Ananay Aguilar is a scholar and consultant in copyright and cultural policy affiliated with the Centre of Intellectual Property and Information Law (CIPIL) at the University of Cambridge. Her book on the legal rights of performers in the UK music industry is under contract with Palgrave.Ross Cole is a Junior Research Fellow at the University of Cambridge. His research interests extend from the late 19th century up to the present, with a particular focus on popular culture and experimentalism. He has just finished the manuscript of his first book, entitled The Folk: Music, Modernity, and the Political Imagination.Matthew Pritchard is Lecturer in Musical Aesthetics at the University of Leeds. He has published on aspects of music aesthetics from c.1750–1930 in Germany, and is working on a book examining the aesthetics of this period through the lens of the ‘history of emotions’. He also writes on and translates the songs and musical essays of Rabindranath Tagore.Eric Clarke is Heather Professor of Music at the University of Oxford, and a Professorial Fellow of Wadham College. He has published on topics in the psychology of music and related areas. His books include Empirical Musicology (2004), Ways of Listening (2005), Music and Mind in Everyday Life (2010), Music and Consciousness (2011), and Distributed Creativity (2017).

"If anyone deserves this kind of Festschrift it's Nick Cook, whose work--provocative and inspiring--is seminal to present day thought about music."- Lawrence Kramer, Distinguished Professor of English and Music, Fordham University"This collection of essays serves as a splendid tribute to Nick Cook, revealing the widespread influence his work has had on so many diverse aspects of the study of music. The authors engage spiritedly not only with Cook’s ideas on the production, performance, and theory of music in relation to traditional practices and multimedia technologies, but also respond to the social and ethical concerns that characterize his work."- Derek B. Scott, Professor of Critical Musicology, University of Leeds"This is a wonderful collection that offers a rich contribution to the field. The chapters take Cook’s work as a starting point, and work, play, or move with the models he has developed in highly productive ways."– Freya Jarman, Reader in Music, University of Liverpool

• PART I: MEDIA, NOTATION, PERFORMANCE1. Transforming Musical (Multi)media: Virtual Reality and the Goals of Music Research in the 21st-Century HumanitiesNicola Dibben2. Playing Along to What? Video Game Music and the Metaphor ModelMichiel Kamp3. ‘A Repertoire of Means for Imagining Music’: Notation Cultures and the Musical ImaginationFloris Schuiling4. Rethinking Classical Sound Recordings: Creativities Beyond the ScoreGeorgia Volioti5. Between Practice and Theory: Performance Studies and/as Artistic ResearchJohn Rink6. Moral Judgement in Response to Performances of Western Art MusicDaniel Leech-WilkinsonPART II: MEANINGS & VALUES IN HISTORY7. Vocality, Orality, and Disciplinarity: A Case Study of Gendered Categorizations in the Ancient Near EastAnija Dokter8. ‘All This Requires but a Moment of Open Revelation’! Johann Gottfried Herder, Robert Lachmann, and the Global Musicological MomentPhilip V. Bohlman9. Duetting with Bartók and Others: Iva Bittová’s Post-Revival ‘Personal Folk Music’Julie Brown10. Writing on Living Composers and the Problem of Advocacy: Failure and the Experimental Work of Mauricio KagelBjörn Heile11. Music and Epistemological Humility: Looking Back to (and Forward with) Paul BekkerMatthew Pritchard12. Towards an Ecological History of MusicRoss Cole

Ananay Aguilar is a scholar and consultant in copyright and cultural policy affiliated with the Centre of Intellectual Property and Information Law (CIPIL) at the University of Cambridge. Her book on the legal rights of performers in the UK music industry is under contract with Palgrave.Ross Cole is a Junior Research Fellow at the University of Cambridge. His research interests extend from the late 19th century up to the present, with a particular focus on popular culture and experimentalism. He has just finished the manuscript of his first book, entitled The Folk: Music, Modernity, and the Political Imagination.Matthew Pritchard is Lecturer in Musical Aesthetics at the University of Leeds. He has published on aspects of music aesthetics from c.1750–1930 in Germany, and is working on a book examining the aesthetics of this period through the lens of the ‘history of emotions’. He also writes on and translates the songs and musical essays of Rabindranath Tagore.Eric Clarke is Heather Professor of Music at the University of Oxford, and a Professorial Fellow of Wadham College. He has published on topics in the psychology of music and related areas. His books include Empirical Musicology (2004), Ways of Listening (2005), Music and Mind in Everyday Life (2010), Music and Consciousness (2011), and Distributed Creativity (2017).

"If anyone deserves this kind of Festschrift it's Nick Cook, whose work--provocative and inspiring--is seminal to present day thought about music."- Lawrence Kramer, Distinguished Professor of English and Music, Fordham University"This collection of essays serves as a splendid tribute to Nick Cook, revealing the widespread influence his work has had on so many diverse aspects of the study of music. The authors engage spiritedly not only with Cook’s ideas on the production, performance, and theory of music in relation to traditional practices and multimedia technologies, but also respond to the social and ethical concerns that characterize his work."- Derek B. Scott, Professor of Critical Musicology, University of Leeds"This is a wonderful collection that offers a rich contribution to the field. The chapters take Cook’s work as a starting point, and work, play, or move with the models he has developed in highly productive ways."– Freya Jarman, Reader in Music, University of Liverpool

• PART I: MEDIA, NOTATION, PERFORMANCE1. Transforming Musical (Multi)media: Virtual Reality and the Goals of Music Research in the 21st-Century HumanitiesNicola Dibben2. Playing Along to What? Video Game Music and the Metaphor ModelMichiel Kamp3. ‘A Repertoire of Means for Imagining Music’: Notation Cultures and the Musical ImaginationFloris Schuiling4. Rethinking Classical Sound Recordings: Creativities Beyond the ScoreGeorgia Volioti5. Between Practice and Theory: Performance Studies and/as Artistic ResearchJohn Rink6. Moral Judgement in Response to Performances of Western Art MusicDaniel Leech-WilkinsonPART II: MEANINGS & VALUES IN HISTORY7. Vocality, Orality, and Disciplinarity: A Case Study of Gendered Categorizations in the Ancient Near EastAnija Dokter8. ‘All This Requires but a Moment of Open Revelation’! Johann Gottfried Herder, Robert Lachmann, and the Global Musicological MomentPhilip V. Bohlman9. Duetting with Bartók and Others: Iva Bittová’s Post-Revival ‘Personal Folk Music’Julie Brown10. Writing on Living Composers and the Problem of Advocacy: Failure and the Experimental Work of Mauricio KagelBjörn Heile11. Music and Epistemological Humility: Looking Back to (and Forward with) Paul BekkerMatthew Pritchard12. Towards an Ecological History of MusicRoss Cole

Ananay Aguilar is a scholar and consultant in copyright and cultural policy affiliated with the Centre of Intellectual Property and Information Law (CIPIL) at the University of Cambridge. Her book on the legal rights of performers in the UK music industry is under contract with Palgrave.Ross Cole is a Junior Research Fellow at the University of Cambridge. His research interests extend from the late 19th century up to the present, with a particular focus on popular culture and experimentalism. He has just finished the manuscript of his first book, entitled The Folk: Music, Modernity, and the Political Imagination.Matthew Pritchard is Lecturer in Musical Aesthetics at the University of Leeds. He has published on aspects of music aesthetics from c.1750–1930 in Germany, and is working on a book examining the aesthetics of this period through the lens of the ‘history of emotions’. He also writes on and translates the songs and musical essays of Rabindranath Tagore.Eric Clarke is Heather Professor of Music at the University of Oxford, and a Professorial Fellow of Wadham College. He has published on topics in the psychology of music and related areas. His books include Empirical Musicology (2004), Ways of Listening (2005), Music and Mind in Everyday Life (2010), Music and Consciousness (2011), and Distributed Creativity (2017).

"If anyone deserves this kind of Festschrift it's Nick Cook, whose work--provocative and inspiring--is seminal to present day thought about music."- Lawrence Kramer, Distinguished Professor of English and Music, Fordham University"This collection of essays serves as a splendid tribute to Nick Cook, revealing the widespread influence his work has had on so many diverse aspects of the study of music. The authors engage spiritedly not only with Cook’s ideas on the production, performance, and theory of music in relation to traditional practices and multimedia technologies, but also respond to the social and ethical concerns that characterize his work."- Derek B. Scott, Professor of Critical Musicology, University of Leeds"This is a wonderful collection that offers a rich contribution to the field. The chapters take Cook’s work as a starting point, and work, play, or move with the models he has developed in highly productive ways."– Freya Jarman, Reader in Music, University of Liverpool

• PART I: MEDIA, NOTATION, PERFORMANCE1. Transforming Musical (Multi)media: Virtual Reality and the Goals of Music Research in the 21st-Century HumanitiesNicola Dibben2. Playing Along to What? Video Game Music and the Metaphor ModelMichiel Kamp3. ‘A Repertoire of Means for Imagining Music’: Notation Cultures and the Musical ImaginationFloris Schuiling4. Rethinking Classical Sound Recordings: Creativities Beyond the ScoreGeorgia Volioti5. Between Practice and Theory: Performance Studies and/as Artistic ResearchJohn Rink6. Moral Judgement in Response to Performances of Western Art MusicDaniel Leech-WilkinsonPART II: MEANINGS & VALUES IN HISTORY7. Vocality, Orality, and Disciplinarity: A Case Study of Gendered Categorizations in the Ancient Near EastAnija Dokter8. ‘All This Requires but a Moment of Open Revelation’! Johann Gottfried Herder, Robert Lachmann, and the Global Musicological MomentPhilip V. Bohlman9. Duetting with Bartók and Others: Iva Bittová’s Post-Revival ‘Personal Folk Music’Julie Brown10. Writing on Living Composers and the Problem of Advocacy: Failure and the Experimental Work of Mauricio KagelBjörn Heile11. Music and Epistemological Humility: Looking Back to (and Forward with) Paul BekkerMatthew Pritchard12. Towards an Ecological History of MusicRoss Cole