Thomas Brett is an electronic music producer, with a PhD in ethnomusicology from New York University. His essays and book reviews have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, and Oxford, and Cambridge University presses. He has released numerous electronic music recordings and his compositions for marimba and vibraphone have been performed internationally by soloists and university ensembles. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

A master class in understanding the use of production technology as an arena of musical practice.In this fascinating and highly accessible account, Thomas Brett proves his skills not just as a music maker, but also as a critical thinker on the subject of music production as a cultural space. He experiments and samples widely. He blends. He makes forays into different disciplines his own, creating an ongoing series of metaphors that repeatedly deliver insights into music production as a field. More than simply offering a masterful introduction to production technology, Brett teaches us to consider its sociological context and cultural resonances. His notion of the producer-fan helps us rethink the out-dated dichotomy that artificially separates fans from music makers, when we know those roles can and do overlap.You could not ask for a better guide on your quest to fully understand the craft.Mark Duffett, Reader – Music, Media and Performance, University of ChesterA deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music (...) Brett’s book has given me lots to think about in terms of my intellectual approach, my inspirations, and my processes. The many fascinating insights into the methodologies of the greats of electronic music production have made The Creative Electronic Music Producer an inspirational and motivating read.Hugh Robjohns, Sound on Sound

• About the AuthorList of FiguresAcknowledgmentsIntroduction: Electronic music production as infinite game Chapter 1. Electronic music production, the producer, and the enchanted DAW Chapter 2. Musical systems and production workflows Chapter 3. The Faintest Traces: beginnings, approaches, improvising, and being lost Chapter 4. Subliminal Feeling: presets and sound design Interlude: YouTube electronic music production tutorials Chapter 5. Timekeeping Ways: rhythm programming Chapter 6. Folding Back In: production disruptionsChapter 7. Levels of Detail: editing Chapter 8. Conjuring: arranging and mixing Conclusion: The push forward References Suggested ListeningIndex