Music in Nineteenth-Century Britain

Inbunden, Engelska, 2022

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Beskrivning

This volume of primary source material examines music and British national identity during the ninteenth century. Sources explore the reception of British music, continental and other foreign music, English, Scottish, Welsh and Irish music, and Empire. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.

Produktinformation

Utgivningsdatum:2022-08-15
Mått:156 x 234 x 29 mm
Vikt:775 g
Format:Inbunden
Språk:Engelska
Serie:Routledge Historical Resources
Antal sidor:446
Förlag:Taylor & Francis Ltd
ISBN:9780367435363

Utforska kategorier

Socialhistoria och kulturhistoria inom Historia och arkeologi
Musikböcker inom Kultur

Mer om författaren

Dr Rosemary Golding, Open University, UK

Innehållsförteckning

Volume 4: Music and British IdentityIntroduction – volume 4Part 1. Reputation and Reception of British Music1. Anon., ‘On the State of Music in Scotland’ in Blackwood's Edinburgh Magazine vol. 3 no. 15 (June 1818), pp. 265-2702. George Hogarth [D.A.B.], ‘On the State of Music in Edinburgh’ in Blackwood's Edinburgh Magazine vol. 3 no. 17 (August 1818), pp. 538-5423. Anon., ‘Considerations on the Character of the English, as a Musical People; Letter to the Editor from Juvenis’, in Quarterly Musical Magazine and Review vol. 4 no. 13 (1822), pp. 134-1374. H. R. Haweis, ‘Music in England’, in Music and Morals (London: Strahan & Co., 1871), pp. 491-5055. F. Davenport, ‘Music in England’ in The Saint Pauls Magazine vol. 13 (September 1873), pp. 275-2846. Frederick J. Crowest, ‘Our Musical Progress’, in Phases of Musical England (1881), pp. 288-3107. Alexander Mackenzie, ‘The Aspects and Prospects of Music in England’ in The Quarterly Musical Review vol. 3 no. 9 (February 1887), pp. 38-508. Arthur Sullivan, ‘About Music’ (1888) reprinted in Arthur Lawrence, Sir Arthur Sullivan: Life, Story, Letters and Reminiscences (London: J. Bowden 1899), pp. 261-2879. J. A. Fuller Maitland, ‘The Transition’, in English Music in the XIXth Century (London: Grant Richards, 1902), pp. 123-13910. W. Johnson Galloway, M.P., The Operatic Problem (London: John Long, 1902), pp. 7-18 11. Arthur Johnstone, ‘Music in the 19th Century’, in Musical Criticisms (Manchester: Manchester University Press, 1905), pp. 182-200Part 2. Compositional Schools and National Music12. Richard Mackenzie Bacon [‘Timotheus’], ‘Formation of an English School’ in The Quarterly Musical Magazine and Review vol. 1 no. 1 (1818), pp. 36-4513. John Parry, ‘Welsh Music No. I’ in The Cambro-Briton vol. 1 no. 1 (September 1819), pp. 13-14 and ‘Welsh Music No. II’ in The Cambro-Briton vol. 1 no. 2 (October 1819), pp. 52-5414. Richard Edgcumbe, ‘Observations on English Music’, Musical Reminiscences, containing an account of the Italian Opera in England, from 1773 to 1823 2nd edition (London: W. Clarke, 1827), pp. 142-14515. Anon., ‘The Music of Ireland, Wales and Scotland’, in Music in England, Ireland, Wales, and Scotland from the earliest ages to the present time (London: Cradock and Co., 1845), pp. 21-2616. Henry C. Lunn, ‘A Few Thoughts on the Schools of Music’, Musings of a Musician: a series of popular sketches, illustrative of musical matters and musical people 2nd edition (London: Simpkin, Marshall & Co., 1846), pp. 1-517. G. A. Macfarren, ‘The National Music of Our Native Land’, The Musical Times and Singing Class Circular vol. 14 no. 329 (1 July 1870), pp. 519-522 and ‘The National Music of Our Native Land (Concluded)’, The Musical Times and Singing Class Circular vol. 14 no. 330 (1 August 1870), pp. 551-55518. W. Barry, ‘The Current Street Ballads of Ireland’ in Macmillan's Magazine vol. 25 no. 147 (January 1872), pp. 190-199.19. Henry Brinley Richards, 'Preface', in The Songs of Wales (Caneuon Cymru) 4th edn (London: Boosey, 1879), pp. 1-320. J.S. Blackie, ‘Songs, Popular, of the Scottish Highlanders’ in Macmillan's Magazine vol. 52 (1885), pp. 304-31321. Frederick J. Crowest, ‘Wanted! An English Musical Style’ in The National Review vol. 9 no. 50 (April 1887), pp. 208-213.22. Anon., ‘Dr Parry and the English School’ in The Musical Herald (1 November 1892), pp. 323-32623. Annie W. Patterson, ‘The Characteristic Traits of Irish Music’ in Proceedings of the Musical Association, 23rd Sess. (1896-1897), pp. 91-111Part 3. Europe, Empire and Beyond24. W. Ouseley, ‘Anecdotes of Indian Music’, in The Belfast Monthly Magazine vol. 2 no. 6 (31 January 1809), pp. 6-725. Richard Mackenzie Bacon, ‘Sketch on the State of Music in London’ in The Quarterly Musical Magazine and Review vol. 4 no. 14 (1822), pp. 237-24126. Anon., ‘Foreign Institutions and English Judgment’ in The Quarterly Musical Magazine and Review vol. 8 no. 32 (1826), pp. 405-41627. Richard Edgcumbe, Musical Reminiscences, containing an account of the Italian Opera in England, from 1773 fourth edition (London: John Andrews, 1834), pp. 201-22128. Henry Fothergill Chorley, ‘The Brunswick Festival: The Oratorio – the Ball’, Music and Manners in France and Germany vol. 1 (London: Longman, Orme, Brown, Green, and Longmans, 1841), pp. 254-27129. Anon., ‘German Music’ in The Musical Times and Singing Class Circular vol. 8 no. 185 (1 July 1858), pp. 268-270, 27530. Carl Engel, ‘Introduction’, (extract) in An Introduction to the Study of National Music; Comprising Researches into Popular Songs, Traditions, and Customs (London: Longmans, Green, Reader, and Dyer, 1866), pp. 1-1331. Joseph Kaines, ‘On Some of the Racial Aspects of Music’ in The Journal of the Anthropological Institute of Great Britain and Ireland vol. 1 (1872), pp. xxviii-xxxvi32. T. F. W., ‘A Pilgrimage to the Shrine of Wagner’ in The Irish Monthly, vol. 16, no. 184 (1888), pp. 581–591.33. C. Hubert H. Parry, ‘Modern Phases of Opera’, The Art of Music (London: Kegan Paul, Trench, Trübner, 1893), pp. 335-35334. R. Etheridge, Jr., ‘An Australian Aboriginal Musical Instrument’ in The Journal of the Anthropological Institute of Great Britain and Ireland vol. 23 (1894), pp. 320-32435. Ernest Newman, ‘A Psychological Preliminary’, A Study of Wagner (1899), pp. 1-1536. Sarah A. Tooley, ‘A Chat with Madame Albani’ in The Lady’s Realm, an Illustrated Monthly Magazine vol. 5 (November 1898-April 1899) pp. 463-467Part 4 The Musical Past 37. A Subscriber, ‘The Ancient Music of Ireland Adapted to the Piano Forte’ in The Belfast Monthly Magazine vol. 2 no. 8 (31 March 1809), pp. 191-19338. Anon., ‘History of Music’ in The Mirror of Literature, Amusement, and Instruction vol. 6 no. 152, 158 and no. 170 (23 July, 3 September and 26 November 1825), pp. 70-71, 162-164 and 356-35939. Anon., ‘Ancient Scottish Music – The Skene MS’ in Blackwood's Edinburgh Magazine vol. 45 no. 279 (January 1839), pp. 1-1640. Edward Bunting, The Ancient Music of Ireland, arranged for the Pianoforte (Dublin: Hodges and Smith, 1840), Preface pp. 1-1141. William Chappell Popular Music of the Olden Time (2 vols. London: Cramer, Beale & Chappell, 1858-9), vol. 1, Introduction pp. v-xii42. Joseph Bennett, ‘The Influence of Handel on Music in England’ in The Musical Times and Singing Class Circular vol. 18 no. 413 (1 July 1877), pp. 321-32443. Frederick J. Crowest, ‘Purcell and the Making of Musical England’ in Blackwood's Edinburgh Magazine vol. 158 no. 962 (December 1895), pp. 819-83544. Anon., ‘Purcell’ in Monthly Musical Record vol. 25 no. 300 (1 December 1895), pp. 265-26645. James E. Matthew, ‘The Literature of Ancient Music’ and ‘The Mediaeval Writers on Music’, The Literature of Music (London: Eliot Stock, 1896), pp. 1-20.Index