Jillmarie Murphy is Associate Professor of English and Director of the Gender, Sexuality, and Women’s Studies Program at Union College, Schenectady, NY. She has published books, journal articles, and essays that focus on Puritan poetics, literature of the early American Republic, prominent and lesser-known antebellum literary figures, and transatlantic novelists who span the nineteenth and early twentieth centuries. Her publications generally employ the psycho-social paradigm of attachment theory, drawing on topics considering parenting, gender, race, class, and ethnicity, as well as publications that consider the evolution of literary history and how certain authors and texts resonate long after their heyday.

• AcknowledgementsIntroductionChapter 1. Dispossession, Diseased Attachments, and the Transmogrifying Self in Charles Brockden Brown’s Arthur MervynChapter 2. Fugitivity and Displaced Bodies in Leonora Sansay’s Secret History; or, the Horrors of Saint Domingo Chapter 3. George Lippard’s Quaker City; or, The Monks of Monk Hall and the Transformational Place of Mid-Nineteenth Century Urban FictionChapter 4. Atavistic Attachments, Anti-Landscapes, and the Precarity of Place in Stephen Crane’s Maggie: A Girl of the Streets and Frank Norris’s McTeagueChapter 5. African-American Place Attachments and the Chains of Modernity in Paul Laurence Dunbar’s Sport of the GodsIndex

Jillmarie Murphy is Associate Professor of English and Director of the Gender, Sexuality, and Women’s Studies Program at Union College, Schenectady, NY. She has published books, journal articles, and essays that focus on Puritan poetics, literature of the early American Republic, prominent and lesser-known antebellum literary figures, and transatlantic novelists who span the nineteenth and early twentieth centuries. Her publications generally employ the psycho-social paradigm of attachment theory, drawing on topics considering parenting, gender, race, class, and ethnicity, as well as publications that consider the evolution of literary history and how certain authors and texts resonate long after their heyday.

• AcknowledgementsIntroductionChapter 1. Dispossession, Diseased Attachments, and the Transmogrifying Self in Charles Brockden Brown’s Arthur MervynChapter 2. Fugitivity and Displaced Bodies in Leonora Sansay’s Secret History; or, the Horrors of Saint Domingo Chapter 3. George Lippard’s Quaker City; or, The Monks of Monk Hall and the Transformational Place of Mid-Nineteenth Century Urban FictionChapter 4. Atavistic Attachments, Anti-Landscapes, and the Precarity of Place in Stephen Crane’s Maggie: A Girl of the Streets and Frank Norris’s McTeagueChapter 5. African-American Place Attachments and the Chains of Modernity in Paul Laurence Dunbar’s Sport of the GodsIndex

Jillmarie Murphy is Associate Professor of English and Director of the Gender, Sexuality, and Women’s Studies Program at Union College, Schenectady, NY. She has published books, journal articles, and essays that focus on Puritan poetics, literature of the early American Republic, prominent and lesser-known antebellum literary figures, and transatlantic novelists who span the nineteenth and early twentieth centuries. Her publications generally employ the psycho-social paradigm of attachment theory, drawing on topics considering parenting, gender, race, class, and ethnicity, as well as publications that consider the evolution of literary history and how certain authors and texts resonate long after their heyday.

• AcknowledgementsIntroductionChapter 1. Dispossession, Diseased Attachments, and the Transmogrifying Self in Charles Brockden Brown’s Arthur MervynChapter 2. Fugitivity and Displaced Bodies in Leonora Sansay’s Secret History; or, the Horrors of Saint Domingo Chapter 3. George Lippard’s Quaker City; or, The Monks of Monk Hall and the Transformational Place of Mid-Nineteenth Century Urban FictionChapter 4. Atavistic Attachments, Anti-Landscapes, and the Precarity of Place in Stephen Crane’s Maggie: A Girl of the Streets and Frank Norris’s McTeagueChapter 5. African-American Place Attachments and the Chains of Modernity in Paul Laurence Dunbar’s Sport of the GodsIndex