S F Johnson

• Introduction. Part 1: Formation. 1. Thomas Norton. 2. Thomas Sackville. 3. Gorboduc: Presentation and Collaborations. 4. Gorboduc: Formal and Technical Origins. 5. Jocasta. 6. Gismond of Salerne. 7. The Misfortunes of Arthur. Part 2: Achievement. 8. Plot Construction. 9. Characters and Characterization. 10. The Pathetic Element. 11. Ethical Significance. 12. Expression: Rhetorical Structure. 13. Expression: Versification. 14. Expression: Diction, Imagery and Classical Allusion. 15. Spectacle, Action and Music. 16. Epilogue.

S F Johnson

• Introduction. Part 1: Formation. 1. Thomas Norton. 2. Thomas Sackville. 3. Gorboduc: Presentation and Collaborations. 4. Gorboduc: Formal and Technical Origins. 5. Jocasta. 6. Gismond of Salerne. 7. The Misfortunes of Arthur. Part 2: Achievement. 8. Plot Construction. 9. Characters and Characterization. 10. The Pathetic Element. 11. Ethical Significance. 12. Expression: Rhetorical Structure. 13. Expression: Versification. 14. Expression: Diction, Imagery and Classical Allusion. 15. Spectacle, Action and Music. 16. Epilogue.

S F Johnson

• Introduction. Part 1: Formation. 1. Thomas Norton. 2. Thomas Sackville. 3. Gorboduc: Presentation and Collaborations. 4. Gorboduc: Formal and Technical Origins. 5. Jocasta. 6. Gismond of Salerne. 7. The Misfortunes of Arthur. Part 2: Achievement. 8. Plot Construction. 9. Characters and Characterization. 10. The Pathetic Element. 11. Ethical Significance. 12. Expression: Rhetorical Structure. 13. Expression: Versification. 14. Expression: Diction, Imagery and Classical Allusion. 15. Spectacle, Action and Music. 16. Epilogue.