Andrew Horton is the Jeanne H. Smith Professor of Film Studies and Director of the Film and Video Studies Program at the University of Oklahoma, Norman, and an award-winning screenwriter who wrote Brad Pitt's first feature film.

...Henry Bumstead and the World of Hollywood Art Direction is essential reading for anyone interested in this crucial aspect of filmmaking. (Film International)

• Acknowledgments Introduction. "Not Everything You Draw Shows Up in the Shot!" 1. The Paramount Years: "We All Wore Suits and Ties" 2. The Hitchcock Films: "Never in My Wildest Dreams!" 3. Universal Studios, Robert Mulligan, and To Kill a Mockingbird 4. Working with George Roy Hill: From Dresden to Venice and Everywhere in Between 5. The Eastwood Films: "Clint Does His Homework" 6. Final Takes on a Handful of Favorites Toward a Conclusion Notes Filmography Selected Bibliography Index

Andrew Horton is the Jeanne H. Smith Professor of Film Studies and Director of the Film and Video Studies Program at the University of Oklahoma, Norman, and an award-winning screenwriter who wrote Brad Pitt's first feature film.

...Henry Bumstead and the World of Hollywood Art Direction is essential reading for anyone interested in this crucial aspect of filmmaking. (Film International)

• Acknowledgments Introduction. "Not Everything You Draw Shows Up in the Shot!" 1. The Paramount Years: "We All Wore Suits and Ties" 2. The Hitchcock Films: "Never in My Wildest Dreams!" 3. Universal Studios, Robert Mulligan, and To Kill a Mockingbird 4. Working with George Roy Hill: From Dresden to Venice and Everywhere in Between 5. The Eastwood Films: "Clint Does His Homework" 6. Final Takes on a Handful of Favorites Toward a Conclusion Notes Filmography Selected Bibliography Index

Andrew Horton is the Jeanne H. Smith Professor of Film Studies and Director of the Film and Video Studies Program at the University of Oklahoma, Norman, and an award-winning screenwriter who wrote Brad Pitt's first feature film.

...Henry Bumstead and the World of Hollywood Art Direction is essential reading for anyone interested in this crucial aspect of filmmaking. (Film International)

• Acknowledgments Introduction. "Not Everything You Draw Shows Up in the Shot!" 1. The Paramount Years: "We All Wore Suits and Ties" 2. The Hitchcock Films: "Never in My Wildest Dreams!" 3. Universal Studios, Robert Mulligan, and To Kill a Mockingbird 4. Working with George Roy Hill: From Dresden to Venice and Everywhere in Between 5. The Eastwood Films: "Clint Does His Homework" 6. Final Takes on a Handful of Favorites Toward a Conclusion Notes Filmography Selected Bibliography Index