Häftad, Engelska, 2020

Cultural Perceptions of Violence in the Hellenistic World

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Beskrivning

Violence had long been central to the experience of Hellenistic Greek cities and to their civic discourses. This volume asks how these discourses were shaped and how they functioned within the particular cultural constructs of the Hellenistic world. It was a period in which warfare became more professionalised, and wars increasingly ubiquitous. The period also saw major changes in political structures that led to political and cultural experimentation and transformation in which the political and cultural heritage of the classical city-state encountered the new political principles and cosmopolitan cultures of Hellenism. Finally, and in a similar way, it saw expanded opportunities for cultural transfer in cities through (re)constructions of urban space. Violence thus entered the city through external military and political shocks, as well as within emerging social hierarchies and civic institutions. Such factors also inflected economic activity, religious practices and rituals, and the artistic, literary and philosophical life of the polis.

Produktinformation

Utgivningsdatum: 2020-06-30
Mått: 156 x 234 x 20 mm
Vikt: 530 g
Format: Häftad
Språk: Engelska
Antal sidor: 270
Förlag: Taylor & Francis Ltd
ISBN: 9780367595210

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Mer om författaren

Michael Champion is a senior research fellow in the Institute for Religion and Critical Inquiry at the Australian Catholic University. He is the author of Explaining the Cosmos: Creation and Cultural Interaction in Late Antiquity (2014) and co-editor of Understanding Emotions in Early Europe (2015).Lara O’Sullivan is a lecturer in Classics and Ancient History at the University of Western Australia. She is the author of Demetrius of Phalerum: A Philosopher in Politics 317-307 BCE (2009). Her main research interests lie in classical and Hellenistic Athenian history and culture.

Recensioner i media

"The twelve chapters, penned by a cast of senior scholars and younger colleagues commissioned by the editors, cover a fair amount of ground: from discussions of public spaces which served to nurture and incite the military spirit among the youth, through visual representations of violence in Hellenistic sculpture, to philosophical, religious, and socioeconomic discourses that in some way justified patterns of violence and the seemingly unavoidable quotidian presence of war in a Hellenistic city, and finally to literary reflections on violence in Hellenistic poetry and drama, to end, somewhat surprisingly, with an interesting chapter on Catullus, carmen 11. While the volume is understandably selective in its scope, many papers offer food for thought." - Andrej Petrovic, Uinversity of Virginia

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