Cold War and Sinophone Culture at the Borders examines Sinophone literary and cultural production in relation to the politics of the global Cold War and decolonization in Hong Kong, Singapore, and Malaysia. As we reckon with the historical and contemporary geopolitical standoffs in the Cold War–divided territories, Shuang Shen draws attention to the diasporic communities outside Chinese sovereign territories and shows that these supposedly peripheral locations were in fact significant cultural and political hot spots. Shen demonstrates how Cold War borders exerted geo-power over strategic hot spots, organized global flows of populations and cultures, hardened the boundaries of aesthetic debates, and managed interracial relationships and plurilingual exchange. The multifold bordering effect in turn complicates the common perception of the border as a mechanism of territorial division. Cold War and Sinophone Culture at the Borders proposes that a critical examination of borders—not just territorial divisions, but also social, political, and aesthetic boundaries––can tap into different structures of power without needing to incorporate them into a single binary framework of the metropole versus colony.
