Huda J. Fakhreddine is Associate Professor of Arabic Literature at the University of Pennsylvania, USA. Her work focuses on modernist movements or trends in Arabic poetry and their relationship to the Arabic literary tradition. She is the author of Metapoesis in the Arabic Tradition (2015) and The Arabic Prose Poem: Poetic Theory and Practice (2021). She is the co-translator of Lighthouse for the Drowning (2017), The Sky That Denied Me (2020), and Come, Take a Gentle Stab: Selections from Salim Barakat (2021). She is the Coeditor-in-Chief of Middle Eastern Literatures and an editor of the Library of Arabic Literature.Suzanne Pinckney Stetkevych is the Sultan Qaboos bin Said Professor of Arabic and Islamic Studies at Georgetown University, USA. She is a specialist in Classical Arabic poetry. Her books include: Abū Tammām and the Poetics of the ‘Abbāsid Age (1991); The Mute Immortals Speak: Pre-Islamic Poetry and the Poetics of Ritual (1993, paperback 2011); The Poetics of Islamic Legitimacy: Myth, Gender and Ceremony in the Classical Arabic Ode (2002); The Mantle Odes: Arabic Praise Poems to the Prophet Muḥammad (2010) and The Cooing of the Dove and the Cawing of the Crow : Late ʿ Abbāsid Poetics in Abūal-ʿAlāʾ al-Maʿarrī’s Saqṭ al-Zand and Luzūm Mā Lā Yalzam (2023). She serves as Executive Editor of the Brill Studies in Middle East Literatures monograph series.

• PrefaceArabic Poetry in Late Antiquity: The Rāʾiyya of Imruʾ al-QaysPamela KlasovaParody and the Creation of the Muḥdath GhazalAhmad AlmallahDescription of Architecture in Classical Arabic Poetry from the Perspective of Interarts StudiesAkiko SumiAndalusī Heterodoxy and Colloquial Arabic Poetry: “Zajal 145” by Ibn Quzmān (d. AH 555 / AD 1160)James T. MonroeAndalusi Hebrew Poetry and the Arabic Poetic TraditionRoss BrannWa-matā ilā dhāka al-maqāmi wuṣūlu:Poetry, Performance and the Prophet in the Andalusian Music Tradition of MoroccoCarl DavilaIbn Khamīs and the Poetics of Nostalgia in the Tilimsāniyyāt (Poems on Tlemcen)Nizar F. HermesThe Homeland at the Threshold of World LiteratureYaseen NooraniKaʿb ibn Zuhayr Weeps for Sultan Murad IV: Baghdad, Heritage, and the Ottoman Empire in Maʿrūf al-Ruṣāfī’s PoetryC. Ceyhun ArslanLewis Awad Breaks Poetry’s Back in Plutoland (1947)Levi ThompsonThe Ṣaʿālīk Poets of Modern Iraq: The Vagabonds Ḥusayn Mardān and Jān DammūSuneela MubayiCinematography in Modern Arabic Poetry: Redefining the Philosophy and Dynamics of Poetic ImagerySayed ElsisiDisturbing Vision: Zarqāʾ al-Yamāma and Semiotics of Denial in Modern and Contemporary Arabic PoetryClarissa BurtThe Poet as Palm Tree: Muḥammad al-Thubaytī and the Reimagining of Saudi IdentityHatem Alzahrani

Huda J. Fakhreddine is Associate Professor of Arabic Literature at the University of Pennsylvania, USA. Her work focuses on modernist movements or trends in Arabic poetry and their relationship to the Arabic literary tradition. She is the author of Metapoesis in the Arabic Tradition (2015) and The Arabic Prose Poem: Poetic Theory and Practice (2021). She is the co-translator of Lighthouse for the Drowning (2017), The Sky That Denied Me (2020), and Come, Take a Gentle Stab: Selections from Salim Barakat (2021). She is the Coeditor-in-Chief of Middle Eastern Literatures and an editor of the Library of Arabic Literature.Suzanne Pinckney Stetkevych is the Sultan Qaboos bin Said Professor of Arabic and Islamic Studies at Georgetown University, USA. She is a specialist in Classical Arabic poetry. Her books include: Abū Tammām and the Poetics of the ‘Abbāsid Age (1991); The Mute Immortals Speak: Pre-Islamic Poetry and the Poetics of Ritual (1993, paperback 2011); The Poetics of Islamic Legitimacy: Myth, Gender and Ceremony in the Classical Arabic Ode (2002); The Mantle Odes: Arabic Praise Poems to the Prophet Muḥammad (2010) and The Cooing of the Dove and the Cawing of the Crow : Late ʿ Abbāsid Poetics in Abūal-ʿAlāʾ al-Maʿarrī’s Saqṭ al-Zand and Luzūm Mā Lā Yalzam (2023). She serves as Executive Editor of the Brill Studies in Middle East Literatures monograph series.

• PrefaceArabic Poetry in Late Antiquity: The Rāʾiyya of Imruʾ al-QaysPamela KlasovaParody and the Creation of the Muḥdath GhazalAhmad AlmallahDescription of Architecture in Classical Arabic Poetry from the Perspective of Interarts StudiesAkiko SumiAndalusī Heterodoxy and Colloquial Arabic Poetry: “Zajal 145” by Ibn Quzmān (d. AH 555 / AD 1160)James T. MonroeAndalusi Hebrew Poetry and the Arabic Poetic TraditionRoss BrannWa-matā ilā dhāka al-maqāmi wuṣūlu:Poetry, Performance and the Prophet in the Andalusian Music Tradition of MoroccoCarl DavilaIbn Khamīs and the Poetics of Nostalgia in the Tilimsāniyyāt (Poems on Tlemcen)Nizar F. HermesThe Homeland at the Threshold of World LiteratureYaseen NooraniKaʿb ibn Zuhayr Weeps for Sultan Murad IV: Baghdad, Heritage, and the Ottoman Empire in Maʿrūf al-Ruṣāfī’s PoetryC. Ceyhun ArslanLewis Awad Breaks Poetry’s Back in Plutoland (1947)Levi ThompsonThe Ṣaʿālīk Poets of Modern Iraq: The Vagabonds Ḥusayn Mardān and Jān DammūSuneela MubayiCinematography in Modern Arabic Poetry: Redefining the Philosophy and Dynamics of Poetic ImagerySayed ElsisiDisturbing Vision: Zarqāʾ al-Yamāma and Semiotics of Denial in Modern and Contemporary Arabic PoetryClarissa BurtThe Poet as Palm Tree: Muḥammad al-Thubaytī and the Reimagining of Saudi IdentityHatem Alzahrani

Huda J. Fakhreddine is Associate Professor of Arabic Literature at the University of Pennsylvania, USA. Her work focuses on modernist movements or trends in Arabic poetry and their relationship to the Arabic literary tradition. She is the author of Metapoesis in the Arabic Tradition (2015) and The Arabic Prose Poem: Poetic Theory and Practice (2021). She is the co-translator of Lighthouse for the Drowning (2017), The Sky That Denied Me (2020), and Come, Take a Gentle Stab: Selections from Salim Barakat (2021). She is the Coeditor-in-Chief of Middle Eastern Literatures and an editor of the Library of Arabic Literature.Suzanne Pinckney Stetkevych is the Sultan Qaboos bin Said Professor of Arabic and Islamic Studies at Georgetown University, USA. She is a specialist in Classical Arabic poetry. Her books include: Abū Tammām and the Poetics of the ‘Abbāsid Age (1991); The Mute Immortals Speak: Pre-Islamic Poetry and the Poetics of Ritual (1993, paperback 2011); The Poetics of Islamic Legitimacy: Myth, Gender and Ceremony in the Classical Arabic Ode (2002); The Mantle Odes: Arabic Praise Poems to the Prophet Muḥammad (2010) and The Cooing of the Dove and the Cawing of the Crow : Late ʿ Abbāsid Poetics in Abūal-ʿAlāʾ al-Maʿarrī’s Saqṭ al-Zand and Luzūm Mā Lā Yalzam (2023). She serves as Executive Editor of the Brill Studies in Middle East Literatures monograph series.

• PrefaceArabic Poetry in Late Antiquity: The Rāʾiyya of Imruʾ al-QaysPamela KlasovaParody and the Creation of the Muḥdath GhazalAhmad AlmallahDescription of Architecture in Classical Arabic Poetry from the Perspective of Interarts StudiesAkiko SumiAndalusī Heterodoxy and Colloquial Arabic Poetry: “Zajal 145” by Ibn Quzmān (d. AH 555 / AD 1160)James T. MonroeAndalusi Hebrew Poetry and the Arabic Poetic TraditionRoss BrannWa-matā ilā dhāka al-maqāmi wuṣūlu:Poetry, Performance and the Prophet in the Andalusian Music Tradition of MoroccoCarl DavilaIbn Khamīs and the Poetics of Nostalgia in the Tilimsāniyyāt (Poems on Tlemcen)Nizar F. HermesThe Homeland at the Threshold of World LiteratureYaseen NooraniKaʿb ibn Zuhayr Weeps for Sultan Murad IV: Baghdad, Heritage, and the Ottoman Empire in Maʿrūf al-Ruṣāfī’s PoetryC. Ceyhun ArslanLewis Awad Breaks Poetry’s Back in Plutoland (1947)Levi ThompsonThe Ṣaʿālīk Poets of Modern Iraq: The Vagabonds Ḥusayn Mardān and Jān DammūSuneela MubayiCinematography in Modern Arabic Poetry: Redefining the Philosophy and Dynamics of Poetic ImagerySayed ElsisiDisturbing Vision: Zarqāʾ al-Yamāma and Semiotics of Denial in Modern and Contemporary Arabic PoetryClarissa BurtThe Poet as Palm Tree: Muḥammad al-Thubaytī and the Reimagining of Saudi IdentityHatem Alzahrani