Julie Hudson is an independent writer in the field of ecocriticism. She was awarded her PhD in English and Comparative Literary Studies (Warwick University) in 2018. Her main research interests include the environment and cultural change, ecotheatre, live theatrical events and audience research. Previous publications include: ‘Are We Performing Dearth, or is Dearth Performing Us, in Modern Productions of William Shakespeare’s "Coriolanus"’, in A Cultural History of Famine: Food Security and the Environment in Britain and India, ed. by Ayesha Mukherjee (Routledge, 2018, forthcoming); Food Policy and the Environmental Credit Crunch: From Soup to Nuts (Abingdon: Routledge, 2014), and From Red to Green: How the Environmental Could Bankrupt The Environment (Abingdon: Earthscan, 2011), both co-authored with economist Paul Donovan.

Select Guide Rating

• Introduction: Setting the Ecotheatrical SceneChapter One: The Environment on Stage in Production and ReceptionChapter Two: Natural Disasters as Ecotheatrical ShapeshiftersChapter Three: An Ecotheatrical Perspective on Dearth in PerformanceChapter Four: The Environment in Performance – Stage Invasion or Deus ex Machina?Chapter Five: Environmental Theatre, Site Specificity and Theatre EcologiesChapter Six: Frugal Modes of Story-telling as EcotheatreChapter Seven: Bicycles on Stage – Shapeshifters or Scenery?Chapter Eight: Reperforming Reception – The Skriker in 1994 and 2015Chapter Nine: On the Importance of Intrinsic Environmental Responsibility

Julie Hudson is an independent writer in the field of ecocriticism. She was awarded her PhD in English and Comparative Literary Studies (Warwick University) in 2018. Her main research interests include the environment and cultural change, ecotheatre, live theatrical events and audience research. Previous publications include: ‘Are We Performing Dearth, or is Dearth Performing Us, in Modern Productions of William Shakespeare’s "Coriolanus"’, in A Cultural History of Famine: Food Security and the Environment in Britain and India, ed. by Ayesha Mukherjee (Routledge, 2018, forthcoming); Food Policy and the Environmental Credit Crunch: From Soup to Nuts (Abingdon: Routledge, 2014), and From Red to Green: How the Environmental Could Bankrupt The Environment (Abingdon: Earthscan, 2011), both co-authored with economist Paul Donovan.

Select Guide Rating

• Introduction: Setting the Ecotheatrical SceneChapter One: The Environment on Stage in Production and ReceptionChapter Two: Natural Disasters as Ecotheatrical ShapeshiftersChapter Three: An Ecotheatrical Perspective on Dearth in PerformanceChapter Four: The Environment in Performance – Stage Invasion or Deus ex Machina?Chapter Five: Environmental Theatre, Site Specificity and Theatre EcologiesChapter Six: Frugal Modes of Story-telling as EcotheatreChapter Seven: Bicycles on Stage – Shapeshifters or Scenery?Chapter Eight: Reperforming Reception – The Skriker in 1994 and 2015Chapter Nine: On the Importance of Intrinsic Environmental Responsibility

Julie Hudson is an independent writer in the field of ecocriticism. She was awarded her PhD in English and Comparative Literary Studies (Warwick University) in 2018. Her main research interests include the environment and cultural change, ecotheatre, live theatrical events and audience research. Previous publications include: ‘Are We Performing Dearth, or is Dearth Performing Us, in Modern Productions of William Shakespeare’s "Coriolanus"’, in A Cultural History of Famine: Food Security and the Environment in Britain and India, ed. by Ayesha Mukherjee (Routledge, 2018, forthcoming); Food Policy and the Environmental Credit Crunch: From Soup to Nuts (Abingdon: Routledge, 2014), and From Red to Green: How the Environmental Could Bankrupt The Environment (Abingdon: Earthscan, 2011), both co-authored with economist Paul Donovan.

Select Guide Rating

• Introduction: Setting the Ecotheatrical SceneChapter One: The Environment on Stage in Production and ReceptionChapter Two: Natural Disasters as Ecotheatrical ShapeshiftersChapter Three: An Ecotheatrical Perspective on Dearth in PerformanceChapter Four: The Environment in Performance – Stage Invasion or Deus ex Machina?Chapter Five: Environmental Theatre, Site Specificity and Theatre EcologiesChapter Six: Frugal Modes of Story-telling as EcotheatreChapter Seven: Bicycles on Stage – Shapeshifters or Scenery?Chapter Eight: Reperforming Reception – The Skriker in 1994 and 2015Chapter Nine: On the Importance of Intrinsic Environmental Responsibility