Routledge Historical Resources - Böcker

The Life of Nelson is one of Robert Southey’s most influential and bestselling works. This new edition will contain a comprehensive critical apparatus that will make sense of the major issues posed by the text and how it contributes to studies of both Southey and Romanticism. The edition will feature a critical and contextual introduction, which will set out the origins and composition of the text together with its publication history, as well as offer a carefully considered view of the interplay between the Life and other biographies of Nelson, bringing into view the wide array of sources and influences Southey drew from.

The Life of Wesley was one of Southey’s most influential and bestselling works. It was the first biography of John Wesley – the major figure in the largest religious movement of the eighteenth century – to be published by anyone beyond the Methodist community. In addition, it was a major history of the rise of a phenomenon that Southey and many others saw as a defining sign of contemporary history – the rise of sectarianism and of religious cults. This two-volume edition will represent the full text of the 1820 edition. It will include a comprehensive critical apparatus that will make sense of the major issues posed by the text and how it contributes to studies of both Southey and Romanticism. The edition will feature a critical and contextual introduction, which will set out the origins and composition of the text together with its publication history, as well as offer a carefully considered view of the interplay between the Life and other biographies of Wesley and accounts of Methodism, bringing into view the wide array of sources and influences Southey drew from. It will also examine the book’s reception history, incorporating material from reviews of the period and detailing the controversy it caused in the Methodist community.

In the age of empire, Victorians and Romantics over the long 19th century faced issues of governance that no other society had faced on such a massive level, causing socio-political questions that had to be addressed based on sheer necessity but little governmental experience. In an age in which there was a decade referred to as "the Hungry Forties," and in which the Great Famine in Ireland occurs as well, there are high rates of poverty across the whole century in Britain and its colonies. At the same time that hunger and famine were intractable issues, irresolvable across nineteenth-century Britain, socio-political entities had little stomach for solving the problem and few technocrats had economic answers based on real world experience. This four-volume collection of primary sources examine hunger and famine in Britain and its empire across the long nineteenth century.

Capturing Dorothy Hartley’s point that there was "a dislocation of the food supply" during the Industrial Revolution, which occurred through the enclosure movement, the poor laws, the game and corn laws (qtd. in Consuming Fictions 8), this section would begin with the date of Thomas Malthus’s "Principle of Population" (1798) to capture voices invoked during the lead up to the Reform Bill of 1832.

The Hungry Forties and the Great Famine, with their horrifying monikers, deserve a section just for the many voices engaged in political, humanitarian, and social venues in juxtaposition to the voices of the starving. This volume shows how rhetoric itself experiences a crisis of representation in the face of such dramatic, tragic events: how does a culture deal with its own chosen guilty and irrational psychological motives for casting a blind eye to famine within its own borders?

This volume examines the sub-topics on the use of the metaphor of hunger to describe the condition of women as well as to a sub-topic on invisible poverty and hunger after Chartism failed. As Disraeli noted, there were still two Englands "fed by a different food."

This volume examines the rhetorics used around race and famine in the colonies vis-à-vis the persistence of hunger and poverty in the island nation/empire. As William Booth reminded the British in his aptly titled In Darkest England (1890), one need not look further than London’s underbelly to find intractable hunger.

This three-volume set brings together a rich collection of primary source materials on flirtation and courtship in the nineteenth-century. Introductory essays and extensive editorial apparatus offer historical and cultural contexts of the materials includedThroughout the long nineteenth-century, a woman’s life was commonly thought to fall into three discrete developmental stages; personal formation and a gendered education; a young woman’s entrance onto the marriage market; and finally her emergence at the apogee of normative femininity as wife and mother. In all three stages of development, there was an unspoken awareness of the duplicity at the heart of this carefully cultivated femininity. What women were taught, no matter their age, was that if you desired anything in life, it behooved you to perform indifference. This meant that for women, the art of flirtation and feigning indifference were viewed as essential survival skills that could guarantee success in life. These three volumes document the many ways in which nineteenth-century women were educated in this seemingly universal wisdom, but just as frequently managed to manipulate, subvert, and navigate their way through such proscribed norms to achieve their own desires. Presenting a wide range of documents from novels, memoirs, literary journals, newspapers, plays, poetry, songs, parlour games, and legal documents, this collection will illuminate a far more diverse set of options available to women in their quest for happiness, and a new understanding of the operations of courtship and flirtation, the "central" concerns of a nineteenth-century woman’s life.The volumes will be of interest to scholars of history, literature, gender and cultural studies, with an interest in the nineteenth-century.

This edition presents the extant journals of Pauline Clairmont (1825–1891) and Wilhelm Clairmont (1831–1895), the niece and nephew of Claire Clairmont (1798–1879) who was Mary Shelley’s (1797–1851) stepsister. It also includes a journal originally attributed to Pauline but which likely was Walter Gaulis Clairmont’s (1868–1958; Wilhelm’s son). All three journals are currently deposited in the Carl H. Pforzheimer Collection of Shelley and His Circle at the New York Public Library. Pauline and Wilhelm spent many years living and working in places like Australia and the Banat and their adventures are recorded in their journals. Pauline wrote a series of sixteen journals cataloguing her life; however, except for one journal, all the remaining journals have been lost. Her extant journal, written primarily in English but with French and German entries, documents her struggles in the Australian outback during the 1850s and her relationship with William Henry Suttor, Junior, who would later become a pastoralist and a politician. Pauline’s journal tells of her love for Suttor, her disappointment at his rejection, and her musings about her life in Australia. In his journal, Wilhelm chronicles his attempts to purchase a farm in Europe while Walter provides us with an account of his 8-day Austrian expedition. This new edition brings together these three journals, thereby extending our understanding of the Shelley-Clairmont family. The edition includes an introduction to the primary Godwin-Shelley-Clairmont circle and a chapter on the history of life writing. The editor provides extensive editorial notes and carefully researched chapters to contextualize The Clairmont Family Journals: 1855–1885.

This four-volume collection of primary sources focuses on the history of emotions in Europe and its empires between 1517 and 1914. Arranged chronologically, each volume examines the subjects of the self, family and community, religion, politics and law, science and philosophy, and art and culture.The collection begins with the Reformation in 1517 as a key transformative moment in European history that required people to rethink the self, belief, and scientific knowledges – all of which shaped and were shaped by emotion. It ends with WW1, by which point psychology and modern frameworks for the self had become standard knowledges. In between, ideas and practices of emotion were not static, and part of the history charted across these volumes is the making of a new vocabulary for emotions and the self.Sources include letters, diaries, legal papers, institutional records, newspapers, science and philosophical writings, literature and art from a diversity of voices and perspectives. Accompanied by extensive editorial commentary, this collection will be of great interest to students of history and literature.

This four-volume edition of primary source materials documents the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format.Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the first volume discusses the theories and discourses that underpinned nineteenth-century design, ranging from design reform to aesthetics, and from the question of ornament to design education. The second volume looks at the designed objects, images and spaces that were created in the period. These include discussion of design in interiors, industry, fashion, graphics and architecture amongst others. The third volume considers the issues of design production and practices including debates about the role of machine and craft and the impact of new materials and technologies. The last volume looks at actors, intermediaries and mediators associated with the design domain. Taken together these sources, with their contextual introductions and headnotes, present a valuable overview of a broadly defined design culture during the long nineteenth century.The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.

This collection brings together primary sources on the British textile industry across the long nineteenth-century, a subject that is both global and multidisciplinary. This set provides an extensive range of resources on the calico printing industry, textile warehousing and shipping, and textile waste and recycling.

This collection brings together primary sources on the British textile industry across the long nineteenth-century, a subject that is both global and multidisciplinary. This set provides an extensive range of resources on the calico printing industry, textile warehousing and shipping, and textile waste and recycling.

This collection brings together primary sources on the British textile industry across the long nineteenth-century, a subject that is both global and multidisciplinary. This set provides an extensive range of resources on the calico printing industry, textile warehousing and shipping, and textile waste and recycling.

This collection brings together primary sources on the British textile industry across the long nineteenth-century, a subject that is both global and multidisciplinary. This set provides an extensive range of resources on the calico printing industry, textile warehousing and shipping, and textile waste and recycling.

This is volume one of a three-volume set that brings together a rich collection of primary source materials on flirtation and courtship in the nineteenth-century. Introductory essays and extensive editorial apparatus offer historical and cultural contexts of the materials includedThroughout the long nineteenth-century, a woman’s life was commonly thought to fall into three discrete developmental stages; personal formation and a gendered education; a young woman’s entrance onto the marriage market; and finally her emergence at the apogee of normative femininity as wife and mother. In all three stages of development, there was an unspoken awareness of the duplicity at the heart of this carefully cultivated femininity. What women were taught, no matter their age, was that if you desired anything in life, it behooved you to perform indifference. This meant that for women, the art of flirtation and feigning indifference were viewed as essential survival skills that could guarantee success in life. These three volumes document the many ways in which nineteenth-century women were educated in this seemingly universal wisdom, but just as frequently managed to manipulate, subvert, and navigate their way through such proscribed norms to achieve their own desires. Presenting a wide range of documents from novels, memoirs, literary journals, newspapers, plays, poetry, songs, parlour games, and legal documents, this collection will illuminate a far more diverse set of options available to women in their quest for happiness, and a new understanding of the operations of courtship and flirtation, the "central" concerns of a nineteenth-century woman’s life.The volumes will be of interest to scholars of history, literature, gender and cultural studies, with an interest in the nineteenth-century.

This is volume two of a three-volume set that brings together a rich collection of primary source materials on flirtation and courtship in the nineteenth-century. Introductory essays and extensive editorial apparatus offer historical and cultural contexts of the materials includedThroughout the long nineteenth-century, a woman’s life was commonly thought to fall into three discrete developmental stages; personal formation and a gendered education; a young woman’s entrance onto the marriage market; and finally her emergence at the apogee of normative femininity as wife and mother. In all three stages of development, there was an unspoken awareness of the duplicity at the heart of this carefully cultivated femininity. What women were taught, no matter their age, was that if you desired anything in life, it behooved you to perform indifference. This meant that for women, the art of flirtation and feigning indifference were viewed as essential survival skills that could guarantee success in life. These three volumes document the many ways in which nineteenth-century women were educated in this seemingly universal wisdom, but just as frequently managed to manipulate, subvert, and navigate their way through such proscribed norms to achieve their own desires. Presenting a wide range of documents from novels, memoirs, literary journals, newspapers, plays, poetry, songs, parlour games, and legal documents, this collection will illuminate a far more diverse set of options available to women in their quest for happiness, and a new understanding of the operations of courtship and flirtation, the "central" concerns of a nineteenth-century woman’s life.The volumes will be of interest to scholars of history, literature, gender and cultural studies, with an interest in the nineteenth-century.

This is volume three of a three-volume set that brings together a rich collection of primary source materials on flirtation and courtship in the nineteenth-century. Introductory essays and extensive editorial apparatus offer historical and cultural contexts of the materials includedThroughout the long nineteenth-century, a woman’s life was commonly thought to fall into three discrete developmental stages; personal formation and a gendered education; a young woman’s entrance onto the marriage market; and finally her emergence at the apogee of normative femininity as wife and mother. In all three stages of development, there was an unspoken awareness of the duplicity at the heart of this carefully cultivated femininity. What women were taught, no matter their age, was that if you desired anything in life, it behooved you to perform indifference. This meant that for women, the art of flirtation and feigning indifference were viewed as essential survival skills that could guarantee success in life. These three volumes document the many ways in which nineteenth-century women were educated in this seemingly universal wisdom, but just as frequently managed to manipulate, subvert, and navigate their way through such proscribed norms to achieve their own desires. Presenting a wide range of documents from novels, memoirs, literary journals, newspapers, plays, poetry, songs, parlour games, and legal documents, this collection will illuminate a far more diverse set of options available to women in their quest for happiness, and a new understanding of the operations of courtship and flirtation, the "central" concerns of a nineteenth-century woman’s life.The volumes will be of interest to scholars of history, literature, gender and cultural studies, with an interest in the nineteenth-century.

This is volume three in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format.Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the third volume considers the issues of design production and practices including debates about the role of machine and craft, the impact of new materials and technologies as well as issues of marketing and mediation.The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.

This is volume one in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format.Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the first volume discusses the theories and discourses that underpinned nineteenth-century design, ranging from design reform to aesthetics, and from the question of ornament to design education. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.

This is volume two in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format.Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the second volume looks at the designed objects, images, and spaces that were created in the period. These include discussion of design in interiors, industry, fashion, graphics, and architecture amongst others.The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.

This is volume four in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format.Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the final volume looks at consumption and uses of design as a part of the wider cultures of the period. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.

This four volume collection of primary sources examines literary and cultural criticism over the long nineteenth century. The volumes explore the subjects of life-writing, including biography, autobiography, diaries, and letters, drama criticism, the periodical and newspaper press, and criticism written by women. This collection will be of great interest to students of literary history.

This four-volume collection explores the idea that, for Victorians and Edwardians, the meanings attached to work and the meanings attached to being without work were always dependent upon each other, knotted together by the imperative for a man to desire employment and be willing to work. Mechanization and the decline of old trades, the creation of single-industry cities and towns, the migration of agricultural labourers from the countryside to these cities and to London, the intensification of the sweated industries, and the displacement of the labour of adult men by the labour of women and adolescent boys all contributed to urgent conversations about the relationships between work and unemployment and are examined through primary sources. Accompanied by extensive editorial commentary, this collection will be of great interest to students of British History.

This volume examines the ideals and experiences of work during the long nineteenth century. The meanings attached to work had resonance in multiple aspects of people’s lives, and the sources consider this breadth. The primary sources examine the association of work with respectability, the challenges industrialization posed to men’s traditional labour and identities, and the pressures placed on working women by the increasingly normative domestic ideal. Accompanied by extensive editorial commentary, this volume will be of great interest to students of British History.

This volume explores questions surrounding what types of assistance were available to people out of work and who should receive that assistance during the nineteenth century. Documents on the Poor Law, voluntary organizations, and work relief schemes all demonstrate how central the work imperative was in the ways officials decided which applicants for assistance were deserving and which were not. Sources address many of the significant issues surrounding local relief to the unemployed, the growing influence of methodical approaches to charitable giving, and the use of measures of character embedded in the work imperative to choose worthy men to relieve. Accompanied by extensive editorial commentary, this volume will be of great interest to students of British History.

This volume explores the idea of unemployment, as nineteenth-century economists constructed the category ‘unemployment’, referring to a structural problem that caused ‘genuine workmen’ to be temporarily unemployed through no fault of their own. Sources examine how social thinkers and politicians put forward a range of arguments about the reasons for unemployment, the increasingly detailed categorization of people without work, and the growing movement to represent ‘labour’ both inside and outside Parliament, in large part to address the problem of unemployment. Accompanied by extensive editorial commentary, this volume will be of great interest to students of British History.

This volume explores primarily late nineteenth- and early twentieth-century efforts to solve the problem of unemployment in the context of the new understandings of ‘unemployment’. The sources show the continuing power of discovering men’s commitment to work by finding ways to make them work. This volume focuses on emigration to put unemployed men to work in the British colonies, the various projects to employ urban men without work on the land, and the increasing ‘Intervention of the State’ in efforts like emigration and labour colonies. Accompanied by extensive editorial commentary, this volume will be of great interest to students of British History.

This first volume includes scientific sources that were foundational in the professionalization of science and in the development and dissemination of scientific thinking as it moved towards evolutionary thought, including emerging ideas in biology, botany, zoology, anatomy, natural theology, and geology. The volume is comprised of specialist and popular science, and because science was becoming increasingly internationalised, particularly significant and influential overseas sources have been included. The volume includes extracts from works by Rev. Gilbert White, Baron Cuvier, William Paley, Jean-Baptiste Lamarck, Rev. William Buckland, Charles Waterton, Charles Lyell, Richard Owen, Louis Agassiz, Roderick Murchison, Alexander von Humboldt, Henry Sedgwick, Hugh Miller, Patrick Mathew, Robert Chambers, John Ruskin, and Philip Gosse.