The First Quarto of King Henry V

AvWilliam Shakespeare,Andrew Gurr

Häftad, Engelska, 2006

Del i serien The New Cambridge Shakespeare: The Early Quartos

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Beskrivning

The Quarto text of Henry V is of unique importance. It is the first and probably the only text of a Shakespeare play which provides the playscript corresponding to the version that was actually performed by Shakespeare's own company. It has the authority of being transcribed by actors in the company as a record of their original staging at the Globe in 1599. The quarto version differs radically from the First Folio text which is used as the source for all other editions. Half as long as the Folio, it represents a practical staging text that streamlined the script supplied by Shakespeare. This edition of the Henry V quarto provides a modernized text alongside the extensive commentary. Andrew Gurr examines each variant from the Folio text in detail, shedding new light on what happened to scripts that the Shakespeare company bought from their resident playwright.

Produktinformation

Utgivningsdatum:2006-11-23
Mått:151 x 227 x 8 mm
Vikt:220 g
Format:Häftad
Språk:Engelska
Serie:The New Cambridge Shakespeare: The Early Quartos
Antal sidor:140
Förlag:Cambridge University Press
ISBN:9780521032636

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Dramatik inom Skönlitteratur
Litteraturvetenskap inom Skönlitteratur

Recensioner i media

"Gurr's contentions will ignite interest among all serious readers of Shakespeare and may detonate a barrage of scholarly responses. Highly recommended for upper-division undergraduates through faculty and for professional collections." Choice

Innehållsförteckning

List of illustrations; Preface; Abbreviations and conventions; Introduction; 1. The significance of the quarto text; 2. The nature of playhouse manuscripts; 3. The history of Henry V's quarto text; 4. The quarto printings; 5. The copy for and printing of Q1; 6. The so-called 'reporters' of Q1; 7. Compositor errors in Q1; 8. Mishearings from dictation; 9. Re-lineation; 10. Premeditated revisions; 11. Reassignments of parts; 12. Q's use of the cuts from F; 13. Verbal alterations for consistency; 14. Shakespeare's changes or the players'?; 15. Stage history; Note on the text; List of characters; The Play; Textual notes; Appendix 1: some of Q's re-lining of verse; Appendix 2: Q's rendering of Pistol's lines as verse; Bibliography.