Jacques Lecoq founded l’École Internationale de Théâtre Jacques Lecoq in 1956, developing teaching methods that have inspired numerous practitioners of physical theatre, in which gesture is at the basis of the performance. David Bradby is Professor of Drama and Theatre Studies at Royal Holloway, University of London. He was the translator of Jacques Lecoq’s The Moving Body (Methuen, 2000).

"...this is an important addition to the growing body of scholarship treating Lecoq's work, and any student of 20th-century theatre or the use of movement in performance will find this book invaluable." --TDR

• 1 Imitation: from mimicry to miming 2 The gestures of life 3 From pantomime to modern mime 4 Has mime become separated from theatre? 5 Mime, the art of movement 6 The explosion of mime 7 The theatre of gesture and image

Jacques Lecoq founded l’École Internationale de Théâtre Jacques Lecoq in 1956, developing teaching methods that have inspired numerous practitioners of physical theatre, in which gesture is at the basis of the performance. David Bradby is Professor of Drama and Theatre Studies at Royal Holloway, University of London. He was the translator of Jacques Lecoq’s The Moving Body (Methuen, 2000).

"...this is an important addition to the growing body of scholarship treating Lecoq's work, and any student of 20th-century theatre or the use of movement in performance will find this book invaluable." --TDR

• 1 Imitation: from mimicry to miming 2 The gestures of life 3 From pantomime to modern mime 4 Has mime become separated from theatre? 5 Mime, the art of movement 6 The explosion of mime 7 The theatre of gesture and image

Jacques Lecoq founded l’École Internationale de Théâtre Jacques Lecoq in 1956, developing teaching methods that have inspired numerous practitioners of physical theatre, in which gesture is at the basis of the performance. David Bradby is Professor of Drama and Theatre Studies at Royal Holloway, University of London. He was the translator of Jacques Lecoq’s The Moving Body (Methuen, 2000).

"...this is an important addition to the growing body of scholarship treating Lecoq's work, and any student of 20th-century theatre or the use of movement in performance will find this book invaluable." --TDR

• 1 Imitation: from mimicry to miming 2 The gestures of life 3 From pantomime to modern mime 4 Has mime become separated from theatre? 5 Mime, the art of movement 6 The explosion of mime 7 The theatre of gesture and image