Wayne Franits is Professor of Art History at Syracuse University, USA. His most recent books are: The Paintings of Dirck van Baburen ca. 1592/93–1624: Catalogue Raisonné (2013) and Vermeer (2015).

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• Contents:List of Illustrations Notes on Contributors Acknowledgments Introduction Wayne FranitsPART 1The Traditional Genres 1 The Seventeenth-Century Dutch Portrait Comes of Age Ann Jensen Adams2 Still Lively: Recent Scholarship on Still-Life Painting Julie Berger Hochstrasser3 An Assessment of Recent Scholarship on Seventeenth-Century Dutch Genre Imagery Linda Stone-Ferrier4 Points of View: Recent Studies on Dutch Landscape Painting Boudewijn Bakker5 Imagined Spaces: Perspectives on the Study of Church Interiors and Cityscapes Almut Pollmer-SchmidtPART 2Major Artists, Movements, and Other Media 6 Frans Hals and His Time Christopher D.M. Atkins7 Rembrandt and His Circle Stephanie S. Dickey8 The Rules of Art and Rembrandt, 1630–1730 Thijs Weststeijn9 Johannes Vermeer H. Perry Chapman10 Dutch Mannerism Gero Seelig11 The Dutch Encounter with Italy: The State of Research David A. Levine12 Out of the Shadow of the Golden Age: Recent Scholarly Developments Concerning Dutch Painting of the Late Seventeenth and Early Eighteenth Centuries Junko Aono13 Stepping up to the Plate: The State of Research in Seventeenth-Century Dutch Prints Nadine M. Orenstein14 Drawn into the Light: The State of Research in Seventeenth-Century Dutch Drawings Judith Noorman15 Towards a Reassessment of Dutch Seventeenth-Century Sculpture Bieke van der MarkPART 3Topics of Recent Research 16 Economic Aspects of Dutch Art Claartje Rasterhoff17 Urban Identity and the Validity of City Schools in Dutch Art John Loughman18 Dutch Art in Relation to Seventeenth-Century Flemish Art Karolien de Clippel19 Dutch Art and Artists from a Global Perspective: The State of the Research Rebecca Parker BrienenSelected Bibliography Index

Wayne Franits is Professor of Art History at Syracuse University, USA. His most recent books are: The Paintings of Dirck van Baburen ca. 1592/93–1624: Catalogue Raisonné (2013) and Vermeer (2015).

Select Guide Rating

• Contents:List of Illustrations Notes on Contributors Acknowledgments Introduction Wayne FranitsPART 1The Traditional Genres 1 The Seventeenth-Century Dutch Portrait Comes of Age Ann Jensen Adams2 Still Lively: Recent Scholarship on Still-Life Painting Julie Berger Hochstrasser3 An Assessment of Recent Scholarship on Seventeenth-Century Dutch Genre Imagery Linda Stone-Ferrier4 Points of View: Recent Studies on Dutch Landscape Painting Boudewijn Bakker5 Imagined Spaces: Perspectives on the Study of Church Interiors and Cityscapes Almut Pollmer-SchmidtPART 2Major Artists, Movements, and Other Media 6 Frans Hals and His Time Christopher D.M. Atkins7 Rembrandt and His Circle Stephanie S. Dickey8 The Rules of Art and Rembrandt, 1630–1730 Thijs Weststeijn9 Johannes Vermeer H. Perry Chapman10 Dutch Mannerism Gero Seelig11 The Dutch Encounter with Italy: The State of Research David A. Levine12 Out of the Shadow of the Golden Age: Recent Scholarly Developments Concerning Dutch Painting of the Late Seventeenth and Early Eighteenth Centuries Junko Aono13 Stepping up to the Plate: The State of Research in Seventeenth-Century Dutch Prints Nadine M. Orenstein14 Drawn into the Light: The State of Research in Seventeenth-Century Dutch Drawings Judith Noorman15 Towards a Reassessment of Dutch Seventeenth-Century Sculpture Bieke van der MarkPART 3Topics of Recent Research 16 Economic Aspects of Dutch Art Claartje Rasterhoff17 Urban Identity and the Validity of City Schools in Dutch Art John Loughman18 Dutch Art in Relation to Seventeenth-Century Flemish Art Karolien de Clippel19 Dutch Art and Artists from a Global Perspective: The State of the Research Rebecca Parker BrienenSelected Bibliography Index

Wayne Franits is Professor of Art History at Syracuse University, USA. His most recent books are: The Paintings of Dirck van Baburen ca. 1592/93–1624: Catalogue Raisonné (2013) and Vermeer (2015).

Select Guide Rating

• Contents:List of Illustrations Notes on Contributors Acknowledgments Introduction Wayne FranitsPART 1The Traditional Genres 1 The Seventeenth-Century Dutch Portrait Comes of Age Ann Jensen Adams2 Still Lively: Recent Scholarship on Still-Life Painting Julie Berger Hochstrasser3 An Assessment of Recent Scholarship on Seventeenth-Century Dutch Genre Imagery Linda Stone-Ferrier4 Points of View: Recent Studies on Dutch Landscape Painting Boudewijn Bakker5 Imagined Spaces: Perspectives on the Study of Church Interiors and Cityscapes Almut Pollmer-SchmidtPART 2Major Artists, Movements, and Other Media 6 Frans Hals and His Time Christopher D.M. Atkins7 Rembrandt and His Circle Stephanie S. Dickey8 The Rules of Art and Rembrandt, 1630–1730 Thijs Weststeijn9 Johannes Vermeer H. Perry Chapman10 Dutch Mannerism Gero Seelig11 The Dutch Encounter with Italy: The State of Research David A. Levine12 Out of the Shadow of the Golden Age: Recent Scholarly Developments Concerning Dutch Painting of the Late Seventeenth and Early Eighteenth Centuries Junko Aono13 Stepping up to the Plate: The State of Research in Seventeenth-Century Dutch Prints Nadine M. Orenstein14 Drawn into the Light: The State of Research in Seventeenth-Century Dutch Drawings Judith Noorman15 Towards a Reassessment of Dutch Seventeenth-Century Sculpture Bieke van der MarkPART 3Topics of Recent Research 16 Economic Aspects of Dutch Art Claartje Rasterhoff17 Urban Identity and the Validity of City Schools in Dutch Art John Loughman18 Dutch Art in Relation to Seventeenth-Century Flemish Art Karolien de Clippel19 Dutch Art and Artists from a Global Perspective: The State of the Research Rebecca Parker BrienenSelected Bibliography Index