Volition's Face is remarkably subtle, nuanced, and comprehensive. Engaging works by Christopher Marlowe, Edmund Spenser, and John Milton, the book aims to capture premodern intuitions about the human will. Escobedo's deft treatment of the tensions inherent in such a will—both cause and effect, both active and passive, both within and without—shows an intellectual control of a very high order. The historical sweep of Volition's Face and its compelling arguments will make it an influential contribution to early modern literary studies." —David J. Baker, Peter G. Phialas Distinguished Professor of English and Comparative Literature, University of North Carolina at Chapel Hill"In Volition's Face, Andrew Escobedo tracks the uses of allegorical personification from its prehistory in the Greek daemonic to its high points in Spenser and Milton. The originality of the argument is sure to draw attention, for Escobedo engages with the landmark studies of Fletcher, Teskey, and others, respectfully but convincingly redrawing the boundaries of the topic. He does so on the basis of a sustained and rigorous engagement with modern philosophical approaches to agency and volition, which lets him return to early modern literary texts in order to show how distinct conceptions of these categories are encoded within the literary practice of personification. It's a very strong book." —David Miller, Carolina Distinguished Professor, University of South Carolina"This exhilarating and brilliant book will be a most welcome and timely addition to the ReFormations series, to which it will add distinction. . . . It is also a book that can be relished sentence by sentence, as Escobedo is a writer of intellectual verve and boldness, making hard-won claims look obvious once made." —Sarah Beckwith, Katherine Everett Gilbert Professor of English, Duke University"A valuable contribution to the scholarship tackling some of the most important and difficult problems in European literary history." —Modern Philology

• List of IllustrationsPrefaceIntroduction1. Personification, Energy, and Allegory2. The Prosopopoetic Will: Ours, though Not We3. Conscience in the Tudor Interludes4. Despair in Marlowe and Spenser5. Love and Spenser's Cupid6. Sin and Milton's AngelEpilogue: Premodern Personification and Posthumanism?NotesBibliographyIndex

Andrew Escobedo is professor of English at Ohio State University and co-editor of Spenser Studies.

"An excellent study, Volition's Face is the most sophisticated account to date of the trope known as prosopopoeia, personification, as it developed from Classical times through the Christian Middle Ages to the Renaissance." —Religion and Literature"Volition's Face is a highly exhilarating, informative, and entertaining study. Escobedo often reminds the academic reader that the most obvious explanations belie a complex theoretical framework." —Parergon"In chapter after chapter, Escobedo sees and delineates the connections between ancient and early modern ideas of personification and will, and it is difficult to do justice to the nuances of Escobedo's argument in a brief review. Regardless, it is clear that specialists in medieval and Renaissance studies will find rewarding insights and significant contributions to the field in these pages." —Sixteenth Century Journal"Volition's Face is remarkably subtle, nuanced, and comprehensive. Engaging works by Christopher Marlowe, Edmund Spenser, and John Milton, the book aims to capture premodern intuitions about the human will. Escobedo's deft treatment of the tensions inherent in such a will—both cause and effect, both active and passive, both within and without—shows an intellectual control of a very high order. The historical sweep of Volition's Face and its compelling arguments will make it an influential contribution to early modern literary studies." —David J. Baker, Peter G. Phialas Distinguished Professor of English and Comparative Literature, University of North Carolina at Chapel Hill"In Volition's Face, Andrew Escobedo tracks the uses of allegorical personification from its prehistory in the Greek daemonic to its high points in Spenser and Milton. The originality of the argument is sure to draw attention, for Escobedo engages with the landmark studies of Fletcher, Teskey, and others, respectfully but convincingly redrawing the boundaries of the topic. He does so on the basis of a sustained and rigorous engagement with modern philosophical approaches to agency and volition, which lets him return to early modern literary texts in order to show how distinct conceptions of these categories are encoded within the literary practice of personification. It's a very strong book." —David Miller, Carolina Distinguished Professor, University of South Carolina"This exhilarating and brilliant book will be a most welcome and timely addition to the ReFormations series, to which it will add distinction. . . . It is also a book that can be relished sentence by sentence, as Escobedo is a writer of intellectual verve and boldness, making hard-won claims look obvious once made." —Sarah Beckwith, Katherine Everett Gilbert Professor of English, Duke University"A valuable contribution to the scholarship tackling some of the most important and difficult problems in European literary history." —Modern Philology

• List of IllustrationsPrefaceIntroduction1. Personification, Energy, and Allegory2. The Prosopopoetic Will: Ours, though Not We3. Conscience in the Tudor Interludes4. Despair in Marlowe and Spenser5. Love and Spenser's Cupid6. Sin and Milton's AngelEpilogue: Premodern Personification and Posthumanism?NotesBibliographyIndex