Martin Porr is Associate Professor of Archaeology at the University of Western Australia.Niels Weidtmann, philosophy, is Director of the College of Fellows – Center for Interdisciplinary and Intercultural Studies at Eberhard-Karls Universität Tübingen, Germany.

• Part I – Introduction Tim Ingold – biographical and research overviewMartin Porr, Niels Weidtmann, and Tim Ingold1 Being alive and educating attention: The persistent value of the work of Tim IngoldMartin Porr and Niels WeidtmannPart II – Knowing, perceiving, and attending2 Introduction: Knowing, perceiving, and attendingNiels Weidtmann and Martin Porr3 Anthropology with Tim Ingold and friendsStephanie Bunn4 Artworks at a threshold: Thinking with Tim Ingold about art gallery techniciansLaura Harris5 In the slipstream of participation: Attention and intention in anthropological fieldworkAnna Bloom-Christen6 Historicising creativity: An interdisciplinary perspective between the social and natural sciencesDylan Gaffney and Leor ZmigrodPart III – Anthropology and/as attention7 Introduction: Anthropology and/as attentionNiels Weidtmann and Martin Porr8 Experiences from within: Contributions of outdoor education to anthropologyMelanie Greiner9 Decolonising anthropology and/as education?Antony PattathuPart IV – The life of lines, dwelling and growing10 Introduction: The life of lines, dwelling and growingMartin Porr and Niels Weidtmann11 Making (of) ecology. Philosophical perspectives on Tim IngoldRalf Gisinger12 Making and growing: The lives and deaths of a tree and a house in the Spanish dehesaMaike Melles13 Living along infrastructural lines: Following electricity in HunzaQuirin RiederPart V – Art beyond the image14 Introduction: Art beyond the imageMartin Porr and Niels Weidtmann15 ‘Dwelling’ with Siberian rock artIrina A. Ponomareva16 Rock art conservation and living heritage: Performance and the transformation of ‘paintings’ in rock artAna Paula Motta17 Many ways to see yams: An ecological analysis of Yam Figures in the Aboriginal rock art of Balanggarra Country, Northeast Kimberley, Western AustraliaEmily Grey and Balanggarra Aboriginal Corporation18 Ontological reversals, correspondences, and archaeological ‘arts of noticing’Benjamin AlbertiPart VI – Conclusion19 Let the world teach! Some closing reflectionsTim Ingold

Martin Porr is Associate Professor of Archaeology at the University of Western Australia.Niels Weidtmann, philosophy, is Director of the College of Fellows – Center for Interdisciplinary and Intercultural Studies at Eberhard-Karls Universität Tübingen, Germany.

• Part I – Introduction Tim Ingold – biographical and research overviewMartin Porr, Niels Weidtmann, and Tim Ingold1 Being alive and educating attention: The persistent value of the work of Tim IngoldMartin Porr and Niels WeidtmannPart II – Knowing, perceiving, and attending2 Introduction: Knowing, perceiving, and attendingNiels Weidtmann and Martin Porr3 Anthropology with Tim Ingold and friendsStephanie Bunn4 Artworks at a threshold: Thinking with Tim Ingold about art gallery techniciansLaura Harris5 In the slipstream of participation: Attention and intention in anthropological fieldworkAnna Bloom-Christen6 Historicising creativity: An interdisciplinary perspective between the social and natural sciencesDylan Gaffney and Leor ZmigrodPart III – Anthropology and/as attention7 Introduction: Anthropology and/as attentionNiels Weidtmann and Martin Porr8 Experiences from within: Contributions of outdoor education to anthropologyMelanie Greiner9 Decolonising anthropology and/as education?Antony PattathuPart IV – The life of lines, dwelling and growing10 Introduction: The life of lines, dwelling and growingMartin Porr and Niels Weidtmann11 Making (of) ecology. Philosophical perspectives on Tim IngoldRalf Gisinger12 Making and growing: The lives and deaths of a tree and a house in the Spanish dehesaMaike Melles13 Living along infrastructural lines: Following electricity in HunzaQuirin RiederPart V – Art beyond the image14 Introduction: Art beyond the imageMartin Porr and Niels Weidtmann15 ‘Dwelling’ with Siberian rock artIrina A. Ponomareva16 Rock art conservation and living heritage: Performance and the transformation of ‘paintings’ in rock artAna Paula Motta17 Many ways to see yams: An ecological analysis of Yam Figures in the Aboriginal rock art of Balanggarra Country, Northeast Kimberley, Western AustraliaEmily Grey and Balanggarra Aboriginal Corporation18 Ontological reversals, correspondences, and archaeological ‘arts of noticing’Benjamin AlbertiPart VI – Conclusion19 Let the world teach! Some closing reflectionsTim Ingold

Martin Porr is Associate Professor of Archaeology at the University of Western Australia.Niels Weidtmann, philosophy, is Director of the College of Fellows – Center for Interdisciplinary and Intercultural Studies at Eberhard-Karls Universität Tübingen, Germany.

• Part I – Introduction Tim Ingold – biographical and research overviewMartin Porr, Niels Weidtmann, and Tim Ingold1 Being alive and educating attention: The persistent value of the work of Tim IngoldMartin Porr and Niels WeidtmannPart II – Knowing, perceiving, and attending2 Introduction: Knowing, perceiving, and attendingNiels Weidtmann and Martin Porr3 Anthropology with Tim Ingold and friendsStephanie Bunn4 Artworks at a threshold: Thinking with Tim Ingold about art gallery techniciansLaura Harris5 In the slipstream of participation: Attention and intention in anthropological fieldworkAnna Bloom-Christen6 Historicising creativity: An interdisciplinary perspective between the social and natural sciencesDylan Gaffney and Leor ZmigrodPart III – Anthropology and/as attention7 Introduction: Anthropology and/as attentionNiels Weidtmann and Martin Porr8 Experiences from within: Contributions of outdoor education to anthropologyMelanie Greiner9 Decolonising anthropology and/as education?Antony PattathuPart IV – The life of lines, dwelling and growing10 Introduction: The life of lines, dwelling and growingMartin Porr and Niels Weidtmann11 Making (of) ecology. Philosophical perspectives on Tim IngoldRalf Gisinger12 Making and growing: The lives and deaths of a tree and a house in the Spanish dehesaMaike Melles13 Living along infrastructural lines: Following electricity in HunzaQuirin RiederPart V – Art beyond the image14 Introduction: Art beyond the imageMartin Porr and Niels Weidtmann15 ‘Dwelling’ with Siberian rock artIrina A. Ponomareva16 Rock art conservation and living heritage: Performance and the transformation of ‘paintings’ in rock artAna Paula Motta17 Many ways to see yams: An ecological analysis of Yam Figures in the Aboriginal rock art of Balanggarra Country, Northeast Kimberley, Western AustraliaEmily Grey and Balanggarra Aboriginal Corporation18 Ontological reversals, correspondences, and archaeological ‘arts of noticing’Benjamin AlbertiPart VI – Conclusion19 Let the world teach! Some closing reflectionsTim Ingold