DEBORAH CARTMELL is Principal Lecturer in English at De Montfort University, Leicester. She is co-editor of the Film/Fiction annual (1996-).

'The text sets adaptation in the context of wider issues of culture and identity relevant to any module on Shakespeare.' - John Marland, College of Ripon & York St John 'The book is more student-orientated than the usual range on Shakespeare and film, as well as being critically challenging. A rewarding book for undergraduates and a good starting place for postgraduates.' - Maria Jones, University of Wolverhampton 'This is an excellent book, which I will strongly recommend to my students.' - David Olive, Manchester Metropolitan University

• PrefaceAcknowledgementsShakespeare, Film and Violence: Doing Violence to ShakespeareShakespeare, Film and Gender: Critical and Filmic Representations of HamletShakespeare, Film and Sexuality: Politically Correct Sexuality in Film Adaptations of Romeo and Juliet and Much Ado About NothingShakespeare, Film and Race: Screening Othello and The TempestShakespeare, Film and Nationalism: Henry V, the MoviesConclusionsAppendix One: Student ExercisesAppendix Two: EvaluationsBibliographyFilmographyIndex.

DEBORAH CARTMELL is Principal Lecturer in English at De Montfort University, Leicester. She is co-editor of the Film/Fiction annual (1996-).

'The text sets adaptation in the context of wider issues of culture and identity relevant to any module on Shakespeare.' - John Marland, College of Ripon & York St John 'The book is more student-orientated than the usual range on Shakespeare and film, as well as being critically challenging. A rewarding book for undergraduates and a good starting place for postgraduates.' - Maria Jones, University of Wolverhampton 'This is an excellent book, which I will strongly recommend to my students.' - David Olive, Manchester Metropolitan University

• PrefaceAcknowledgementsShakespeare, Film and Violence: Doing Violence to ShakespeareShakespeare, Film and Gender: Critical and Filmic Representations of HamletShakespeare, Film and Sexuality: Politically Correct Sexuality in Film Adaptations of Romeo and Juliet and Much Ado About NothingShakespeare, Film and Race: Screening Othello and The TempestShakespeare, Film and Nationalism: Henry V, the MoviesConclusionsAppendix One: Student ExercisesAppendix Two: EvaluationsBibliographyFilmographyIndex.

DEBORAH CARTMELL is Principal Lecturer in English at De Montfort University, Leicester. She is co-editor of the Film/Fiction annual (1996-).

'The text sets adaptation in the context of wider issues of culture and identity relevant to any module on Shakespeare.' - John Marland, College of Ripon & York St John 'The book is more student-orientated than the usual range on Shakespeare and film, as well as being critically challenging. A rewarding book for undergraduates and a good starting place for postgraduates.' - Maria Jones, University of Wolverhampton 'This is an excellent book, which I will strongly recommend to my students.' - David Olive, Manchester Metropolitan University

• PrefaceAcknowledgementsShakespeare, Film and Violence: Doing Violence to ShakespeareShakespeare, Film and Gender: Critical and Filmic Representations of HamletShakespeare, Film and Sexuality: Politically Correct Sexuality in Film Adaptations of Romeo and Juliet and Much Ado About NothingShakespeare, Film and Race: Screening Othello and The TempestShakespeare, Film and Nationalism: Henry V, the MoviesConclusionsAppendix One: Student ExercisesAppendix Two: EvaluationsBibliographyFilmographyIndex.