"This is a very thoughtful, well-edited, provocative series of essays showing how new dramatic meanings arise from new circumstances." Comparative Drama

• List of illustrations; List of contributors; 1. Introduction Hanna Scolnicov; 2. The play: gateway to cultural dialogue Gershon Shaked, translated by Jeffrey Green; 3. Problems of translation for the stage: interculturalism and post-modern theatre Patrice Pavis, translated by Loren Kruger; 4. Space: the final frontier Peter Holland; 5. 'If the salt have lost his savour': some 'useful' plays in and out of context on the London stage James Redmond; 6. Mimesis, mirror, double Hanna Scolnicov; 7. Greek drama in Rome: some aspects of cultural transposition Dwora Gilula; 8. Shakespeare and theatre politics in the Third Reich Werner Habicht; 9. The generation of Life Is a Dream from Oedipus the King Eli Rozik; 10. Claudel and Vitez direct Molière Yehouda Moraly, translated by Daphne Leighton; 11. The role of the target-system in theatrical adaptation: Jalāl's Egyptian-Arabic adaptation of Tartuffe Carol Bardenstein; 12. Chekhov in limbo: British productions of the plays of Chekhov Vera Gottlieb; 13. Intercultural aspects in post-modern theatre: a Japanese version of Chekhov's Three Sisters Erika Fischer-Lichte; 14. Mr Godot will not come today Shoshana Weitz; 15. The adaptation and reception in Germany of Edward Bond's Saved Ruth von Ledebur; 16. Whose Life is it Anyway? in London and on Broadway: a contrastive analysis of the British and American versions of Brian Clark's play Albert-Reiner Glaap; Index.

"This is a very thoughtful, well-edited, provocative series of essays showing how new dramatic meanings arise from new circumstances." Comparative Drama

• List of illustrations; List of contributors; 1. Introduction Hanna Scolnicov; 2. The play: gateway to cultural dialogue Gershon Shaked, translated by Jeffrey Green; 3. Problems of translation for the stage: interculturalism and post-modern theatre Patrice Pavis, translated by Loren Kruger; 4. Space: the final frontier Peter Holland; 5. 'If the salt have lost his savour': some 'useful' plays in and out of context on the London stage James Redmond; 6. Mimesis, mirror, double Hanna Scolnicov; 7. Greek drama in Rome: some aspects of cultural transposition Dwora Gilula; 8. Shakespeare and theatre politics in the Third Reich Werner Habicht; 9. The generation of Life Is a Dream from Oedipus the King Eli Rozik; 10. Claudel and Vitez direct Molière Yehouda Moraly, translated by Daphne Leighton; 11. The role of the target-system in theatrical adaptation: Jalāl's Egyptian-Arabic adaptation of Tartuffe Carol Bardenstein; 12. Chekhov in limbo: British productions of the plays of Chekhov Vera Gottlieb; 13. Intercultural aspects in post-modern theatre: a Japanese version of Chekhov's Three Sisters Erika Fischer-Lichte; 14. Mr Godot will not come today Shoshana Weitz; 15. The adaptation and reception in Germany of Edward Bond's Saved Ruth von Ledebur; 16. Whose Life is it Anyway? in London and on Broadway: a contrastive analysis of the British and American versions of Brian Clark's play Albert-Reiner Glaap; Index.

"This is a very thoughtful, well-edited, provocative series of essays showing how new dramatic meanings arise from new circumstances." Comparative Drama

• List of illustrations; List of contributors; 1. Introduction Hanna Scolnicov; 2. The play: gateway to cultural dialogue Gershon Shaked, translated by Jeffrey Green; 3. Problems of translation for the stage: interculturalism and post-modern theatre Patrice Pavis, translated by Loren Kruger; 4. Space: the final frontier Peter Holland; 5. 'If the salt have lost his savour': some 'useful' plays in and out of context on the London stage James Redmond; 6. Mimesis, mirror, double Hanna Scolnicov; 7. Greek drama in Rome: some aspects of cultural transposition Dwora Gilula; 8. Shakespeare and theatre politics in the Third Reich Werner Habicht; 9. The generation of Life Is a Dream from Oedipus the King Eli Rozik; 10. Claudel and Vitez direct Molière Yehouda Moraly, translated by Daphne Leighton; 11. The role of the target-system in theatrical adaptation: Jalāl's Egyptian-Arabic adaptation of Tartuffe Carol Bardenstein; 12. Chekhov in limbo: British productions of the plays of Chekhov Vera Gottlieb; 13. Intercultural aspects in post-modern theatre: a Japanese version of Chekhov's Three Sisters Erika Fischer-Lichte; 14. Mr Godot will not come today Shoshana Weitz; 15. The adaptation and reception in Germany of Edward Bond's Saved Ruth von Ledebur; 16. Whose Life is it Anyway? in London and on Broadway: a contrastive analysis of the British and American versions of Brian Clark's play Albert-Reiner Glaap; Index.