This book takes a cultural studies approach to analyze and account for the ways in which related to film, literature, cultural production, ideology, social change and modernity were in raised in the leftwing film movement of the 1930s.
Acknowledgements Abstract Abbreviations Used in Notes 1. Art and Politics 2. Country and City 3. Gender Relations 4. Self and Society 5. Epilogue Appendix 1. Interview of Cheng Jihua Appendix 2. Filmography Bibliography
