Patryk Galuszka is an associate professor in the Faculty of Economics and Sociology at the University of Lodz, Poland.

Select Guide Rating

• Part I: Introduction1. Contextualising research on the Eastern European music industriesPatryk Galuszka2. Creating a market economy in Eastern Europe: Economic reform as the central theme of the transitionTomasz LegiedzPart II: Russia3. Piracy as an institutionalised social practice in Soviet and post-Soviet RussiaMarco Biasioli4. ‘We have no music industry!’ Exploring the context of post-Soviet music making through the lens of contemporary Swedo-Russian collaborationsIngrid M TolstadPart III: Central Europe5. Socialist riches to capitalist rags: The disintegration of the GDR music industry during German reunificationSven Kube6. Collective management of copyright during communism and transition – A case study of the Society of Authors ZAiKSAnna Pluszyńska7. The National Festival of Polish Song in Opole: The transformation of legal, economic, and political circumstances over fifty years of the Polish music industryKatarzyna Korzeniewska 8. Pohoda: the importance of Slovakia’s greatest festivalPeter Barrer 9. Managing the Eastern European position in the digital era: music industry showcase events and popular music export in HungaryEmília BarnaPart IV: Southeast Europe10. The Romanian music scene: The social economy of pop music in the post-socialist periodElena Trifan11. Come visit (our past) again: How municipalities encourage retro rock culture on the Bulgarian music sceneGergana Rayzhekova12. The Yugoslav and post Yugoslav alternative rock canon presented in the music pressJulijana Papazova

Patryk Galuszka is an associate professor in the Faculty of Economics and Sociology at the University of Lodz, Poland.

Select Guide Rating

• Part I: Introduction1. Contextualising research on the Eastern European music industriesPatryk Galuszka2. Creating a market economy in Eastern Europe: Economic reform as the central theme of the transitionTomasz LegiedzPart II: Russia3. Piracy as an institutionalised social practice in Soviet and post-Soviet RussiaMarco Biasioli4. ‘We have no music industry!’ Exploring the context of post-Soviet music making through the lens of contemporary Swedo-Russian collaborationsIngrid M TolstadPart III: Central Europe5. Socialist riches to capitalist rags: The disintegration of the GDR music industry during German reunificationSven Kube6. Collective management of copyright during communism and transition – A case study of the Society of Authors ZAiKSAnna Pluszyńska7. The National Festival of Polish Song in Opole: The transformation of legal, economic, and political circumstances over fifty years of the Polish music industryKatarzyna Korzeniewska 8. Pohoda: the importance of Slovakia’s greatest festivalPeter Barrer 9. Managing the Eastern European position in the digital era: music industry showcase events and popular music export in HungaryEmília BarnaPart IV: Southeast Europe10. The Romanian music scene: The social economy of pop music in the post-socialist periodElena Trifan11. Come visit (our past) again: How municipalities encourage retro rock culture on the Bulgarian music sceneGergana Rayzhekova12. The Yugoslav and post Yugoslav alternative rock canon presented in the music pressJulijana Papazova

Patryk Galuszka is an associate professor in the Faculty of Economics and Sociology at the University of Lodz, Poland.

Select Guide Rating

• Part I: Introduction1. Contextualising research on the Eastern European music industriesPatryk Galuszka2. Creating a market economy in Eastern Europe: Economic reform as the central theme of the transitionTomasz LegiedzPart II: Russia3. Piracy as an institutionalised social practice in Soviet and post-Soviet RussiaMarco Biasioli4. ‘We have no music industry!’ Exploring the context of post-Soviet music making through the lens of contemporary Swedo-Russian collaborationsIngrid M TolstadPart III: Central Europe5. Socialist riches to capitalist rags: The disintegration of the GDR music industry during German reunificationSven Kube6. Collective management of copyright during communism and transition – A case study of the Society of Authors ZAiKSAnna Pluszyńska7. The National Festival of Polish Song in Opole: The transformation of legal, economic, and political circumstances over fifty years of the Polish music industryKatarzyna Korzeniewska 8. Pohoda: the importance of Slovakia’s greatest festivalPeter Barrer 9. Managing the Eastern European position in the digital era: music industry showcase events and popular music export in HungaryEmília BarnaPart IV: Southeast Europe10. The Romanian music scene: The social economy of pop music in the post-socialist periodElena Trifan11. Come visit (our past) again: How municipalities encourage retro rock culture on the Bulgarian music sceneGergana Rayzhekova12. The Yugoslav and post Yugoslav alternative rock canon presented in the music pressJulijana Papazova