Jill Dawsey is Curator at the Museum of Contemporary Art San Diego. Prior to joining MCASD, she held curatorial posts at the San Francisco Museum of Modern Art and the Utah Museum of Fine Arts. Dawsey's recent exhibitions include Laugh-in: Art, Comedy, Performance (2015), Approximately Infinite Universe (2014), and The Smithson Effect (2011, for the UMFA). She received her PhD in art history from Stanford University and holds a BA from Bryn Mawr College.

"This is a valuable introduction to the work of these individuals and, beyond that, a reasoned assessment of the nature and qualities of this aspect of an important art movement... Summing Up: Highly recommended." CHOICE

• FOREWORDACKNOWLEDGMENTSLENDERS TO THE EXHIBITION1 THE USES OF PHOTOGRAPHY2 "THERE WAS NO RADICALIZATION....IT WAS NORMAL FOR US"3 VARIOUS SMALL ETHNOFICTIONS OF COASTAL CALIFORNIA4 DOCUMENTS AND DOCUMENTARYREMEMBERING RECORDING REPRESENTINGCHECKLIST OF THE EXHIBITIONSELECTED BIBLIOGRAPHYCONTRIBUTORSBOARD OF TRUSTEESSTAFFINDEXIMAGE CREDITS

Jill Dawsey is Curator at the Museum of Contemporary Art San Diego. Prior to joining MCASD, she held curatorial posts at the San Francisco Museum of Modern Art and the Utah Museum of Fine Arts. Dawsey's recent exhibitions include Laugh-in: Art, Comedy, Performance (2015), Approximately Infinite Universe (2014), and The Smithson Effect (2011, for the UMFA). She received her PhD in art history from Stanford University and holds a BA from Bryn Mawr College.

"This is a valuable introduction to the work of these individuals and, beyond that, a reasoned assessment of the nature and qualities of this aspect of an important art movement... Summing Up: Highly recommended." CHOICE

• FOREWORDACKNOWLEDGMENTSLENDERS TO THE EXHIBITION1 THE USES OF PHOTOGRAPHY2 "THERE WAS NO RADICALIZATION....IT WAS NORMAL FOR US"3 VARIOUS SMALL ETHNOFICTIONS OF COASTAL CALIFORNIA4 DOCUMENTS AND DOCUMENTARYREMEMBERING RECORDING REPRESENTINGCHECKLIST OF THE EXHIBITIONSELECTED BIBLIOGRAPHYCONTRIBUTORSBOARD OF TRUSTEESSTAFFINDEXIMAGE CREDITS

Jill Dawsey is Curator at the Museum of Contemporary Art San Diego. Prior to joining MCASD, she held curatorial posts at the San Francisco Museum of Modern Art and the Utah Museum of Fine Arts. Dawsey's recent exhibitions include Laugh-in: Art, Comedy, Performance (2015), Approximately Infinite Universe (2014), and The Smithson Effect (2011, for the UMFA). She received her PhD in art history from Stanford University and holds a BA from Bryn Mawr College.

"This is a valuable introduction to the work of these individuals and, beyond that, a reasoned assessment of the nature and qualities of this aspect of an important art movement... Summing Up: Highly recommended." CHOICE

• FOREWORDACKNOWLEDGMENTSLENDERS TO THE EXHIBITION1 THE USES OF PHOTOGRAPHY2 "THERE WAS NO RADICALIZATION....IT WAS NORMAL FOR US"3 VARIOUS SMALL ETHNOFICTIONS OF COASTAL CALIFORNIA4 DOCUMENTS AND DOCUMENTARYREMEMBERING RECORDING REPRESENTINGCHECKLIST OF THE EXHIBITIONSELECTED BIBLIOGRAPHYCONTRIBUTORSBOARD OF TRUSTEESSTAFFINDEXIMAGE CREDITS