'A lively new translation by Jean Benedetti ... Stanislavski was provocative, controversial – and, as An Actor's Work confirms, a genius.' – The Times of London'A volume that clearly communicates the entire system ... it should be made required reading. - The Guardian'Benedetti has done an excellent job... an elegantly presented and valuable volume... This volume is essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Education'A landmark achievement in Stanislavski studies ... essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Educational Supplement'Scrupulously precise.' – Marie-Christine Autant-Mathieu, Centre National de la Recherche Scientifique, Paris'A far more authentic Stanislavsky … A valuable new translation, which is fuller and more readable than anything else previously attempted.' – Laurence Senelick, Tufts University, Boston, USA'Very readable … A vast improvement.' – Bella Merlin, University of Exeter, UK'Jean Benedetti has brought his usual extensive scholarship and thorough knowledge of Russian to provide a version that is more complete, much more accurate, and more readable [than the previous translation].’ – Richard Hornby, University of California, Riverside, USA'Benedetti, the author of several previous books on Stanislavski, has both improved and expanded upon the Hapgood editions, and the result is a longer yet much more readable text. ' – Libray Journal'The twin bibles of acting books, Stanislavsky's An Actor Prepares and Building a Character, which have been recently re-translated into a single tome.' – American Theatre'This volume is a must for theater collections... Essential. All readers, all levels.' - CHOICE

• Contents Introduction Declan Donnelan Translator's Foreword Jean Benedetti Preface Konstantin Stanislavski Year One 1. Amateurism 2. The stage as art and stock-in-trade 3. Action 4. Imagination 5. Concentration 6. Muscular release 7. Bits and tasks 8. Belief and the sense of truth 9. Emotion memory 10. Contact and communication 11. Adaptation 12. Psychological drives 13. Psychological drives in action 14. The Actor's creative state 15. The Supertask, through-action 16. The subconscious and the Actor Year Two 17. Transition to physical embodiment 18. Physical education 19. Voice and speech 20. Perspective 21. Tempo-rhyth 22. Logic 23. Physical characteristics 24. Finishing touches 25. Charisma 26. Ethics and discipline 27. External creative state 28. General creative state 29. The system Appendices Glossary of Key Terms Afterword Anatolij Smelianski

'A lively new translation by Jean Benedetti ... Stanislavski was provocative, controversial – and, as An Actor's Work confirms, a genius.' – The Times of London'A volume that clearly communicates the entire system ... it should be made required reading. - The Guardian'Benedetti has done an excellent job... an elegantly presented and valuable volume... This volume is essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Education'A landmark achievement in Stanislavski studies ... essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Educational Supplement'Scrupulously precise.' – Marie-Christine Autant-Mathieu, Centre National de la Recherche Scientifique, Paris'A far more authentic Stanislavsky … A valuable new translation, which is fuller and more readable than anything else previously attempted.' – Laurence Senelick, Tufts University, Boston, USA'Very readable … A vast improvement.' – Bella Merlin, University of Exeter, UK'Jean Benedetti has brought his usual extensive scholarship and thorough knowledge of Russian to provide a version that is more complete, much more accurate, and more readable [than the previous translation].’ – Richard Hornby, University of California, Riverside, USA'Benedetti, the author of several previous books on Stanislavski, has both improved and expanded upon the Hapgood editions, and the result is a longer yet much more readable text. ' – Libray Journal'The twin bibles of acting books, Stanislavsky's An Actor Prepares and Building a Character, which have been recently re-translated into a single tome.' – American Theatre'This volume is a must for theater collections... Essential. All readers, all levels.' - CHOICE

• Contents Introduction Declan Donnelan Translator's Foreword Jean Benedetti Preface Konstantin Stanislavski Year One 1. Amateurism 2. The stage as art and stock-in-trade 3. Action 4. Imagination 5. Concentration 6. Muscular release 7. Bits and tasks 8. Belief and the sense of truth 9. Emotion memory 10. Contact and communication 11. Adaptation 12. Psychological drives 13. Psychological drives in action 14. The Actor's creative state 15. The Supertask, through-action 16. The subconscious and the Actor Year Two 17. Transition to physical embodiment 18. Physical education 19. Voice and speech 20. Perspective 21. Tempo-rhyth 22. Logic 23. Physical characteristics 24. Finishing touches 25. Charisma 26. Ethics and discipline 27. External creative state 28. General creative state 29. The system Appendices Glossary of Key Terms Afterword Anatolij Smelianski

'A lively new translation by Jean Benedetti ... Stanislavski was provocative, controversial – and, as An Actor's Work confirms, a genius.' – The Times of London'A volume that clearly communicates the entire system ... it should be made required reading. - The Guardian'Benedetti has done an excellent job... an elegantly presented and valuable volume... This volume is essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Education'A landmark achievement in Stanislavski studies ... essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Educational Supplement'Scrupulously precise.' – Marie-Christine Autant-Mathieu, Centre National de la Recherche Scientifique, Paris'A far more authentic Stanislavsky … A valuable new translation, which is fuller and more readable than anything else previously attempted.' – Laurence Senelick, Tufts University, Boston, USA'Very readable … A vast improvement.' – Bella Merlin, University of Exeter, UK'Jean Benedetti has brought his usual extensive scholarship and thorough knowledge of Russian to provide a version that is more complete, much more accurate, and more readable [than the previous translation].’ – Richard Hornby, University of California, Riverside, USA'Benedetti, the author of several previous books on Stanislavski, has both improved and expanded upon the Hapgood editions, and the result is a longer yet much more readable text. ' – Libray Journal'The twin bibles of acting books, Stanislavsky's An Actor Prepares and Building a Character, which have been recently re-translated into a single tome.' – American Theatre'This volume is a must for theater collections... Essential. All readers, all levels.' - CHOICE

• Contents Introduction Declan Donnelan Translator's Foreword Jean Benedetti Preface Konstantin Stanislavski Year One 1. Amateurism 2. The stage as art and stock-in-trade 3. Action 4. Imagination 5. Concentration 6. Muscular release 7. Bits and tasks 8. Belief and the sense of truth 9. Emotion memory 10. Contact and communication 11. Adaptation 12. Psychological drives 13. Psychological drives in action 14. The Actor's creative state 15. The Supertask, through-action 16. The subconscious and the Actor Year Two 17. Transition to physical embodiment 18. Physical education 19. Voice and speech 20. Perspective 21. Tempo-rhyth 22. Logic 23. Physical characteristics 24. Finishing touches 25. Charisma 26. Ethics and discipline 27. External creative state 28. General creative state 29. The system Appendices Glossary of Key Terms Afterword Anatolij Smelianski