Susan Tomes is a concert pianist and writer. Renowned both as a soloist and as the pianist of Domus and the Florestan Trio, she is the author of numerous works including Beyond the Notes, Sleeping in Temples, and Speaking the Piano.

“Susan Tomes . . . casts her net widely, taking in chamber music and concertos, knotty avant-garde masterworks and (most welcome) jazz. Her inclusions and omissions are equally fascinating.”—Richard Fairman, Financial Times, “Best Books of 2021: Classical Music”“[One of] the most beautiful books I got my hands on this year . . . about the shaping of this maddening, glorious, unconquerable instrument.”—Jenny Colgan, The Spectator, “Books of the Year”“It’s a love letter to the instrument that connects [Tomes] and her audiences to the genius of those who created such captivating sounds across the centuries” —George Hamilton, Irish Independent  “This wide-ranging history of the piano takes in everything from Bach, Haydn and Mozart to the the jazz styles of Joplin, Waller and Tatum.”—Ken Walton, The Scotsman“This comprehensive, informative and highly readable celebration of the piano and its literature is a must for pianophiles and music lovers, and for those who play, a book to keep close by the instrument to refer to, dip into, and cherish.”—ArtMuseLondon“Quite simply an essential purchase for any piano enthusiast, offering as it does a veritable feast of salient information and insight into the instrument and music which we love so much.”—Andrew Eales, Pianodao“Tomes allows herself a framework of 100 works on which to hang the entire history of piano music, except she goes further and wider. . . . All this could become heavy going in writing a style that flits between historical context and programme note-style analysis, but we have Tomes’ decision to include pieces that ‘involve piano’—sonatas with additional solo instrument, piano trios, even concertos—to thank for alleviating potential overkill.”—The Scotsman, “Scottish Books of 2021”“The most remarkable thing about this beautiful book is the unique insights being shared by a musical performer. . . . The appeal of this particular volume lies in its approach to, and expression of, musical meaning and truth from a performer’s point of view (and hearing).”—Harvey Richardson, Methodist Recorder“A joyous celebration of the piano. . . . There are many delightful insights into how the music actually feels to play. . . . Biographical and historical material is well covered with a light, non-polemical touch. The selection is no means restricted to classical music.”—Julian Jacobson, Musical Opinion“A superb masterpiece, packed with detail, yet eloquently presenting important moments in the history (and pre-history) of piano music and how it has inspired us all—composers, musicians, and listeners—for more than 200 years.”—John Gilhooly, director of Wigmore Hall“Susan Tomes writes as elegantly and lucidly as she plays the piano. Here she offers the perfect guide to the world of musical riches that the instrument at its best can be. This is a treasurable book for committed pianophiles and newcomers alike.”—Jessica Duchen, novelist and music writer“This is a delightful and valuable book. Susan Tomes presents a generous history of piano literature with wonderful lucidity, understanding and conviction. Love of the piano and its music shines through every page—professional musicians and music-loving enthusiasts alike will be captivated.”—Steven Isserlis, cellist“Susan Tomes explains why this beloved instrument has been at the heart of our musical lives, on stage and at home, from its invention up to the present day. Her love for the instrument, and the music which its composer-lovers have written for it over centuries, is infectious and instructive. A book to keep near your piano.”—Stephen Hough, pianist

Susan Tomes is a concert pianist and writer. Renowned both as a soloist and as the pianist of Domus and the Florestan Trio, she is the author of numerous works including Beyond the Notes, Sleeping in Temples, and Speaking the Piano.

“Susan Tomes . . . casts her net widely, taking in chamber music and concertos, knotty avant-garde masterworks and (most welcome) jazz. Her inclusions and omissions are equally fascinating.”—Richard Fairman, Financial Times, “Best Books of 2021: Classical Music”“[One of] the most beautiful books I got my hands on this year . . . about the shaping of this maddening, glorious, unconquerable instrument.”—Jenny Colgan, The Spectator, “Books of the Year”“It’s a love letter to the instrument that connects [Tomes] and her audiences to the genius of those who created such captivating sounds across the centuries” —George Hamilton, Irish Independent  “This wide-ranging history of the piano takes in everything from Bach, Haydn and Mozart to the the jazz styles of Joplin, Waller and Tatum.”—Ken Walton, The Scotsman“This comprehensive, informative and highly readable celebration of the piano and its literature is a must for pianophiles and music lovers, and for those who play, a book to keep close by the instrument to refer to, dip into, and cherish.”—ArtMuseLondon“Quite simply an essential purchase for any piano enthusiast, offering as it does a veritable feast of salient information and insight into the instrument and music which we love so much.”—Andrew Eales, Pianodao“Tomes allows herself a framework of 100 works on which to hang the entire history of piano music, except she goes further and wider. . . . All this could become heavy going in writing a style that flits between historical context and programme note-style analysis, but we have Tomes’ decision to include pieces that ‘involve piano’—sonatas with additional solo instrument, piano trios, even concertos—to thank for alleviating potential overkill.”—The Scotsman, “Scottish Books of 2021”“The most remarkable thing about this beautiful book is the unique insights being shared by a musical performer. . . . The appeal of this particular volume lies in its approach to, and expression of, musical meaning and truth from a performer’s point of view (and hearing).”—Harvey Richardson, Methodist Recorder“A joyous celebration of the piano. . . . There are many delightful insights into how the music actually feels to play. . . . Biographical and historical material is well covered with a light, non-polemical touch. The selection is no means restricted to classical music.”—Julian Jacobson, Musical Opinion“A superb masterpiece, packed with detail, yet eloquently presenting important moments in the history (and pre-history) of piano music and how it has inspired us all—composers, musicians, and listeners—for more than 200 years.”—John Gilhooly, director of Wigmore Hall“Susan Tomes writes as elegantly and lucidly as she plays the piano. Here she offers the perfect guide to the world of musical riches that the instrument at its best can be. This is a treasurable book for committed pianophiles and newcomers alike.”—Jessica Duchen, novelist and music writer“This is a delightful and valuable book. Susan Tomes presents a generous history of piano literature with wonderful lucidity, understanding and conviction. Love of the piano and its music shines through every page—professional musicians and music-loving enthusiasts alike will be captivated.”—Steven Isserlis, cellist“Susan Tomes explains why this beloved instrument has been at the heart of our musical lives, on stage and at home, from its invention up to the present day. Her love for the instrument, and the music which its composer-lovers have written for it over centuries, is infectious and instructive. A book to keep near your piano.”—Stephen Hough, pianist

Susan Tomes is a concert pianist and writer. Renowned both as a soloist and as the pianist of Domus and the Florestan Trio, she is the author of numerous works including Beyond the Notes, Sleeping in Temples, and Speaking the Piano.

“Susan Tomes . . . casts her net widely, taking in chamber music and concertos, knotty avant-garde masterworks and (most welcome) jazz. Her inclusions and omissions are equally fascinating.”—Richard Fairman, Financial Times, “Best Books of 2021: Classical Music”“[One of] the most beautiful books I got my hands on this year . . . about the shaping of this maddening, glorious, unconquerable instrument.”—Jenny Colgan, The Spectator, “Books of the Year”“It’s a love letter to the instrument that connects [Tomes] and her audiences to the genius of those who created such captivating sounds across the centuries” —George Hamilton, Irish Independent  “This wide-ranging history of the piano takes in everything from Bach, Haydn and Mozart to the the jazz styles of Joplin, Waller and Tatum.”—Ken Walton, The Scotsman“This comprehensive, informative and highly readable celebration of the piano and its literature is a must for pianophiles and music lovers, and for those who play, a book to keep close by the instrument to refer to, dip into, and cherish.”—ArtMuseLondon“Quite simply an essential purchase for any piano enthusiast, offering as it does a veritable feast of salient information and insight into the instrument and music which we love so much.”—Andrew Eales, Pianodao“Tomes allows herself a framework of 100 works on which to hang the entire history of piano music, except she goes further and wider. . . . All this could become heavy going in writing a style that flits between historical context and programme note-style analysis, but we have Tomes’ decision to include pieces that ‘involve piano’—sonatas with additional solo instrument, piano trios, even concertos—to thank for alleviating potential overkill.”—The Scotsman, “Scottish Books of 2021”“The most remarkable thing about this beautiful book is the unique insights being shared by a musical performer. . . . The appeal of this particular volume lies in its approach to, and expression of, musical meaning and truth from a performer’s point of view (and hearing).”—Harvey Richardson, Methodist Recorder“A joyous celebration of the piano. . . . There are many delightful insights into how the music actually feels to play. . . . Biographical and historical material is well covered with a light, non-polemical touch. The selection is no means restricted to classical music.”—Julian Jacobson, Musical Opinion“A superb masterpiece, packed with detail, yet eloquently presenting important moments in the history (and pre-history) of piano music and how it has inspired us all—composers, musicians, and listeners—for more than 200 years.”—John Gilhooly, director of Wigmore Hall“Susan Tomes writes as elegantly and lucidly as she plays the piano. Here she offers the perfect guide to the world of musical riches that the instrument at its best can be. This is a treasurable book for committed pianophiles and newcomers alike.”—Jessica Duchen, novelist and music writer“This is a delightful and valuable book. Susan Tomes presents a generous history of piano literature with wonderful lucidity, understanding and conviction. Love of the piano and its music shines through every page—professional musicians and music-loving enthusiasts alike will be captivated.”—Steven Isserlis, cellist“Susan Tomes explains why this beloved instrument has been at the heart of our musical lives, on stage and at home, from its invention up to the present day. Her love for the instrument, and the music which its composer-lovers have written for it over centuries, is infectious and instructive. A book to keep near your piano.”—Stephen Hough, pianist