Yangyang Long is Assistant Professor in Translation and Interpreting at Xi’an Jiaotong-Liverpool University. Her research centres on translation, literary studies, and cultural studies. Her works have been published in journals such as The Translator, Asia Pacific Translation and Intercultural Studies, Atlantic Studies: Global Currents, Coup de Théâtre, and TranscULturAL. She is working on her second monograph on the translation, adaptation, and performance of Chinese classical opera on the Anglophone stage.

• Acknowledgements Introduction 0.1 Translation and recognition 0.2 Studying Lin Yutang from the perspective of translation and recognition 0.3 Chapter summary Chapter 1 Lin Yutang and his view of recognition 1.1 Lin Yutang’s life and works1.2 Securing recognition: Lin Yutang’s challenge to cultural reductionism 1.3 Lin Yutang’s view of recognition Chapter 2 Translation, literature and philosophy: Lin Yutang’s three pillars and the space of zhongyong 2.1 Lin Yutang’s theorisations of three pillars and the space of zhongyong2.2 Zhongshi and foreignisation: Liberating China from the English-speaking world 2.3 Tongshun and domestication: Translating China as intelligible to the English-speaking world2.3.1 Trans-editing2.3.2 Trans-creation 2.3.3 Analogy2.4 Mei and central harmony: A space of zhongyong through translation Chapter 3 Translation and war: Lin Yutang’s ‘international contact’ vs. The United States’ isolationism3.1 The United States’ isolationism3.2 An antidote for isolationism: Lin Yutang’s ‘international contact’ and the war as a joint battle 3.3 Recognising China’s strategic significance as a major ally in the Asia Pacific theatre 3.4 Lin Yutang’s intervention in the Sino-American relations Chapter 4 Translation and empire: Lin Yutang’s vision of the new world order after the second world war4.1 Lin Yutang’s denunciation of Britain’s imperialist mentality4.2 Lin Yutang’s belief in the Atlantic Charter and internationalism 4.3 India’s freedom and racial equality Conclusion Index

Yangyang Long is Assistant Professor in Translation and Interpreting at Xi’an Jiaotong-Liverpool University. Her research centres on translation, literary studies, and cultural studies. Her works have been published in journals such as The Translator, Asia Pacific Translation and Intercultural Studies, Atlantic Studies: Global Currents, Coup de Théâtre, and TranscULturAL. She is working on her second monograph on the translation, adaptation, and performance of Chinese classical opera on the Anglophone stage.

• Acknowledgements Introduction 0.1 Translation and recognition 0.2 Studying Lin Yutang from the perspective of translation and recognition 0.3 Chapter summary Chapter 1 Lin Yutang and his view of recognition 1.1 Lin Yutang’s life and works1.2 Securing recognition: Lin Yutang’s challenge to cultural reductionism 1.3 Lin Yutang’s view of recognition Chapter 2 Translation, literature and philosophy: Lin Yutang’s three pillars and the space of zhongyong 2.1 Lin Yutang’s theorisations of three pillars and the space of zhongyong2.2 Zhongshi and foreignisation: Liberating China from the English-speaking world 2.3 Tongshun and domestication: Translating China as intelligible to the English-speaking world2.3.1 Trans-editing2.3.2 Trans-creation 2.3.3 Analogy2.4 Mei and central harmony: A space of zhongyong through translation Chapter 3 Translation and war: Lin Yutang’s ‘international contact’ vs. The United States’ isolationism3.1 The United States’ isolationism3.2 An antidote for isolationism: Lin Yutang’s ‘international contact’ and the war as a joint battle 3.3 Recognising China’s strategic significance as a major ally in the Asia Pacific theatre 3.4 Lin Yutang’s intervention in the Sino-American relations Chapter 4 Translation and empire: Lin Yutang’s vision of the new world order after the second world war4.1 Lin Yutang’s denunciation of Britain’s imperialist mentality4.2 Lin Yutang’s belief in the Atlantic Charter and internationalism 4.3 India’s freedom and racial equality Conclusion Index