Pamela Currie

• Introduction 1. Goethe's Mental Images 2. Ambiguous Figures in Wilhelm Meisters Lehrjahre 3. Specular Moment: Moment for Reflection 4. Goethe's Green: The 'Mixed' Boundary Colours in Zur Farbenlehre 5. Harmoniespiel der Farben': Goethe, Meyer and Pietro da Cortona 6. Classical Colour Harmony: Goethe and Heinrich Meyer on Jacques Louis David and his Pupil Gottlieb Schick, an 'emporstrebenden jungen Maler' in Rome 7. Mannigfaltigkeit des Farbenspiels': Goethe and Heinrich Meyer on Harmony through Colour Variation 8. An Alternative Antiquity? Ornament in Goethe, Meyer and Giulio Romano

Pamela Currie

• Introduction 1. Goethe's Mental Images 2. Ambiguous Figures in Wilhelm Meisters Lehrjahre 3. Specular Moment: Moment for Reflection 4. Goethe's Green: The 'Mixed' Boundary Colours in Zur Farbenlehre 5. Harmoniespiel der Farben': Goethe, Meyer and Pietro da Cortona 6. Classical Colour Harmony: Goethe and Heinrich Meyer on Jacques Louis David and his Pupil Gottlieb Schick, an 'emporstrebenden jungen Maler' in Rome 7. Mannigfaltigkeit des Farbenspiels': Goethe and Heinrich Meyer on Harmony through Colour Variation 8. An Alternative Antiquity? Ornament in Goethe, Meyer and Giulio Romano

Pamela Currie

• Introduction 1. Goethe's Mental Images 2. Ambiguous Figures in Wilhelm Meisters Lehrjahre 3. Specular Moment: Moment for Reflection 4. Goethe's Green: The 'Mixed' Boundary Colours in Zur Farbenlehre 5. Harmoniespiel der Farben': Goethe, Meyer and Pietro da Cortona 6. Classical Colour Harmony: Goethe and Heinrich Meyer on Jacques Louis David and his Pupil Gottlieb Schick, an 'emporstrebenden jungen Maler' in Rome 7. Mannigfaltigkeit des Farbenspiels': Goethe and Heinrich Meyer on Harmony through Colour Variation 8. An Alternative Antiquity? Ornament in Goethe, Meyer and Giulio Romano