Since its foundation in 1951, the French film journal Cahiers du Cin - perhaps, the most influential and probably the most interesting film journal ever published - has been a major source of ideas and controversy within film criticism and film-making. The fourth volume in this influential series of anthologies covers the vibrant and turbulent period from 1973 to 1978, in which the editorial make-up and policy of the journal changed radically, and issues of theory, history and politics dominated critical debate.The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and These Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensable contribution to debates in film and cultural politics.

Since its foundation in 1951, the French film journal Cahiers du Cin - perhaps, the most influential and probably the most interesting film journal ever published - has been a major source of ideas and controversy within film criticism and film-making. The fourth volume in this influential series of anthologies covers the vibrant and turbulent period from 1973 to 1978, in which the editorial make-up and policy of the journal changed radically, and issues of theory, history and politics dominated critical debate.The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and These Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensable contribution to debates in film and cultural politics.

Since its foundation in 1951, the French film journal Cahiers du Cin - perhaps, the most influential and probably the most interesting film journal ever published - has been a major source of ideas and controversy within film criticism and film-making. The fourth volume in this influential series of anthologies covers the vibrant and turbulent period from 1973 to 1978, in which the editorial make-up and policy of the journal changed radically, and issues of theory, history and politics dominated critical debate.The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and These Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensable contribution to debates in film and cultural politics.