Music in Nineteenth-Century Britain

Dr Rosemary Golding, Open University, UK

• Volume 2: Music and SocietyIntroduction – Volume 2Part 1. Religion1. Anon. ‘Church Music’ in The Quarterly Musical Magazine and Review vol. 4 no. 13 (January 1822), pp. 33-442. Maria Hackett, ‘Cambridge’ and ‘Canterbury’, in A Brief Account of Cathedral and Collegiate Schools (London: J. Nichols, 1824), pp. 7-123. John Antes La Trobe, ‘Prologue’ in The Music of the Church considered in its various branches (London: Seeley and Burnside, 1831), pp. 1-104. Anon., A Few Words on Church Music in reference to Plain Chant and Ecclesiastical Harmony (London: J. Burns, 1848), pp. 3-195. Samuel Sebastian Wesley, A Few Words on Cathedral Music and the Musical System of the Church, with a Plan of Reform (London: Rivington; London: Chappell; Leeds: Slocombe, 1849), pp. 5-14, 42-776. John Hullah, Music in the Parish Church: A Lecture delivered at Newcastle-On-Tyne at a meeting of the Durham and Northumberland Association for the Promotion of Church Music, November 5th 1855 (London: John W. Parker & Son, 1856), pp. 3-307. Isaac Robson, Instrumental Music in Worship (London: A.W. Bennett; Manchester: William Bremner, 1859), pp. 3-128. Anon., ‘Church Music and the Ritual Commission’ in The Musical Standard vol. 7 no. 163 (Sep 14, 1867), pp. 158-159; vol. 7 no. 164 (Sep 21, 1867), p. 175; and vol. 7 no. 165 (Sep 28, 1867), pp. 190-1929. James Glasgow, Section IV 'Light of Nature', Section V 'Musical Faculty', Section VI 'Attractiveness', and Section X 'Books and Choirs', Heart and Voice: Instrumental Music in Christian Worship not Divinely Authorised (Belfast: C. Aitchison and J. Cleeland, 1873), pp. 204-217, 235-23710. William Booth, ‘Good Singing’ in The Christian Mission Magazine (August 1877), pp. 202-20911. John Spencer Curwen, ‘The Temple Church’, ‘The Jewish Synagogue Service’ and ‘Presbyterian Church, Regent Square’, Studies in Worship Music: Chiefly as Regards Congregational Singing (1880), pp. 163-6, 188-191, 202-205 12. S.A. Barnett, ‘The Mission of Music’, International Journal of Ethics vol. 9 no. 4 (July 1899), pp. 494-504Part 2. Class13. 1Anon., ‘Music, a Means of Popular Amusement and Education’ in Sharpe's London Journal of Entertainment and Instruction vol. 10 (1849) pp.257-25914. G. Hogarth and H.W. Wills, ‘Music in Humble Life’ in Household Words vol. 1 (11 May 1850), pp. 161-16415. Hugh Shimmin, ‘Recreation’, in Town Life (London: William Tweedie, 1858), pp. 121-13016. John Ella, ‘The Social Status of Musicians’, ‘English Dilettantism’ and ‘Fashion and Aristocracy’, in Musical Sketches Abroad, and at Home (London: Ridgway, 1869), pp. 57-61, 117-119, 167-16817. W.S. Jevons, ‘Amusements of the People’ in Contemporary Review (October 1878), pp. 498–51318. Florence Marshall, ‘Music and the People’ in The Nineteenth Century (December 1880) pp. 921-93219. Anon., ‘Music for the People’ in The Musical Times and Singing Class Circular vol. 22 no. 463 (1 September 11881), pp. 456-457 20. Anon., ‘Music and Society’ in The Musical Times and Singing Class Circular vol. 30 no. 562 (1 December 1889), pp. 716–71721. Lady Helen Craven, ‘Prologue’, in Notes of a Music-Lover (London: Richard Bentley and Son, 1897), pp. 1-3422. C. E. B. Russell and E. T. Campagnac, ‘Poor People’s Music Halls in Lancashire’ in The Economic Review vol. 10 no. 3 (July 1900), pp. 289-308Part 3. Gender23. Richard Mackenzie Bacon [‘Vetus’], ‘Music as a pursuit for men’ in The Quarterly Musical Magazine and Review vol. 2 issue 5 (January 1820), pp. 7-1424. H. R. Haweis, ‘Women and Music’ and ‘Dream Life’, in Music and Morals (London: Strahan & Co., 1871), pp. 112-11525. Frederick Crowest, ‘Women and Music’, Phases of Musical England (London: Remington, 1881), pp. 262-28726. Anon., ‘The Feminine in Music’ in The Musical Times and Singing Class Circular vol. 23 no. 476 (1 October 1882), pp. 521-52227. Stephen S. Stratton, 'Woman in Relation to Musical Art' in Proceedings of the Musical Association 9th session (1882-3), pp.115-13928. Anon., in The Musical Times and Singing Class Circular: ‘Women as Composers’ vol. 28 no. 528 (1 February 1887), pp. 80-82; and ‘Manliness in Music’ vol. 30 no. 558 (1 August 1889), pp. 460-46129. Anon., ‘Sex and Music’ in The Lancet vol. 139 no. 3585 (14 May 1892), p. 1097; and anon., ‘Sex and Music’ in The Musical Times and Singing Class Circular vol. 33 no. 592 (1 June 1892), pp. 337-33830. John F. Runciman, ‘Women as Musical Critics’ in The Monthly Musical Record vol. 25 no. 291 (1 March 1895), pp. 49-5031. Anon., ‘Popular Lady Composers’ in Strand Musical Magazine vol. 1 (January 1895), pp. 414-41532. Anon., ‘Women Violinists of the Victorian Era’ in The Lady’s Realm, an Illustrated Monthly Magazine vol. 5 (November 1898-April 1899), pp. 647-65433. Florence Fidler and Rosabel Watson, ‘Music as a Profession for Women’ in Englishwoman’s Year Book no. 19 (1899), pp. 132-133Part 4. Morality, Health and Wellbeing34. Marcellus, ‘On Music’ in The Belfast Monthly Magazine vol. 9 no. 53 (31 December 1812), pp. 430-432; and N. S., ‘Reply to Marcellus on Music’ in The Belfast Monthly Magazine vol. 10 no. 55 (28 February 1813), pp. 97-9935. J.A. Roebuck, On the Amusements of the Aristocracy and the People (London: Longley, 1835), pp. 1-836. J. G. Millingen, ‘Medical Powers of Music’, Curiosities of Medical Experience second edition (London: Bentley, 1839), 88-9537. Horatio Townsend the Younger, The Moral Uses of Music; a lecture (Dublin: George Herbert, 1862), pp. 15-26, 37-3838. Carl Engel, ‘Music and Medicine’, in Musical Myths and Facts vol. 2 (London: Novello, Ewer & Co., 1876), pp. 84-11339. Anon., in The Lancet: ‘Music as a remedy’ no. 3530 (25 April 1891), p. 951; ‘Music in the Treatment of Nervous Diseases’ no. 3532 (9 May 1891), p. 1055; and ‘Music in the Treatment of Disease’ no. 3534 (23 May 1891), p. 117040. Frederick K. Harford, in The British Medical Journal: ‘Music And Illness’ vol. 2 no. 1603 (Sep. 19, 1891), pp. 667-668; ‘The Guild Of St. Cecilia’ vol. 2 no. 1604 (Sep. 26, 1891), p. 714; and ‘Is Exhilarating Or Soft Music Best For Invalids?’ vol. 2 no. 1605 (Oct. 3, 1891), p. 77041. George Henry Dutton, Music & Phrenology. A Treatise on Vocalists, Instrumentalists, and Composers, with their Phrenological and Physiological Qualifications second edition (Skegness: G.H.J. Dutton, and London: L.N.Fowler, 1892), pp. 2-742. William W. Ireland ‘On Affections of the Musical Faculty in Cerebral Diseases’ in Journal of Mental Science vol. 40 no. 170 (July 1894), pp. 354-36743. Richard Legge, ‘Music and the Musical Faculty in Insanity’ in Journal of Mental Science vol. 40 no. 170 (July 1894), pp. 368-37544. Mary Wakefield, ‘Music and Morals’, in Ruskin on Music (London and Orpington: George Allen, 1894), pp. 112-142Index