Elliott H. King is Associate Professor of Art History at Washington and Lee University and the author of Salvador Dalí: The Late Work and Dalí, Surrealism, and Cinema. He is a founding board member of the International Society for the Study of Surrealism. Abigail Susik is Associate Professor of Art History at Willamette University and the author of Surrealist Sabotage and the War on Work. She co-edited the volume Surrealism and Film After 1945: Absolutely Modern Mysteries.

“Radical Dreams . . . conveys a sense of the [surrealist] movement as a global network, reclaiming its original radicalism in alternative political contexts.”—Ela Bittencourt Frieze

• List of IllustrationsAcknowledgementsIntroductory EssaysSurrealism as RadicalismAbigail Susik and Elliot H. KingSurrealism and Revolutionary Romanticism in May ’68Michael LöwyPart 1: Surrealist Solidarity1. “Down with Art, Up with Revolution”: Protesting Dada and Surrealism in 1968Sandra Zalman2. Ted Joans, the Other Jones: Jazz Poet, Black Power Missionary, and Surrealist InterpreterGrégory Pierrot3. Angry, Hopeful Chaos an the Great Secret of Surrealism: Unraveling the Tangled Web of the 1970sPenelope RosemontPart 2: Against the Liquidators4. Passionate Attraction: Fourier, Feminism, Free Love, and L’Écart absolu Claire Howard5. “To Be a Painter Means to Oppose”: Exhibiting and Politicizing Robert Rauschenberg, 1959-1965Gavin Parkinson6. A Consciousness of Being: Burn, Baby, Burn and the Political Art of Roberto MattaAlyce MahonPart 3: The Right to Insubordination7. The Fantasy of a Powerful Myth: The Situationist International After SurrealismMikkel Bolt Rasmussen8. Afrosurrealism as a Counterculture of ModernityJonathan P. Eburne9. The Surrealist Adventure and the Poetry of Direct Action: Passionate Encounters Between the Chicago Surrealist Group, the Wobblies, and Earth First!Ron SakolskyPart 4: Passional Attractions10. A Useful Bile: André Breton’s Humour Noir in 1960s AmericaRyan Standfest11. Oz Magazine and British Counterculture: A Case Study in the Reception of SurrealismDavid Hopkins12. Surrealism and Punk: The Case of COUM TransmissionsMarie Arleth SkovList of ContributorsIndex

Elliott H. King is Associate Professor of Art History at Washington and Lee University and the author of Salvador Dalí: The Late Work and Dalí, Surrealism, and Cinema. He is a founding board member of the International Society for the Study of Surrealism. Abigail Susik is Associate Professor of Art History at Willamette University and the author of Surrealist Sabotage and the War on Work. She co-edited the volume Surrealism and Film After 1945: Absolutely Modern Mysteries.

“Radical Dreams . . . conveys a sense of the [surrealist] movement as a global network, reclaiming its original radicalism in alternative political contexts.”—Ela Bittencourt Frieze

• List of IllustrationsAcknowledgementsIntroductory EssaysSurrealism as RadicalismAbigail Susik and Elliot H. KingSurrealism and Revolutionary Romanticism in May ’68Michael LöwyPart 1: Surrealist Solidarity1. “Down with Art, Up with Revolution”: Protesting Dada and Surrealism in 1968Sandra Zalman2. Ted Joans, the Other Jones: Jazz Poet, Black Power Missionary, and Surrealist InterpreterGrégory Pierrot3. Angry, Hopeful Chaos an the Great Secret of Surrealism: Unraveling the Tangled Web of the 1970sPenelope RosemontPart 2: Against the Liquidators4. Passionate Attraction: Fourier, Feminism, Free Love, and L’Écart absolu Claire Howard5. “To Be a Painter Means to Oppose”: Exhibiting and Politicizing Robert Rauschenberg, 1959-1965Gavin Parkinson6. A Consciousness of Being: Burn, Baby, Burn and the Political Art of Roberto MattaAlyce MahonPart 3: The Right to Insubordination7. The Fantasy of a Powerful Myth: The Situationist International After SurrealismMikkel Bolt Rasmussen8. Afrosurrealism as a Counterculture of ModernityJonathan P. Eburne9. The Surrealist Adventure and the Poetry of Direct Action: Passionate Encounters Between the Chicago Surrealist Group, the Wobblies, and Earth First!Ron SakolskyPart 4: Passional Attractions10. A Useful Bile: André Breton’s Humour Noir in 1960s AmericaRyan Standfest11. Oz Magazine and British Counterculture: A Case Study in the Reception of SurrealismDavid Hopkins12. Surrealism and Punk: The Case of COUM TransmissionsMarie Arleth SkovList of ContributorsIndex

Elliott H. King is Associate Professor of Art History at Washington and Lee University and the author of Salvador Dalí: The Late Work and Dalí, Surrealism, and Cinema. He is a founding board member of the International Society for the Study of Surrealism. Abigail Susik is Associate Professor of Art History at Willamette University and the author of Surrealist Sabotage and the War on Work. She co-edited the volume Surrealism and Film After 1945: Absolutely Modern Mysteries.

“Radical Dreams . . . conveys a sense of the [surrealist] movement as a global network, reclaiming its original radicalism in alternative political contexts.”—Ela Bittencourt Frieze

• List of IllustrationsAcknowledgementsIntroductory EssaysSurrealism as RadicalismAbigail Susik and Elliot H. KingSurrealism and Revolutionary Romanticism in May ’68Michael LöwyPart 1: Surrealist Solidarity1. “Down with Art, Up with Revolution”: Protesting Dada and Surrealism in 1968Sandra Zalman2. Ted Joans, the Other Jones: Jazz Poet, Black Power Missionary, and Surrealist InterpreterGrégory Pierrot3. Angry, Hopeful Chaos an the Great Secret of Surrealism: Unraveling the Tangled Web of the 1970sPenelope RosemontPart 2: Against the Liquidators4. Passionate Attraction: Fourier, Feminism, Free Love, and L’Écart absolu Claire Howard5. “To Be a Painter Means to Oppose”: Exhibiting and Politicizing Robert Rauschenberg, 1959-1965Gavin Parkinson6. A Consciousness of Being: Burn, Baby, Burn and the Political Art of Roberto MattaAlyce MahonPart 3: The Right to Insubordination7. The Fantasy of a Powerful Myth: The Situationist International After SurrealismMikkel Bolt Rasmussen8. Afrosurrealism as a Counterculture of ModernityJonathan P. Eburne9. The Surrealist Adventure and the Poetry of Direct Action: Passionate Encounters Between the Chicago Surrealist Group, the Wobblies, and Earth First!Ron SakolskyPart 4: Passional Attractions10. A Useful Bile: André Breton’s Humour Noir in 1960s AmericaRyan Standfest11. Oz Magazine and British Counterculture: A Case Study in the Reception of SurrealismDavid Hopkins12. Surrealism and Punk: The Case of COUM TransmissionsMarie Arleth SkovList of ContributorsIndex