Pamela Currie

the impression one carries away on closing the book is of the immense sense of intellectual ferment which characterised Goethe's age, and a search for ways of reappraising human beings' relationship to their environment in both spiritual and physical terms. -- Susan Halstead Susan Halstead

• Introduction 1. Goethe's Mental Images 2. Ambiguous Figures in Wilhelm Meisters Lehrjahre 3. Specular Moment: Moment for Reflection 4. Goethe's Green: The 'Mixed' Boundary Colours in Zur Farbenlehre 5. Harmoniespiel der Farben': Goethe, Meyer and Pietro da Cortona 6. Classical Colour Harmony: Goethe and Heinrich Meyer on Jacques Louis David and his Pupil Gottlieb Schick, an 'emporstrebenden jungen Maler' in Rome 7. Mannigfaltigkeit des Farbenspiels': Goethe and Heinrich Meyer on Harmony through Colour Variation 8. An Alternative Antiquity? Ornament in Goethe, Meyer and Giulio Romano

Pamela Currie

the impression one carries away on closing the book is of the immense sense of intellectual ferment which characterised Goethe's age, and a search for ways of reappraising human beings' relationship to their environment in both spiritual and physical terms. -- Susan Halstead Susan Halstead

• Introduction 1. Goethe's Mental Images 2. Ambiguous Figures in Wilhelm Meisters Lehrjahre 3. Specular Moment: Moment for Reflection 4. Goethe's Green: The 'Mixed' Boundary Colours in Zur Farbenlehre 5. Harmoniespiel der Farben': Goethe, Meyer and Pietro da Cortona 6. Classical Colour Harmony: Goethe and Heinrich Meyer on Jacques Louis David and his Pupil Gottlieb Schick, an 'emporstrebenden jungen Maler' in Rome 7. Mannigfaltigkeit des Farbenspiels': Goethe and Heinrich Meyer on Harmony through Colour Variation 8. An Alternative Antiquity? Ornament in Goethe, Meyer and Giulio Romano

Pamela Currie

the impression one carries away on closing the book is of the immense sense of intellectual ferment which characterised Goethe's age, and a search for ways of reappraising human beings' relationship to their environment in both spiritual and physical terms. -- Susan Halstead Susan Halstead

• Introduction 1. Goethe's Mental Images 2. Ambiguous Figures in Wilhelm Meisters Lehrjahre 3. Specular Moment: Moment for Reflection 4. Goethe's Green: The 'Mixed' Boundary Colours in Zur Farbenlehre 5. Harmoniespiel der Farben': Goethe, Meyer and Pietro da Cortona 6. Classical Colour Harmony: Goethe and Heinrich Meyer on Jacques Louis David and his Pupil Gottlieb Schick, an 'emporstrebenden jungen Maler' in Rome 7. Mannigfaltigkeit des Farbenspiels': Goethe and Heinrich Meyer on Harmony through Colour Variation 8. An Alternative Antiquity? Ornament in Goethe, Meyer and Giulio Romano