"Clearly written throughout, the volume will be a useful addition to any library supporting the study of early modern drama." Choice

• Notes on contributors; Acknowledgements; Note on the text; Introduction T. F. Wharton; 1. John Marston at the 'mart of woe': the Antonio plays Rick Bowers; 2. John Marston: a theatrical perspective W. Reavley Gair; 3. Varieties of fantasy in What You Will Matthew Steggle; 4. Safety in fiction: Marston's recreational poetics Patrick Buckridge; 5. Insatiate punning in Marston's courtesan plays Richard Scarr; 6. Touching the self: masturbatory Marston William W. E. Slights; 7. 'Two parts in one': Marston and masculinity Sukanya B. Senapati; 8. The Malcontent: hunting the letter Kiernan Ryan; 9. The Dutch Courtesan and the profits of translation David Pascoe; 10. Sexual politics in Marston's The Malcontent T. F. Wharton; 11. Marston: censure, censorship and free speech Janet Clare; 12. Ill-mannered Marston Michael Scott; Index.

"Clearly written throughout, the volume will be a useful addition to any library supporting the study of early modern drama." Choice

• Notes on contributors; Acknowledgements; Note on the text; Introduction T. F. Wharton; 1. John Marston at the 'mart of woe': the Antonio plays Rick Bowers; 2. John Marston: a theatrical perspective W. Reavley Gair; 3. Varieties of fantasy in What You Will Matthew Steggle; 4. Safety in fiction: Marston's recreational poetics Patrick Buckridge; 5. Insatiate punning in Marston's courtesan plays Richard Scarr; 6. Touching the self: masturbatory Marston William W. E. Slights; 7. 'Two parts in one': Marston and masculinity Sukanya B. Senapati; 8. The Malcontent: hunting the letter Kiernan Ryan; 9. The Dutch Courtesan and the profits of translation David Pascoe; 10. Sexual politics in Marston's The Malcontent T. F. Wharton; 11. Marston: censure, censorship and free speech Janet Clare; 12. Ill-mannered Marston Michael Scott; Index.

"Clearly written throughout, the volume will be a useful addition to any library supporting the study of early modern drama." Choice

• Notes on contributors; Acknowledgements; Note on the text; Introduction T. F. Wharton; 1. John Marston at the 'mart of woe': the Antonio plays Rick Bowers; 2. John Marston: a theatrical perspective W. Reavley Gair; 3. Varieties of fantasy in What You Will Matthew Steggle; 4. Safety in fiction: Marston's recreational poetics Patrick Buckridge; 5. Insatiate punning in Marston's courtesan plays Richard Scarr; 6. Touching the self: masturbatory Marston William W. E. Slights; 7. 'Two parts in one': Marston and masculinity Sukanya B. Senapati; 8. The Malcontent: hunting the letter Kiernan Ryan; 9. The Dutch Courtesan and the profits of translation David Pascoe; 10. Sexual politics in Marston's The Malcontent T. F. Wharton; 11. Marston: censure, censorship and free speech Janet Clare; 12. Ill-mannered Marston Michael Scott; Index.