Lisa Volpe is associate curator of photography at the Museum of Fine Arts, Houston. Ariel Plotek is curator of fine art at the Georgia O’Keeffe Museum.

“This fascinating book was released to coincide with an exhibition of O'Keeffe's photography...and shines a fresh light on one of the 20th century's most innovative and iconic artists.”—Jonathan Harwood, Black & White Photography2022 PROSE Award Finalist, Art Exhibitions category“Lisa Volpe’s careful scholarship offers a new perspective on the work of Georgia O’Keeffe. As viewers, we are invited to see the intimacy of her surroundings through the act of taking pictures.”—Catherine Opie“A necessary, and beautiful, contribution to the mountain of scholarship on Georgia O’Keeffe. For the first time, we can talk about O’Keeffe as a photographer and within the long line of modern artists who used photography as a critical tool in constructing their paintings.”—Bruce Robertson, University of California, Santa Barbara“O’Keeffe had no desire to be an art photographer, this welcome study reveals, but she deeply exploited the camera’s potential to focus and frame motifs in memorable compositions. In ways unknown until now, she used her Leica and Polaroid as power tools to exercise her eye and practice her formal aesthetics.”—Wanda M. Corn, author of Georgia O’Keeffe, Living Modern“In this deeply researched and engaging book, Lisa Volpe and Ariel Plotek not only show how O’Keeffe used the same pictorial strategies in creating her photographs as she did in her paintings, but they also shed light on her life in New Mexico in her later years. In the end, this book is about artistic rejuvenation—it reveals how great artists, like O’Keeffe, repeatedly rethink their work and practice, expanding and reinvigorating it as new challenges and new opportunities present themselves.”—Sarah Greenough, National Gallery of Art