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      1. Kultur
      2. Scenkonst och film
      3. Film

      Becoming Film Literate

      The Art and Craft of Motion Pictures

      AvVincent LoBrutto

      Inbunden, Engelska, 2005

      746 kr

      Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

      Fler format och utgåvor

      E-bok

      801 kr

      Beskrivning

      Though movies have remained our foremost cultural pastime for over 100 years, many of us still know very little about the tools used to create them. In this groundbreaking new book, Vincent LoBrutto provides an enjoyable and accessible education in the art of cinema: using 50 landmark films spanning the history of the medium, LoBrutto illustrates such important concepts as editing, production design, cinematography, sound, screen acting, narrative structure, and various genres, nationalities, and film eras. Each concept is illustrated by the selection of a film that epitomizes its use, so that readers will learn about film authorship in Citizen Kane, multiplot narrative in Nashville, widescreen filmmaking in Rebel without a Cause, and screen violence in The Wild Bunch. Explaining the various tricks of the moviemaking trade, Becoming Film Literate offers a crash course in cinema, one designed to give even the novice reader a solid introduction to this complex and multifaceted medium.Though movies have remained our foremost cultural pastime for over 100 years, many of us still know very little about the tools used to create them. In this groundbreaking new book, Vincent LoBrutto provides an enjoyable and accessible education in the art of cinema: using 50 landmark films spanning the history of the medium, LoBrutto illustrates such important concepts as editing, production design, cinematography, sound, screen acting, narrative structure, and various genres, nationalities, and film eras. Each concept is illustrated by the selection of a film that epitomizes its use, so that readers will learn about film authorship in Citizen Kane, multiplot narrative in Nashville, widescreen filmmaking in Rebel without a Cause, and screen violence in The Wild Bunch.Providing a unique opportunity to become acquainted with important movies and the elements of their greatness, Becoming Film Literate offers a crash course in cinema, one designed to give even the novice reader a solid introduction to this complex and multifaceted medium.

      Produktinformation

      • Utgivningsdatum:2005-03-30
      • Mått:156 x 235 x 26 mm
      • Vikt:765 g
      • Format:Inbunden
      • Språk:Engelska
      • Antal sidor:404
      • Förlag:Bloomsbury Publishing Plc
      • ISBN:9780275981440

      Utforska kategorier

      • Film inom Kultur

      Mer om författaren

      Vincent LoBrutto is an instructor of editing, production design, and cinema studies at the School of Visual Arts in New York City. He is the author of Stanley Kubrick: A Biography, as well as such books as Selected Takes: Film Editors on Editing (Praeger, 1991), By Design: Interviews with Film Production Designers (Praeger, 1992), and The Encyclopedia of American Independent Filmmaking (Greenwood, 2002). A member of American Cinema Editors, LoBrutto is the assistant editor of CinemaEditor and a contributing author to American Cinematographer and Films in Review.

      Recensioner i media

      To introduce students to the basic tools of cinema, LoBrutto (editing, production design and cinema studies, School of Visual Arts) uses 50 landmark films as illustrations of concepts such as production design, cinematography, sound, narrative structure and genres. Readers learn about film authorship, for example, in a discussion of Citizen Kane and multiplot narrative in a chapter on Nashville. LoBrutto includes a glossary and suggestions for further viewing or reading.

      Innehållsförteckning

      • AcknowledgmentsIntroductionNon-Linear Storytelling: Amores PerrosTransformation of the American Comedy: Annie HallTableau Narrative Structure and Sound Design: Apocalypse NowThe Body as Cinematic Landscape: L'AvventuraEditing: Russian Montage: The Battleship PotemkinItalian Neorealism: The Bicycle ThiefProduction Design: Blade RunnerDream State: Blue VelvetThe Period Film as Mirror for the Present: Bonnie and ClydeExpressionism in Cinema: The Cabinet of Dr. CaligariClassical Hollywood Film Style: CassablancaSurrealism in Cinema: Un Chien AndalouThe Authorial Voice: Citizen KaneShot Structure: The CrowdThematic Unity: The DecalogueMythopoetic Film: Dog Star ManPolitical Objectives through Cinematic Storytelling: Do the Right ThingFilm Noir: Double IdemnityThe Personal Film: 8 1/2Animation and Music: FantasiaAn American Musical: 42nd StreetNew York Filmmaking: The French ConnectionPeriod Comedy: The GeneralParallel Storytelling: IntoleranceFrench New Wave: Jules and JimThe Epic: Lawrence of ArabiaThe Political Thriller: The Manchurian CandidateSelf-Referential Cinema: Man with the Movie CameraArchitecture in Production Design: MetropolisRoots of Documentary Film: Nanook of the NorthMultiplot, Multicharacter Narrative: NashvilleMethod Acting: On the WaterfrontThe Close Up: The Passion of Joan of ArcDark Side of American Cinema: PsychoSubtext in Personal Expression: Raging BullMultiple Point-of-View Narrative: RashomonWidescreen Filmmaking: Rebel without a CauseCamera Movement as Metaphor: LaRondeMise-en-Scene: Rules of the GameDirect Cinema: SalesmanThe Freudian Western: The SearchersDefining Theme, Metaphor, and Character through Color, Texture, and Environmental Design: Se7enSymbolism in the Cinema: The Seventh SealArt of the B-Movie: Shock CorridorDigital Filmmaking: Star Wars: Episode II: Attack of the ClonesBirth of a Nonfiction Film Style: The Thin Blue LineExperimental Narrative: 2001: A Space OdysseyThe Essay Film: WeekendScreen Violence as Metaphor: The Wild BunchIndependent Filmmaking: A Woman Under the InfluenceGlossaryBibliographyIndex
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