Collage in Twenty-First-Century Literature in English

Wojciech Drąg (PhD) is an Assistant Professor at the Institute of English Studies at the University of Wrocław in Poland.

"Collage in Twenty-First-Century Literature in English offers an engaging, ambitious, and comprehensive survey of American and British collage literature in the new century. Focusing primarily on the experimental novel, with some detours through experimental writers and poets who turned to creative non-fiction projects, Wojciech Drag’s excellent critical account of collage shows it to be a surprisingly vibrant literary technique for writers responding to the emerging crises of the new millennium.”David Banash, Professor of Contemporary Literature, Film, and Popular Culture, Western Illinois University"This book is a valuable and original contribution to the fields of twenty-first-century literature, collage, and the legacies of modernism and postmodernism. By surveying a range of related but divergent texts by authors with a demonstrable interest in the collage practice, the author moves to create an identifiable twenty-first-century collage canon, with clear roots in 20th-century collage and avant-garde practices." Rona Cran, Lecturer in Twentieth-Century American Literature, University of Birmingham"In Collage in Twenty-First-Century Literature in English, Wojciech Drag convincingly demonstrates that collage remains a poignant aesthetic in the twenty-first century. Through techniques such as juxtaposition and thematic joints, the poetics of collage enable contemporary writers to engage with the personal and political crises of the contemporary."Alison Gibbons, Reader in Contemporary Stylistics, Sheffield Hallam University

• Introduction: Madly in Love with Crisis: Collage Literature Today Chapter One: Theory and Practice of Collage Part I. Art in Crisis Chapter Two: “Why Is Author So Damnably Tired?”: David Markson’s Reader’s Block Tetralogy Chapter Three: Manifestos for “Reality-Based” Art: David Shields’s Reality Hunger And How Literature Saved My Life Part II. Society in Crisis Chapter Four: It’s the End of the World As We Know It: Lance Olsen’s Sewing Shut My Eyes, Head in Flames and Dreamlives of Debris Chapter Five: When We Were Human: Steve Tomasula’s VAS: An Opera in Flatland and The Book of Portraiture Part III. The Self in Crisis Chapter Six: I’m Every Wo/man, Guaranteed One Hundred Per Cent Genuine!: Graham Rawle’s Woman’s World Chapter Seven: Diaries of Bad Years: Maggie Nelson’s Bluets and Jenny Offill’s Dept. of Speculation Conclusion: Collage Is Here to Stay Works Cited