Adina Kamien-Kazhdan, PhD, is David Rockefeller Senior Curator, The Stella Fischbach Department of Modern Art at The Israel Museum, Jerusalem.

"Drawing on previously unpublished correspondence, documentary materials and new interviews, this compelling and timely volume examines the collaborative production and meaning of editioned replicas and their impact on notions of originality, authenticity and authorship. A must read for understanding the creative legacy of the ready-mades!"—Dalia Judovitz, author of Drawing on Art: Duchamp and Company

• Table of ContentsList of Illustrations Acknowledgements Introduction PART I Replication in the 20th Century and the Galleria SchwarzChapter 1 Replication: Motivations, Terms, and Issues Replication: Terms and Definitions Replication: Why and When?Multiples of the 1950s and 1960s: New Initiatives of Artists and DealersThe Replica's Aura: Legal and Theoretical QuestionsChapter 2 Galleria Schwarz Arturo Schwarz: From Alexandria to Milan The Libreria-Galleria Schwarz Views on Dada and SurrealismSchwarz, Breton, and TrotskyJudaism, Kabbalah, and AlchemyCollection and DonationPART II Replication in the Oeuvre of Duchamp and Man RayChapter 3 Duchamp: "Not an Original in the Conventional Sense" Duchamp and the ReadymadeDuchamp and ReplicationDuchamp Replicators 1950-1966Chapter 4 Man Ray: Objects to Multiples Multiform Man RayExhibitions and Reputation"Objects of My Affection"Duchamp-Man Ray Creative ExchangeReplication of Man Ray’s Objects Pre-Schwarz PART II Commissioning and Making of the Editioned ReplicasChapter 5 Mirrorical Return: Marcel Duchamp's Editioned Readymades Arturo Schwarz: The Complete Works of Marcel DuchampInitial Joint Projects: The Erotic Objects Exhibitions at Galleria Schwarz and Commissioning of ReplicasReplication ProcessCase by Case Analysis of the 1964-65 EditionsChapter 6 The "Indestructible" Man Ray Man Ray and Schwarz: The Rigour of ImaginationExhibitions at Galleria Schwarz and Commissioning of ReplicasReplication Process: Case by CaseOther Editors of Man Ray’s ObjectsChapter 7 Reception of the Editioned Replicas Duchamp: The Value of the Readymade and its ReplicasCritical Reception of the 1964 EditionsImpact on Artists and ScholarshipArt Market History and Museum Purchasing PoliciesConclusion Bibliography I Unpublished CorrespondenceII InterviewsIII GeneralIV Publications by Arturo Schwarz Appendix A Marcel Duchamp – original to replica tables B Man Ray – original to replica tables

Adina Kamien-Kazhdan, PhD, is David Rockefeller Senior Curator, The Stella Fischbach Department of Modern Art at The Israel Museum, Jerusalem.

"Drawing on previously unpublished correspondence, documentary materials and new interviews, this compelling and timely volume examines the collaborative production and meaning of editioned replicas and their impact on notions of originality, authenticity and authorship. A must read for understanding the creative legacy of the ready-mades!"—Dalia Judovitz, author of Drawing on Art: Duchamp and Company

• Table of ContentsList of Illustrations Acknowledgements Introduction PART I Replication in the 20th Century and the Galleria SchwarzChapter 1 Replication: Motivations, Terms, and Issues Replication: Terms and Definitions Replication: Why and When?Multiples of the 1950s and 1960s: New Initiatives of Artists and DealersThe Replica's Aura: Legal and Theoretical QuestionsChapter 2 Galleria Schwarz Arturo Schwarz: From Alexandria to Milan The Libreria-Galleria Schwarz Views on Dada and SurrealismSchwarz, Breton, and TrotskyJudaism, Kabbalah, and AlchemyCollection and DonationPART II Replication in the Oeuvre of Duchamp and Man RayChapter 3 Duchamp: "Not an Original in the Conventional Sense" Duchamp and the ReadymadeDuchamp and ReplicationDuchamp Replicators 1950-1966Chapter 4 Man Ray: Objects to Multiples Multiform Man RayExhibitions and Reputation"Objects of My Affection"Duchamp-Man Ray Creative ExchangeReplication of Man Ray’s Objects Pre-Schwarz PART II Commissioning and Making of the Editioned ReplicasChapter 5 Mirrorical Return: Marcel Duchamp's Editioned Readymades Arturo Schwarz: The Complete Works of Marcel DuchampInitial Joint Projects: The Erotic Objects Exhibitions at Galleria Schwarz and Commissioning of ReplicasReplication ProcessCase by Case Analysis of the 1964-65 EditionsChapter 6 The "Indestructible" Man Ray Man Ray and Schwarz: The Rigour of ImaginationExhibitions at Galleria Schwarz and Commissioning of ReplicasReplication Process: Case by CaseOther Editors of Man Ray’s ObjectsChapter 7 Reception of the Editioned Replicas Duchamp: The Value of the Readymade and its ReplicasCritical Reception of the 1964 EditionsImpact on Artists and ScholarshipArt Market History and Museum Purchasing PoliciesConclusion Bibliography I Unpublished CorrespondenceII InterviewsIII GeneralIV Publications by Arturo Schwarz Appendix A Marcel Duchamp – original to replica tables B Man Ray – original to replica tables

Adina Kamien-Kazhdan, PhD, is David Rockefeller Senior Curator, The Stella Fischbach Department of Modern Art at The Israel Museum, Jerusalem.

"Drawing on previously unpublished correspondence, documentary materials and new interviews, this compelling and timely volume examines the collaborative production and meaning of editioned replicas and their impact on notions of originality, authenticity and authorship. A must read for understanding the creative legacy of the ready-mades!"—Dalia Judovitz, author of Drawing on Art: Duchamp and Company

• Table of ContentsList of Illustrations Acknowledgements Introduction PART I Replication in the 20th Century and the Galleria SchwarzChapter 1 Replication: Motivations, Terms, and Issues Replication: Terms and Definitions Replication: Why and When?Multiples of the 1950s and 1960s: New Initiatives of Artists and DealersThe Replica's Aura: Legal and Theoretical QuestionsChapter 2 Galleria Schwarz Arturo Schwarz: From Alexandria to Milan The Libreria-Galleria Schwarz Views on Dada and SurrealismSchwarz, Breton, and TrotskyJudaism, Kabbalah, and AlchemyCollection and DonationPART II Replication in the Oeuvre of Duchamp and Man RayChapter 3 Duchamp: "Not an Original in the Conventional Sense" Duchamp and the ReadymadeDuchamp and ReplicationDuchamp Replicators 1950-1966Chapter 4 Man Ray: Objects to Multiples Multiform Man RayExhibitions and Reputation"Objects of My Affection"Duchamp-Man Ray Creative ExchangeReplication of Man Ray’s Objects Pre-Schwarz PART II Commissioning and Making of the Editioned ReplicasChapter 5 Mirrorical Return: Marcel Duchamp's Editioned Readymades Arturo Schwarz: The Complete Works of Marcel DuchampInitial Joint Projects: The Erotic Objects Exhibitions at Galleria Schwarz and Commissioning of ReplicasReplication ProcessCase by Case Analysis of the 1964-65 EditionsChapter 6 The "Indestructible" Man Ray Man Ray and Schwarz: The Rigour of ImaginationExhibitions at Galleria Schwarz and Commissioning of ReplicasReplication Process: Case by CaseOther Editors of Man Ray’s ObjectsChapter 7 Reception of the Editioned Replicas Duchamp: The Value of the Readymade and its ReplicasCritical Reception of the 1964 EditionsImpact on Artists and ScholarshipArt Market History and Museum Purchasing PoliciesConclusion Bibliography I Unpublished CorrespondenceII InterviewsIII GeneralIV Publications by Arturo Schwarz Appendix A Marcel Duchamp – original to replica tables B Man Ray – original to replica tables