Matthew Pritchard – författare

Where is the academic study of music today, and what paths should it take into the future? Should we be looking at how music relates to society and constructs meaning through it, rather than how it transcends the social? Can we ‘remix’ our discipline and attempt to address all musics on an equal basis, without splitting ourselves in advance into subgroups of ‘musicologists’, ‘theorists’, and ‘ethnomusicologists’? These are some of the crucial issues that Nicholas Cook has raised since he emerged in the 1990s as one of the UK’s leading and most widely-read voices in critical musicology. In this book, collaborators and former students of Cook pursue these questions, and others raised by his work––from notation, historiography, and performance to the place of music in multimedia forms such as virtual reality and video games, analysing both how it can bring people together and the ways in which it has failed to do so.

This book reassesses the place of politics and emotion within Romantic music aesthetics. Drawing together insights from the history of emotions, cultural history, and studies of philosophical idealism, 'affective relationality' – the channelling of emotion through music's social and cultural synergies – emerges as key to Romantic aesthetic thought. Now familiar concepts such as theatrical illusion, genius, poetic criticism, and the renewed connection of art to mythology and religion opened new spaces for audiences' feelings, as thinkers such as Rousseau, Herder, Germaine de Staël, Joseph Mainzer, Pierre Leroux and George Sand sought alternatives to the political status quo. Building on the sentimental tradition in eighteenth-century art and politics, the Romantics created ways of listening to music imbued not just with melancholic longing for transcendence but also with humour, gothic fantasy, satire, and political solidarity. The consequences have extended far beyond the classical concert hall into numerous domains of popular culture from melodrama, romances and political songwriting to musical theatre and film.

Where is the academic study of music today, and what paths should it take into the future? Should we be looking at how music relates to society and constructs meaning through it, rather than how it transcends the social? Can we ‘remix’ our discipline and attempt to address all musics on an equal basis, without splitting ourselves in advance into subgroups of ‘musicologists’, ‘theorists’, and ‘ethnomusicologists’? These are some of the crucial issues that Nicholas Cook has raised since he emerged in the 1990s as one of the UK’s leading and most widely read voices in critical musicology. In this book, collaborators and former students of Cook pursue these questions and others raised by his work—from notation, historiography, and performance to the place of music in multimedia forms such as virtual reality and video games, analysing both how it can bring people together and the ways in which it has failed to do so.

‘You’ve displeased me. You things always do. Now it’s time for us to part.’ He watched, expressionless, as the thing raised a feeble arm; then he released a handle on the winch. The thing slumped, disappeared into the foot wide gap between the walls. He turned to the pile of loose bricks, looking for his trowel... – from ScarecrowWhen Danny Sanchez, a hard-bitten journalist working in the Almeria region of Spain is sent to cover the demolition of the home of a retired expat couple, he lands a much bigger – and more grisly – story than he bargained for. As the diggers begin to tear down the house, a body, partially decomposed, its face swathed in a strange black sheath, is suddenly revealed dangling in the depths of the brickwork…From the deeply sinister opening pages, Scarecrow draws the reader down an inexorable, tortuous path of discovery and into the gruesome activities of a serial killer so depraved it almost defies comprehension. Via thuggish cowboy builders, a missing drug-addicted teenage boy, and a house with a stinking secret wall, Danny’s scoop of a lifetime becomes a personal crusade to snare the elusive murderer. Alternating between Spain and England, the story takes us into the mind of the complex, highly driven Danny. An expert at ferreting out information from even the most recalcitrant of contacts, this skilled journalist will stop at nothing, even risking his own life, to find the answers that have escaped the authorities for decades.Moving with a Chandleresque efficiency, the narrative is compelling and full of unexpected but highly credible twists; the dialogue stark and often harsh. Pritchard’s mastery lies in the psychology of his characters, his vivid descriptive abilities and his subtle pacing. An essential read for anyone who relishes burning the midnight oil with a superlatively terrifying crime novel, Scarecrow will keep the reader guessing right to the end.