Post-War Italian Cinema

American Intervention, Vatican Interests

AvDaniela Treveri Gennari

Inbunden, Engelska, 2008

Del i serien Routledge Advances in Film Studies

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Häftad

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Beskrivning

Through a comparative approach of current theories developed on ideology and an analysis of official documents from the Vatican and the United States Department of State, the book investigates the decisive role that American production companies played in the development of the Italian film industry and their links to the Vatican. This analysis evaluates how the Italian production and distribution industries satisfied the American political and economic interests. American political and cultural ideology of the post-1945 era, is compared with the Roman Catholic ideology in order to assess their cultural propaganda. This is followed by studies of the roles played by key individuals, such as Giulio Andreotti, and institutions such as ANICA and A.G.I.S. involved in formulating the policies and regulations that affected the production and distribution of American and Italian films in the post-1945 era, as well as the involvement of the Roman Catholic Church in this process.

Produktinformation

Utgivningsdatum:2008-12-17
Mått:152 x 229 x 17 mm
Vikt:560 g
Format:Inbunden
Språk:Engelska
Serie:Routledge Advances in Film Studies
Antal sidor:218
Förlag:Taylor & Francis Ltd
ISBN:9780415962872

Utforska kategorier

Film inom Kultur

Mer om författaren

Daniela Treveri Gennari is Field Chair and Senior Lecturer in Film Studies at Oxford Brookes University.

Recensioner i media

"...this is a very useful book, detailing a period in Italian film history that is more complex than has been allowed for in more general historical studies. Gennari's access to original archive material and to important sources...are key to this book's value and to its significance for scholars of Italian cinema and film history more broadly."--Paul Sutton, Times Higher Education

Innehållsförteckning

Chapter 1: You Can Be Like Us: American Intervention in Italian Reconstruction Chapter 2: Roman Catholicism, Americanism and Americanisation: Ideology, Politics and Cultural Propaganda Chapter 3: The State, Cinema Legislation and American Interests Chapter 4: Endemic Propaganda: Catholic Production, Exhibition and Criticism Chapter 5: Dispelling the Myth: The Popularity of American and Italian Cinema in Post-War Italy and the Response of the Catholic Church Chapter 6: Gender Roles, the Church and the Allure of Modernity in American and Italian Films Conclusions